Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Güney Marlen - Yangın Anında İlk Kurtarılacak Şey - Chord
Key Eb major – C minor Chords Cm, Fm, Bb, Eb, G Easy key C (capo 3)
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Key: Eb | Cm
Capo: 0
Cm Fm Cm
Yangın anında ilk kurtarılacak şey, bana aldığın mavi kazaktı
Fm Cm
Gülerlerdi bana epey, bu duygular onlara çok uzaktı
Fm Eb Bb Cm
Dünya güzeli bakışlarına, en son kim aldandı
Fm Eb Bb Cm
Bilmek istemiyorum bunu ama, herkes meraklandı
Cm Fm Cm
Bu masa çok efkârlı, hep Zeki Müren çaldı
Fm Cm
O kadar derdi anlatırken, ne ara bitti bu rakı
Fm Eb Bb Cm
Çok mu mutsuz ki bu dünya, payımıza düşeni aldık sırayla
Fm Eb Bb Cm
Bir tabela gibiyim küsüm selamsız arabalara, yol kenarında
Fm
Sus artık sus artık
Cm
Başım çatlıyor gülmemekten
Bb G Cm
Biz bizi kaybettik ya zaten
Fm
Susardık susardık
Cm
Küçük kavgaları büyütürken
Bb G Cm
Sen beni severdin eskiden
Cm Fm Cm
İstanbul’da denize giremeyen, bir nesiliz bisiklete binemeyen
Cm Fm Cm
Bir de ayrıldık şimdi senle, yazlar inadına bitiyor hemen
Fm Eb Bb Cm
Bu bina yoktu eskiden, deniz görünürdü pencereden
Fm Eb Bb Cm
Duvara kale çizerdik tebeşirle, toplar dönerdi direkten
Fm
Sus artık sus artık
Cm
Başım çatlıyor gülmemekten
Bb G Cm
Biz bizi kaybettik ya zaten
Fm
Susardık susardık
Cm
Küçük kavgaları büyütürken
Bb G Cm
Sen beni severdin eskiden
End of song Play again?
Güney Marlen - Yangın Anında İlk Kurtarılacak Şey Tabs
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Harmony analysis
Güney Marlen – Yangın Anında İlk Kurtarılacak Şey: key and chord analysis
The song opens on Cm and ends on Cm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
- #7 = B (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it both starts and finishes on Cm, Cm is heard 24 times against 6 for Eb and the major V chord points straight at Cm. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | 6× |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | 16× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | — |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | 4× |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | — |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 10× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 24× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 24× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | 6× |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | 16× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | — |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | 4× |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | — |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 10× |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 5 different chords appear 60 times in total; 4 of them sit naturally inside the shared scale. The major V of Cm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Eb, the same G is V/vi, a secondary dominant heading for Cm.
Chord movement
- Fm Cm Ebii → vi Cmiv → iminor plagal ×10
- Bb Cm EbV → videceptive cadence CmVII → iAeolian arrival ×6
- G Cm EbV/vi → vi CmV → iharmonic-minor cadence ×4
The move to watch is Fm → Cm, heard 10 times. From the Cm side it is iv → i (minor plagal: deep and melancholic); from the Eb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- When G comes, swap the scale's Bb for B: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 4 semitones up
The song's harmonic story
The opening Cm lays a solid floor for everything that follows. Cm, Fm, Bb, Eb carry the song: vi–ii–V–I relative to Eb, i–iv–VII–III relative to Cm. G is the interesting twist: in Eb it is a chromatic chord (V/vi), while in Cm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Fm → Cm (ii → vi in Eb, iv → i in Cm): minor plagal — deep and melancholic. It closes on Cm, letting the Cm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Güney Marlen - Yangın Anında İlk Kurtarılacak Şey Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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