Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Key D major – B minor Chords G, Em, Fm, A, Bm, Ab, D, Cm … Easy key G (capo 7)
Bm Em A G
x2
Bm Em
Under a lover's sky
A
Gonna be with you
G
And no one's gonna be around
Bm Em
If you think that you wont fall
A
Well just wait until, til the sun goes down
Em D
Underneath the starlight starlight
Em D
There's a magical feeling so right
G
It'll steal your heart tonight
Cm
You can try to resist
Fm
Try to hide from my kiss
Bb
But you know but you know that you
Ab G
Cant fight the moonlight
Cm
Deep in the dark
Fm
You surrender your heart
Bb
Don't you know, Don't you know that you
Ab G
Cant fight the moonlight
Fm G
No, you cant fight it
Its gonna get to your heart
Bm Em
There's no escape from love
A
Once the gentle breeze
G
Weaves its spell upon your heart
Bm Em A
No matter what you think it won't be too long
Til your in my arms
Em D
Underneath the starlight starlight
Em D
We'll be lost in the rhythm tonight
G
Feel it steal your heart tonight
Cm
You can try to resist
Fm
Try to hide from my kiss
Bb
But you know but you know that you
Ab G
Cant fight the moonlight
Cm
Deep in the dark
Fm
You surrender your heart
Bb
Don't you know, Don't you know that you
Ab G
Cant fight the moonlight
Fm G
No, you cant fight it
Fm G
No matter what you do
G Bm
The night is gonna get to you
Bm Em A G
Na na na na na na
Bm Em A G
Cant fight it dont try it
Fm Eb
Underneath the starlight, starlight
Fm Eb
Theres a magical feeling thats so right
Fm Eb
Here to steal ur heart tonite
C#m
You can try to resist
F#m
Try to hide from my kiss
B
But you know but you know that you
A Ab
Cant fight the moonlight
C#m
Deep in the dark
F#m
You surrender your heart
B
Don't you know, Don't you know that you
A Ab
Cant fight the moonlight
F#m Ab
No, you cant fight it
Its gonna get to your heart
End of song Play again?
Harmony analysis
The song opens on Bm and ends on Ab. Its chords belong to both D major and Bm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the B minor side because it opens on Bm and Bm is heard 8 times against 4 for D. That is an interpretation, not a rule — the same chords are just as valid seen from D major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | D | Tonic — home | D · F# · A | 4× |
| bII | Eb | Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord | Eb · G · Bb | 3× |
| ii | Em | Supertonic — prepares the dominant | E · G · B | 11× |
| biii | Fm | Chromatic colour chordoutside the key | F · Ab · C | 10× |
| iii | F#m | Mediant — a tonic-family shade | F# · A · C# | 3× |
| V/vi | F# | Secondary dominant V/vi — leads to Bmsecondary dominant | F# · A# · C# | — |
| IV | G | Subdominant — moves away from home | G · B · D | 15× |
| #IV | Ab | Chromatic colour chordoutside the key | Ab · C · Eb | 7× |
| V | A | Dominant — strongest pull home | A · C# · E | 9× |
| bVI | Bb | Borrowed from the parallel minorborrowed chord | Bb · D · F | 4× |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | 8× |
| V/ii | B | Secondary dominant V/ii — leads to Emsecondary dominant | B · D# · F# | 2× |
| bvii | Cm | Chromatic colour chordoutside the key | C · Eb · G | 4× |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| vii | C#m | Chromatic colour chordoutside the key | C# · E · G# | 2× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | 8× |
| V/iv | B | Secondary dominant V/iv — leads to Emsecondary dominant | B · D# · F# | 2× |
| bii | Cm | Chromatic colour chordoutside the key | C · Eb · G | 4× |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| ii | C#m | Chromatic colour chordoutside the key | C# · E · G# | 2× |
| III | D | Relative major — the bright side | D · F# · A | 4× |
| #III | Eb | Chromatic colour chordoutside the key | Eb · G · Bb | 3× |
| iv | Em | Subdominant — moves away from home | E · G · B | 11× |
| #iv | Fm | Chromatic colour chordoutside the key | F · Ab · C | 10× |
| v | F#m | Minor dominant — soft pull | F# · A · C# | 3× |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | — |
| VI | G | Submediant — warm colour | G · B · D | 15× |
| #VI | Ab | Chromatic colour chordoutside the key | Ab · C · Eb | 7× |
| VII | A | Subtonic — steps back to the tonic | A · C# · E | 9× |
| #VII | Bb | Chromatic colour chordoutside the key | Bb · D · F | 4× |
The key pair is D major and its relative B minor (2 sharps). 13 different chords appear 82 times in total; 6 of them sit naturally inside the shared scale. B acts as a secondary dominant, briefly pointing at another chord of the key. Bb, Eb are borrowed from the parallel minor, adding a darker shade to the major side.
The move to watch is Em → A, heard 7 times. From the Bm side it is iv → VII; from the D side it reads ii → V (ii → V: the classic preparation of the dominant). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
Starting on Bm, the song gives away its key from the very first bar. The backbone is G, Em, Fm, A — IV–ii–biii–V from the D side, VI–iv–#iv–VII from the Bm side. B adds a moment of surprise: secondary dominant V/ii — leads to Em. Keep an ear on Em → A (ii → V in D, iv → VII in Bm): ii → V — the classic preparation of the dominant. The final chord is Ab; the ear comes to rest in D.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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