Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Key D major – B minor Chords D, Bm Easy key C (capo 2)
D Bm
D
This was all you, none of it me
You put your hands
Bm
All over my body and told me
You told me you were ready
D
For the big one, for the big jump
I'd be your last love everlasting
Bm
You and me
That was what you told me
D
I'm giving you up
I've forgiven it all
Bm
You set me free
D
Send my love to your new lover
Treat her better
Bm
We've gotta let go
of all of our ghosts
We both know we ain't kids no more
D
Send my love to your new lover
Treat her better
Bm
We've gotta let go
Of all of our ghosts
We both know we ain't kids no more
D
D
I was too strong
You were trembling
You couldn't handle
Bm
The hot heat rising (rising)
Baby, I'm so rising
D
I was running, you were walking
You couldn't keep up
Bm
You were falling down (down)
There's only one way down
D
I'm giving you up
I've forgiven it all
Bm
You set me free, oh
D
Send my love to your new lover
Treat her better
Bm
We've gotta let go
of all of our ghosts
We both know we ain't kids no more
Send my love to your new lover
Treat her better
Bm
We've gotta let go
Of all of our ghosts
We both know we ain't kids no more
D
If you're ready, if you're ready
If you're ready, I am ready
Bm
If you're ready, if you're ready
We both know we ain't kids no more
D Bm
No, we ain't kids no more
Repete a Primeira Parte:
D
I'm giving you up
I've forgiven it all
Bm
You set me free
D
Send my love to your new lover
Treat her better
Bm
We've gotta let go
of all of our ghosts
We both know we ain't kids no more
D
Send my love to your new lover
Treat her better
Bm
We've gotta let go
Of all of our ghosts
We both know we ain't kids no more
D
If you're ready, if you're ready
If you're ready, I am ready
Bm
We've gotta let go
of all of our ghosts
We both know we ain't kids no more
D
If you're ready, if you're ready
If you're ready, I am ready
Bm
We've gotta let go
of all of our ghosts
We both know we ain't kids no more
End of song Play again?
Harmony analysis
The song opens on D and ends on Bm. Its chords belong to both D major and Bm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between D major and B minor because it comes to rest on Bm and it opens on D. Try reading the chords both ways and see which feels more like home to you.
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | D | Tonic — home | D · F# · A | 18× |
| ii | Em | Supertonic — prepares the dominant | E · G · B | — |
| iii | F#m | Mediant — a tonic-family shade | F# · A · C# | — |
| V/vi | F# | Secondary dominant V/vi — leads to Bmsecondary dominant | F# · A# · C# | — |
| IV | G | Subdominant — moves away from home | G · B · D | — |
| V | A | Dominant — strongest pull home | A · C# · E | — |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | 18× |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | 18× |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| III | D | Relative major — the bright side | D · F# · A | 18× |
| iv | Em | Subdominant — moves away from home | E · G · B | — |
| v | F#m | Minor dominant — soft pull | F# · A · C# | — |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | — |
| VI | G | Submediant — warm colour | G · B · D | — |
| VII | A | Subtonic — steps back to the tonic | A · C# · E | — |
The key pair is D major and its relative B minor (2 sharps). 2 different chords appear 36 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Empty slices are chords the song doesn't use.
The first chord is D; the ear learns where home is within a second. The chords that keep coming back are D, Bm; read them as I–vi in D or III–i in Bm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Ending on Bm, the song seals Bm as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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