Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Seda Tripkolic - Gözlerinin Yeşilini Özledim - Chord
Key G major – E minor Chords C, Bm, Em, G, D Difficulty already in its easiest key
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Key: G | Em
Capo: 0
Em C
Olamaz olamaz sensiz yarim
G Bm
Kabir azabından beter halim
Em Bm
Acılar bütün derdim
C D
Sensiz bir dünyayı neyleyim
Em C G
Gözlerimi kapadım, çizdim seni kalbime
Bm Em
Açmam nafile, isteme son nefesimde
Bm C D
Ellerinde ben yoksam, sen de olma hiçbir yerde
Em C G
Sadece benim ol, hayata döndür yine beni
Bm Em Bm
Aç kapılarını zorlama, dünyan da dönmez ki bensiz
C D
Bilirim soluk almak senin için çok zor
Em C G
Bu yolda söz verdik, pes etmek yakışmaz aşkımıza
Bm Em
İsteme,hadi al beni yine kendine
Bm C D
Gitme tut ellerimi, sayalım yine günleri
Em C G
Işığındım ben senin zor dileği, tüm bu kalbe
Bm G Bm
Yalnız kalman bilirim zor, sensiz elimde kalemim
C D
Her şeyimi yazdım yine sensiz
Em C
Olamaz olamaz sensiz yarim
G Bm
Kabir azabından beter halim
Em Bm
Acılar bütün derdim
C D
Sensiz bir dünyayı neyleyim
Em C
Her yerde hayalin, yine aldı beni
G Bm Em
Rüzgar olup sana yine döndürdü, bu bedeni
Bm C D
Gittiğimiz o yerlerde, canlanır yine düşlerim
Em C G
Kurdum yine boş hayaller, bilirim dönmen çok zor
Bm Em Bm
Ah ölürüm, yine dayanmaz bu kalp gidişine
C D
Almaz kalbim birini
Em C G Bm
İçimden seni atmak, kalpsiz yaşamak kadar zor
Em Bm
Ben değil, her yeni sen kokar sevgilim
C D
Gözlerini çok özledim
Em C
Senelerim oldun, her yerde doğruydun
G Bm
Bilirim, ben seni vurdum
Em Bm
Çok pişmanım, nolur dön
C D
Gözlerinin yeşilini özledim
Em C
Olamaz olamaz sensiz yarim
G Bm
Kabir azabından beter halim
Em Bm
Acılar bütün derdim
C D
Sensiz bir dünyayı neyleyim
End of song Play again?
Seda Tripkolic - Gözlerinin Yeşilini Özledim Tabs
NotesX
Harmony analysis
Seda Tripkolic – Gözlerinin Yeşilini Özledim: key and chord analysis
The song opens on Em and ends on D. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because it opens on Em and Em is heard 21 times against 12 for G. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | 12× |
| ii | Am | Supertonic — prepares the dominant | A · C · E | — |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | 22× |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 22× |
| V | D | Dominant — strongest pull home | D · F# · A | 11× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 21× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 21× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | 12× |
| iv | Am | Subdominant — moves away from home | A · C · E | — |
| v | Bm | Minor dominant — soft pull | B · D · F# | 22× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 22× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 11× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 5 different chords appear 88 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- C G GIV → Iplagal cadence EmVI → III ×11
- C D GIV → VIV → V EmVI → VIIVI → VII ×11
- D Em GV → videceptive cadence EmVII → iAeolian arrival ×10
- Bm Em Giii → vi Emv → inatural-minor cadence ×10
The move to watch is C → G, heard 11 times. From the Em side it is VI → III; from the G side it reads IV → I (plagal cadence: the soft 'amen' ending). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The first chord is Em; the ear learns where home is within a second. The backbone is C, Bm, Em, G — IV–iii–vi–I from the G side, VI–v–i–III from the Em side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on C → G (IV → I in G, VI → III in Em): plagal cadence — the soft 'amen' ending. It closes on D, letting the G side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Seda Tripkolic - Gözlerinin Yeşilini Özledim Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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