Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Eypio - Korkuyorum Hayattan - Chord
Key Db major – Bb minor Chords Bbm, Ebm, F Easy key C (capo 1)
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Key: Db | A#m | Bbm
Capo: 0
Ebm Bbm Ebm Bbm Ebm Bbm F Bbm Ebm Bbm Korkuyorum hayattan ve F Bbm Buna fazla dayanmam Ebm Bbm Çocukken mesuldüm bi tek F Bbm Dizimdeki yaramdan Ebm Bbm Büyüdükçe hayat bi dandik geliyor F Bbm Trafik yoğun üstelik de kemer geriyor Ebm Bbm Bi kaçıp kaytarmak aklımı çeliyor F Bbm Zaman küresel ısınmada buz gibi eriyor Ebm Bbm Eskidi hayat bize her saniye her dakika F Bbm Bizim zamanımızda battı inan çok banka Ebm Bbm Kapıp da kaçılan vardı inan çok çanta F Bbm Aynı şimdi gibi bakarlardı hep ranta Ebm Bbm Pampa yoktu biz de çıktık ama çok rampa F Bbm Hayat bi maç gibi soktu bizi hep kampa Ebm Bbm Mum kokardı hep elektrik yok yak lamba F Bbm Şimdi var ama hiçbir bok yok ekranda Ebm Bbm İnandım amma gördüm reklamda F Bbm Küçükken kolay hayattan hem de saklanmak Ebm Bbm Yıkılma kalk geçti bizden saklambaç F Bbm Küçükken kolaydı bir yalanla aklanmak Ebm Bbm Korkuyorum hayattan ve F Bbm Buna fazla dayanmam Ebm Bbm Çocukken mesuldüm bi tek F Bbm Dizimdeki yaramdan Ebm Bbm Kaç yaşında girdin söyle borca F Bbm Dert ve keder büyüdükçe artıyor ve bolca Ebm Bbm Ne olacağı belli zaten hep dokuz doğuracan F Bbm E amcam sabah sekiz iş yerinde stresten boğulacan Ebm Bbm Zannederdim ben TV’de Barış Manço kankam F Bbm Malkoçoğlu vardı bir de Jean Claude’du Van Damme Ebm Bbm Yağmur yağar seller akar Arap kızı camdan bakardı F Bbm Şimdilerde doldur diyor gamdan Ebm Bbm Susam sokağında tutarlar mı torba F Bbm Belki hapislere düşüp atarlardı volta Ebm Bbm Herkes bozuldu çünkü yaktı hepsi conta F Bbm Mobilya dediğin şimdi ta İsveç’ten sunta Ebm Bbm İnandım amma gördüm reklamda F Bbm Küçükken kolay hayattan hem de saklanmak Ebm Bbm Yıkılma kalk geçti bizden saklambaç F Bbm Küçükken kolaydı bir yalanla aklanmak Ebm Bbm Korkuyorum hayattan ve F Bbm Buna fazla dayanmam Ebm Bbm Çocukken mesuldüm bi tek F Bbm Dizimdeki yaramdan
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Eypio - Korkuyorum Hayattan Tabs
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Harmony analysis
Eypio – Korkuyorum Hayattan: key and chord analysis
The song opens on Ebm and ends on Bbm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
- #7 = A (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because it comes to rest on Bbm, Bbm is heard 48 times while Db never appears and the major V chord points straight at Bbm. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 25× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | — |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | 23× |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | — |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | — |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 48× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 48× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 25× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | — |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | 23× |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | — |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | — |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 3 different chords appear 96 times in total; 2 of them sit naturally inside the shared scale. The major V of Bbm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Db, the same F is V/vi, a secondary dominant heading for Bbm.
Chord movement
- Ebm Bbm Dbii → vi Bbmiv → iminor plagal ×25
- F Bbm DbV/vi → vi BbmV → iharmonic-minor cadence ×23
The move to watch is Ebm → Bbm, heard 25 times. From the Bbm side it is iv → i (minor plagal: deep and melancholic); from the Db side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- When F comes, swap the scale's Ab for A: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The first chord is Ebm; the ear learns where home is within a second. The chords that keep coming back are Bbm, Ebm, F; read them as vi–ii–V/vi in Db or i–iv–V in Bbm. F is the interesting twist: in Db it is a chromatic chord (V/vi), while in Bbm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Ebm → Bbm (ii → vi in Db, iv → i in Bbm): minor plagal — deep and melancholic. The final chord is Bbm; the ear comes to rest in Bbm.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Eypio - Korkuyorum Hayattan Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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