Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Güney Marlen - Kokun Var Bu Evde - Chord
Key Bb major – G minor Chords Gm, F, Cm, Eb, Am, Bb, Dm Easy key G (capo 3)
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Key: Bb | Gm
Capo: 0
Gm Ayrılık öldürür sanki katil, boş bi lunaparkta gezen bi şair Yalnız gidilmiş bi tatil, evi özler gibi özledim seni Eb F Yalın ayak koşarım ben aşka, yoksa basarım yine bacıklara Gm Dikenler batsın ayağıma, gülü sevenin yolu kanlı olur Eb F Bi numara ziyan sahnesi, bir Kızılok şarkısı gibi Gm Gm Am Bb Dm Cm Biraz naif biraz romantik, çok sev dim ben de Cm Gülebilirim her gülüşüne, ölebilirim her gidişine Gm Yaşıyorum sanki gelişine, geçirir dertler üst üste F Yalnızım kederler içinde, delirir kokun var bu evde Gm Gm Am Bb Dm Cm Çok çok sev dim bende Cm Gülebilirim her gülüşüne, ölebilirim her gidişine Gm Yaşıyorum sanki gelişine, geçirir dertler üst üste F Yalnızım kederler içinde, delirir kokun var bu evde Gm Çok Gm Ayrılık öldürür sanki katil, boş bi lunaparkta gezen bi şair Yalnız gidilmiş bi tatil, evi özler gibi özledim seni Eb F Yalın ayak koşarım ben aşka, yoksa basarım yine bacıklara Gm Dikenler batsın ayağıma, gülü sevenin yolu kanlı olur Eb F Bi numara ziyan sahnesi, bir Kızılok şarkısı gibi Gm Gm Am Bb Dm Cm Biraz naif biraz romantik, çok sev dim ben de Cm Gülebilirim her gülüşüne, ölebilirim her gidişine Gm Yaşıyorum sanki gelişine, geçirir dertler üst üste F Yalnızım kederler içinde, delirir kokun var bu evde Gm Çok
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Güney Marlen - Kokun Var Bu Evde Tabs
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Harmony analysis
Güney Marlen – Kokun Var Bu Evde: key and chord analysis
The song opens on Gm and ends on Gm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G minor side because it both starts and finishes on Gm and Gm is heard 15 times against 3 for Bb. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | 3× |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | 6× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | 3× |
| V/vi | D | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A | — |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | 4× |
| V | F | Dominant — strongest pull home | F · A · C | 7× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 15× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| vii | Am | Chromatic colour chordoutside the key | A · C · E | 3× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 15× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| ii | Am | Chromatic colour chordoutside the key | A · C · E | 3× |
| III | Bb | Relative major — the bright side | Bb · D · F | 3× |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | 6× |
| v | Dm | Minor dominant — soft pull | D · F · A | 3× |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | 4× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | 7× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 7 different chords appear 41 times in total; 6 of them sit naturally inside the shared scale. Am step outside the scale as colour chords.
Chord movement
- F Gm BbV → videceptive cadence GmVII → iAeolian arrival ×7
- Eb F BbIV → VIV → V GmVI → VIIVI → VII ×4
- Cm Gm Bbii → vi Gmiv → iminor plagal ×3
The move to watch is F → Gm, heard 7 times. From the Gm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the Bb side it reads V → vi (deceptive cadence: expected Bb, lands on Gm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 2 semitones up
The song's harmonic story
The opening Gm lays a solid floor for everything that follows. Gm, F, Cm, Eb carry the song: vi–V–ii–IV relative to Bb, i–VII–iv–VI relative to Gm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F → Gm (V → vi in Bb, VII → i in Gm): Aeolian arrival — rises a whole tone into home. The final chord is Gm; the ear comes to rest in Gm.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Güney Marlen - Kokun Var Bu Evde Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Güney MarlenMusic: Güney Marlen
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