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Müslüm Gürses - Ben İnsan Değil miyim - Chord

Key Ab major – F minor Chords Cm, Bb, Fm, Eb, Db, Ab, Bbm Easy key C

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Capo 0
Cm  Bb  Bb  Ab  Cm  Bb  Bb  Cm

Cm          Bb    Cm
Ben insan değil miyim?
             Bb    Cm
(Ben insan değil miyim?)
            Bb    Cm
Ben kulun değil miyim?
             Bb    Cm
(Ben kulun değil miyim?)

Cm         Bb            Ab
Tanrım, dünyaya beni sen attın
Cm      Bb              Cm
Çile çektirdin, derman arattın

Cm          Bb  Cm
Beni sen kullarına
             Bb  Cm
(Beni sen kullarına)
           Bb   Cm
Oyuncak mı yarattın?
            Bb   Cm
(Oyuncak mı yarattın?)

Fm        Eb  Bbm         Eb  Ab
Ben de mutlu olmak istemez miydim?
Bbm               Fm  Bbm  Cm
Şu yalancı dünyada

Eb    Db  Fm    Eb   Db  Fm
Yüce adaaalet böyle olur mu?
Eb    Db  Fm  Eb   Db    Fm
Tanrı kulunu  hiç unutur mu?

Cm  Bb  Bb  Ab  Cm  Bb  Bb  Cm

Cm            Bb  Cm
Ben de sevmek isterim
               Bb  Cm
(Ben de sevmek isterim)
              Bb  Cm
Ben de gülmek isterim
               Bb  Cm
(Ben de gülmek isterim)

Cm        Bb              Ab
Önce ne verdin, sonra ne aldın?
Cm     Bb             Cm
Onun peşinden neden ağlattın?

Cm          Bb  Cm
Beni sen kullarına
             Bb  Cm
(Beni sen kullarına)
           Bb   Cm
Oyuncak mı yarattın?
            Bb   Cm
(Oyuncak mı yarattın?)

Fm        Eb  Bbm         Eb  Ab
Ben de mutlu olmak istemez miydim?
Bbm               Fm  Bbm  Cm
Şu yalancı dünyada

Eb    Db  Fm    Eb   Db  Fm
Yüce adaaalet böyle olur mu?
Eb    Db  Fm  Eb     Db  Fm
Tanrı kulunu  hiç unutur mu?

Cm  Fm  Cm

Cm       Bb   Cm
Madem unutacaktın
          Bb   Cm
(Madem unutacaktın)
       Bb    Cm
Beni neden yarattın
        Bb    Cm
(Beni neden yarattın)

End of song Play again?

Müslüm Gürses - Ben İnsan Değil miyim Tabs

/videos/muslum-gurses-ben-insan-degil-miyim-tab.mp4
NotesX

Harmony analysis

Müslüm Gürses – Ben İnsan Değil miyim: key and chord analysis

The song opens on Cm and ends on Cm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = G (leading tone, pulls home)
  • 4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = Db (the minor's melancholy)
  • b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the F minor side because Fm is heard 13 times against 6 for Ab. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree Chord Role Notes In song
I Ab Tonic — home Ab · C · Eb 6×
ii Bbm Supertonic — prepares the dominant Bb · Db · F 6×
V/V Bb Secondary dominant V/V — leads to Ebsecondary dominant Bb · D · F 32×
iii Cm Mediant — a tonic-family shade C · Eb · G 41×
V/vi C Secondary dominant V/vi — leads to Fmsecondary dominant C · E · G —
IV Db Subdominant — moves away from home Db · F · Ab 8×
V Eb Dominant — strongest pull home Eb · G · Bb 12×
vi Fm Relative minor — the melancholy side F · Ab · C 13×
vii° Gdim Leading-tone chord — tension G · Bb · Db —
Seen from F minor
Degree Chord Role Notes In song
i Fm Tonic — home F · Ab · C 13×
ii° Gdim Supertonic — prepares the dominant G · Bb · Db —
III Ab Relative major — the bright side Ab · C · Eb 6×
iv Bbm Subdominant — moves away from home Bb · Db · F 6×
IV Bb Major IV — Dorian / melodic-minor colourmodal colour Bb · D · F 32×
v Cm Minor dominant — soft pull C · Eb · G 41×
V C Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor C · E · G —
VI Db Submediant — warm colour Db · F · Ab 8×
VII Eb Subtonic — steps back to the tonic Eb · G · Bb 12×

Analysis

The key pair is Ab major and its relative F minor (4 flats). 7 different chords appear 118 times in total; 6 of them sit naturally inside the shared scale. Bb acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

  1. Db Fm AbIV → vi FmVI → iVI → i ×8
  2. Cm Fm Abiii → vi Fmv → inatural-minor cadence ×3
  3. Eb Ab AbV → Iauthentic cadence FmVII → III ×2
  4. Bbm Fm Abii → vi Fmiv → iminor plagal ×2
  5. Bbm Eb Abii → Vii → V Fmiv → VII ×2

The move to watch is Db → Fm, heard 8 times. From the Fm side it is VI → i (VI → i: falls a half step into home); from the Ab side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
  • Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
  • Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
  • Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With Ab major shapes

    • Capo 1 + G shapes
    • Capo 4 + E shapes
    • Capo 6 + D shapes

    With F minor shapes

    • Capo 1 + Em shapes
    • Capo 3 + Dm shapes

    Easiest keys on guitar

    • 4 semitones up
    • 1 semitone down · capo 1 keeps the original pitch

    The song's harmonic story

    The opening Cm lays a solid floor for everything that follows. Cm, Bb, Fm, Eb carry the song: iii–V/V–vi–V relative to Ab, v–IV–i–VII relative to Fm. Bb adds a moment of surprise: secondary dominant V/V — leads to Eb. Keep an ear on Db → Fm (IV → vi in Ab, VI → i in Fm): VI → i — falls a half step into home. It closes on Cm, letting the Ab side have the last word.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Müslüm Gürses - Ben İnsan Değil miyim Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

    Find something to play next

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    Lyrics: Sait Ergenç
    Music: Muhammed Abdülvahab

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