Deniz Tekin - İkiyi Geçti - Chord

Key Gb major – Eb minor Chords Abm, Ebm, B, Bb, Db, Gb, Ab Easy key C (capo 6)

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Capo 0

Ebm      Abm         Db         Gb
Öylesine beklemişiz sanki bi garda
B           Abm    Bb       Ebm
Sordurmuşuz treni gelmeyecekmiş
            Abm        Db        Gb
Öyle susup oturmuşuz orda bi bankta
B           Abm   Bb        Ebm
Kaçırırsak treni beklemiycekmiş

Ebm        Abm        Db            Gb
Ağlamışız acımızdan bir tel koptu saçımızdan
B               Bb
Düştü yerlere, düştü yerlere
Ebm           Abm         Db              Gb
Atmışız da tutmuşuz da sallamışız kıçımızdan
B              Bb 
Öyleyse bile, öyleyse bile

Ebm              Abm         Ebm         Ab
Ben ister miydim böyle olsun ah canım ah gülüm
B        Abm        Bb         Ebm
Kaderim uğraşacak bir beni seçti
                 Abm                Ab
Ben ister miydim böyle olsun istemezdim
B       Abm     Bb     Ebm
Saatim çoktan ikiyi geçti

Ebm      Abm         Db         Gb
Öylesine beklemişiz sanki bi garda
B           Abm    Bb       Ebm
Sordurmuşuz treni gelmeyecekmiş
             Abm         Db       Gb
Ne gitmişiz ne kalmışız öyle sokakta
B         Abm        Bb           Ebm
Bi bilene sorduysam da söylemiycekmiş

Ebm        Abm        Db            Gb
Ağlamışız acımızdan bir tel koptu saçımızdan
B               Bb
Düştü yerlere, düştü yerlere
Ebm           Abm         Db              Gb
Atmışız da tutmuşuz da sallamışız kıçımızdan
B              Bb
Öyleyse bile, öyleyse bile

Ebm              Abm         Ebm         Ab
Ben ister miydim böyle olsun ah canım ah gülüm
B        Abm        Bb         Ebm
Kaderim uğraşacak bir beni seçti
                 Abm            Ab
Ben ister miydim böyle gündüz gece
B       Abm     Bb     Ebm
Saatim çoktan ikiyi geçti

Ebm              Abm         Ebm         Ab
Ben ister miydim böyle olsun ah canım ah gülüm
B        Abm        Bb         Ebm
Kaderim uğraşacak bir beni seçti
                 Abm                Ab
Ben ister miydim böyle olsun istemezdim
B       Abm     Bb     Ebm
Saatim çoktan ikiyi geçti

B       Abm     Bb     Ebm
Saatim çoktan ikiyi geçti

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Deniz Tekin - İkiyi Geçti Tabs

NotesX

Harmony analysis

Deniz Tekin – İkiyi Geçti: key and chord analysis

The song opens on Ebm and ends on Ebm. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.

Major view

Gb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F (leading tone, pulls home)
4 = Cb (the note that leans on the 3rd)

Minor view

Eb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Cb (the minor's melancholy)
b7 = Db (natural-minor colour)
#7 = D (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Eb minor side because it both starts and finishes on Ebm, Ebm is heard 23 times against 8 for Gb and the major V chord points straight at Ebm. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Gb major
Degree	Chord	Role	Notes	In song
I	Gb	Tonic — home	Gb · Bb · Db	8×
ii	Abm	Supertonic — prepares the dominant	Ab · Cb · Eb	25×
V/V	Ab	Secondary dominant V/V — leads to Dbsecondary dominant	Ab · C · Eb	6×
iii	Bbm	Mediant — a tonic-family shade	Bb · Db · F	—
V/vi	Bb	Secondary dominant V/vi — leads to Ebmsecondary dominant	Bb · D · F	15×
IV	B	Subdominant — moves away from home	B · D# · F#	15×
V	Db	Dominant — strongest pull home	Db · F · Ab	8×
vi	Ebm	Relative minor — the melancholy side	Eb · Gb · Bb	23×
vii°	Fdim	Leading-tone chord — tension	F · Ab · Cb	—

Seen from Eb minor
Degree	Chord	Role	Notes	In song
i	Ebm	Tonic — home	Eb · Gb · Bb	23×
ii°	Fdim	Supertonic — prepares the dominant	F · Ab · Cb	—
III	Gb	Relative major — the bright side	Gb · Bb · Db	8×
iv	Abm	Subdominant — moves away from home	Ab · Cb · Eb	25×
IV	Ab	Major IV — Dorian / melodic-minor colourmodal colour	Ab · C · Eb	6×
v	Bbm	Minor dominant — soft pull	Bb · Db · F	—
V	Bb	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	Bb · D · F	15×
VI	B	Submediant — warm colour	B · D# · F#	15×
VII	Db	Subtonic — steps back to the tonic	Db · F · Ab	8×

Analysis

The key pair is Gb major and its relative Eb minor (6 flats). 7 different chords appear 100 times in total; 5 of them sit naturally inside the shared scale. The major V of Ebm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Gb, the same Bb is V/vi, a secondary dominant heading for Ebm. Ab acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

Bb Ebm GbV/vi → vi EbmV → iharmonic-minor cadence ×15
Abm Bb Gbii → V/vi Ebmiv → Viv → V ×11
Db Gb GbV → Iauthentic cadence EbmVII → III ×8
Abm Db Gbii → Vii → V Ebmiv → VII ×8
Abm Ebm Gbii → vi Ebmiv → iminor plagal ×3

The move to watch is Bb → Ebm, heard 15 times. From the Ebm side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the Gb side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
Over Abm, land on Ab, Cb, Eb — the chord's own tones always sound right on strong beats.
Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.
When Bb comes, swap the scale's Db for D: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Gb major shapes

Capo 2 + E shapes
Capo 4 + D shapes
Capo 6 + C shapes

With Eb minor shapes

Capo 1 + Dm shapes
Capo 6 + Am shapes

Easiest keys on guitar

6 semitones up · capo 6 keeps the original pitch
1 semitone up

The song's harmonic story

Starting on Ebm, the song gives away its key from the very first bar. The backbone is Abm, Ebm, B, Bb — ii–vi–IV–V/vi from the Gb side, iv–i–VI–V from the Ebm side. Bb is the interesting twist: in Gb it is a chromatic chord (V/vi), while in Ebm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Bb → Ebm (V/vi → vi in Gb, V → i in Ebm): harmonic-minor cadence — the major V resolves dramatically. The final chord is Ebm; the ear comes to rest in Ebm.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.