Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Seda Tripkolic - Belalar (Tefo - Seko feat) - Chord
Key Ab major – F minor Chords Cm, Db Easy key G (capo 1)
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Key: Ab | Fm
Capo: 0
Cm Db Cm Db Cm Db Cm Db Cm Db Vur kadehini in dibe ay ay ay Cm Db Seyrederim yinede vay vay vay Cm Db Nereye gitsem başımda belalar Cm Db Başımda belalar başımda belalar var Cm Db Savurdu rüzgar Birikti içimde yağmurlar Sıkıntı olursa sıksınlar Farketmez karanlık yarınlar Nasılsa bizlere dargınlar Unuttuk biz kaybını aslında Mutlulukta kaldı masallarda Hikayenin devamı kursakta Heder olduk yaktık biz İçmedik ama tabi sevdik biz Fırtına koparsa yapraklar kıpırdamaz bunu sevdik biz Sen sevme Bıraktılar içimde ukte Kalanlar hep kırıntı böyle Elvedalar sığar mı şehre İndim en derine Cm Db Yaşamak öldürür zaten Cm Db Gökyüzü kapkara matem Cm Db Nereye kadar döner dünya Cm Db Başımda belalar varken Cm Db Vur kadehini in dibe ay ay ay Cm Db Seyrederim yinede vay vay vay Cm Db Nereye gitsem başımda belalar Cm Db Başımda belalar başımda belalar var Cm Db Bulamazsın ben gibi zaten Aklınızdayız bir bilsen Taştı bardak düşsün gözden Damlalar oluşsun gölden Janti sokaklarda gündem Sevmek çok garipti zaten Yangınlar sararsa birden Etrafımız yalanlar ve sen Yaktılar nedense acımadan kıydılar bak bize Acılara kavuştuk erkenden Şimdi ya kalanlar giderse Kaldık ışıklar altında Görmedim inanki hiç fayda Gölgeme sarıldım anında Tek yürürsen yıkılmazsın asla Cm Db Vur kadehini in dibe ay ay ay Cm Db Seyrederim yinede vay vay vay Cm Db Nereye gitsem başımda belalar Cm Db Başımda belalar başımda belalar var
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Seda Tripkolic - Belalar (Tefo - Seko feat) Tabs
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Harmony analysis
Seda Tripkolic – Belalar (Tefo - Seko feat): key and chord analysis
The song opens on Cm and ends on Db. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Ab major and F minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | — |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 22× |
| III | C | Chromatic colour chordoutside the key | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 22× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | — |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | — |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | — |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | — |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 22× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | 22× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | — |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 2 different chords appear 44 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 4 semitones up
The song's harmonic story
The first chord is Cm; the ear learns where home is within a second. The backbone is Cm, Db — iii–IV from the Ab side, v–VI from the Fm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Ending on Db, the song seals Ab as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Seda Tripkolic - Belalar (Tefo - Seko feat) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: TefoMusic: TefoArrangement: Can Demir
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