Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Müslüm Gürses - Kal Benimle - Chord
Key Bb major – G minor Chords Am, Dm, C, Gm, Bb, F Easy key F (capo 5)
No ratings yet
or your user informations
Make it yours
Text size
Key: Bb | Gm
Capo: 0
Am Gm F C Dm Bb C
Am Bb
İster misin ulaşalım o yıldızlara
Am Dm Am
Geleceği koy aklına kal benimle
C Am
Bırak yalnızlığını yalnızlıklara
Dm Gm Am
Yüreğini al yanına kal benimle
Am C Am
Bırak yalnızlığını yalnızlıklara
Bb Am
Yüreğini al yanına kal benimle
Am Gm F Gm Am
Dm C Dm
Boşver yıllarca gördüğün hülyalara
Am Bb Am
Heves edip düşmedin mi nice yollara
Dm Gm
Bırak yaşanmış ne varsa geçen yıllara
Am C Bb Am
Aradığın deli aşkı bul benimle
Am Bb
Göremezsin duyamazsın ben gibi çılgın
Am Dm Am
En deli sevdanın gözün kör benimle
C Am
Karanlığın kuytu köşelerinde
Dm Gm Am
Yüreğini al yanına kal benimle
Am C Am
Karanlığın kuytu köşelerinde
Bb Am
Yüreğini al yanına kal benimle
Am Gm F Gm Am
Dm C Dm
Boşver yıllarca gördüğün hülyalara
Am Bb Am
Heves edip düşmedin mi nice yollara
Dm Gm
Bırak yaşanmış ne varsa geçen yıllara
Am C Bb Am
Aradığın deli aşkı bul benimle
End of song Play again?
Müslüm Gürses - Kal Benimle Tabs
NotesX
Harmony analysis
Müslüm Gürses – Kal Benimle: key and chord analysis
The song opens on Am and ends on Am. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Bb major and G minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | 9× |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | — |
| V/V | C | Secondary dominant V/V — leads to Fsecondary dominant | C · E · G | 10× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | 11× |
| V/vi | D | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A | — |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | — |
| V | F | Dominant — strongest pull home | F · A · C | 3× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 9× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| vii | Am | Chromatic colour chordoutside the key | A · C · E | 29× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 9× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| ii | Am | Chromatic colour chordoutside the key | A · C · E | 29× |
| III | Bb | Relative major — the bright side | Bb · D · F | 9× |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | — |
| IV | C | Major IV — Dorian / melodic-minor colourmodal colour | C · E · G | 10× |
| v | Dm | Minor dominant — soft pull | D · F · A | 11× |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | — |
| VII | F | Subtonic — steps back to the tonic | F · A · C | 3× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 6 different chords appear 71 times in total; 4 of them sit naturally inside the shared scale. C acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- Dm Gm Bbiii → vi Gmv → inatural-minor cadence ×4
- F Gm BbV → videceptive cadence GmVII → iAeolian arrival ×2
The move to watch is Dm → Gm, heard 4 times. From the Bb side it reads iii → vi; from the Gm side it is v → i (natural-minor cadence: gentle, modal arrival). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
The first chord is Am; the ear learns where home is within a second. Am, Dm, C, Gm carry the song: vii–iii–V/V–vi relative to Bb, ii–v–IV–i relative to Gm. C adds a moment of surprise: secondary dominant V/V — leads to F. Keep an ear on Dm → Gm (iii → vi in Bb, v → i in Gm): natural-minor cadence — gentle, modal arrival. The final chord is Am; the ear comes to rest in Bb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Müslüm Gürses - Kal Benimle Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Repertoires with this song
Similar songs, ready to play: pick a list.
Lyrics: Mustafa YaşamışMusic: Burhan BayarArrangement: Burhan Bayar
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.