TNK - Kalpsiz - Chord

Key Db major – Bb minor Chords Ab, Gb, Bbm, Db, Ebm Easy key G (capo 6)

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Capo 0

Bbm  Db  Ab  Gb

Bbm        Db       Ab   Gb
Ben aşkı unuttum aylar önce
Bbm      Db          Ab       Gb
Kirlenen kalbimi yıkadım az önce
Bbm  Db     Ab   Gb
Yalnızlık acı vermez oldu
Bbm  Db   Ab   Gb             Gb  Ab
Gelecek benim için seferber oldu

Db        Ab     Ebm    Bbm  Gb
Ben ağlamazdım senden önce
Db        Ab      Ebm     Bbm  Gb
Sen hep üzerdin zoru görünce
Db          Ab        Ebm    Bbm   Gb
Ben nefessiz kaldım sen gidince
Db         Ab         Ebm      Bbm   Gb  Ab
Sen kalpsiz kaldın, bensiz, gidince

Bbm           Db       Ab   Gb
Sen bana gülümsedin o ilk anda
Bbm       Db          Ab       Gb
Görünen oydu ki bu aşktı bir anda
Bbm        Db         Ab      Gb
O gün karabulutlar varmış havada
Bbm       Db           Ab   Gb
Gözümde canlanan bu ilk anı
Gb           Ab     Gb
Geriye tek senden kalan

ooooo   aaaaaaa
Gb  Ab  Bbm  Ab

Gb        Ab        Gb      Ab
Şimdi içimden geldi bunları söylemek
Gb    Ab        Gb          Ab
Yeniden doğsam aynı şeyleri hissetmek
Gb    Ab          Bbm          Ab
Aşk için her şeyi feda etmek ziyan etmek
Gb    Ab         Bbm          Db
İsterdim sonunda yine yalnız gitmek

End of song Play again?

TNK - Kalpsiz Tabs

NotesX

Harmony analysis

TNK – Kalpsiz: key and chord analysis

The song opens on Bbm and ends on Db. Its chords belong to both Db major and Bbm, so every chord below is read both ways.

Major view

Db major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C (leading tone, pulls home)
4 = Gb (the note that leans on the 3rd)

Minor view

Bb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Gb (the minor's melancholy)
b7 = Ab (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Db major and Bb minor because it comes to rest on Db, it opens on Bbm and Bbm is heard 16 times against 14 for Db. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Db major
Degree	Chord	Role	Notes	In song
I	Db	Tonic — home	Db · F · Ab	14×
ii	Ebm	Supertonic — prepares the dominant	Eb · Gb · Bb	4×
iii	Fm	Mediant — a tonic-family shade	F · Ab · C	—
V/vi	F	Secondary dominant V/vi — leads to Bbmsecondary dominant	F · A · C	—
IV	Gb	Subdominant — moves away from home	Gb · Bb · Db	23×
V	Ab	Dominant — strongest pull home	Ab · C · Eb	25×
vi	Bbm	Relative minor — the melancholy side	Bb · Db · F	16×
vii°	Cdim	Leading-tone chord — tension	C · Eb · Gb	—

Seen from Bb minor
Degree	Chord	Role	Notes	In song
i	Bbm	Tonic — home	Bb · Db · F	16×
ii°	Cdim	Supertonic — prepares the dominant	C · Eb · Gb	—
III	Db	Relative major — the bright side	Db · F · Ab	14×
iv	Ebm	Subdominant — moves away from home	Eb · Gb · Bb	4×
v	Fm	Minor dominant — soft pull	F · Ab · C	—
V	F	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F · A · C	—
VI	Gb	Submediant — warm colour	Gb · Bb · Db	23×
VII	Ab	Subtonic — steps back to the tonic	Ab · C · Eb	25×

Analysis

The key pair is Db major and its relative Bb minor (5 flats). 5 different chords appear 82 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×10
Gb Bbm DbIV → vi BbmVI → iVI → i ×7
Ebm Bbm Dbii → vi Bbmiv → iminor plagal ×4
Ab Bbm DbV → videceptive cadence BbmVII → iAeolian arrival ×4
Gb Db DbIV → Iplagal cadence BbmVI → III ×3
Ab Db DbV → Iauthentic cadence BbmVII → III ×1

The move to watch is Gb → Ab, heard 10 times. From the Db side it reads IV → V (IV → V: the lift that builds tension before home); from the Bbm side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Db major shapes

Capo 1 + C shapes
Capo 4 + A shapes
Capo 6 + G shapes

With Bb minor shapes

Capo 1 + Am shapes
Capo 6 + Em shapes

Easiest keys on guitar

6 semitones up · capo 6 keeps the original pitch
1 semitone up

The song's harmonic story

Starting on Bbm, the song gives away its key from the very first bar. The chords that keep coming back are Ab, Gb, Bbm, Db; read them as V–IV–vi–I in Db or VII–VI–i–III in Bbm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gb → Ab (IV → V in Db, VI → VII in Bbm): IV → V — the lift that builds tension before home. It closes on Db, letting the Db side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.