Berkay - Sen Varsın - Chord

Key Gb major – Eb minor Chords Ab, Fm, Bbm, F#, Ebm Easy key F (capo 1)

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Capo 0

Bbm       Ab
İçimde bitecek gibi durmayan
Ebm                     Fm
Adını koyamadığım sen varsın
Bbm       Ab                
Aklıma geldiği an kahreden
Ebm                Fm
İçimi acıtan sen varsın 

F#
Nereden bilirim kısmet olmayacak 
Fm                           Ab
Tutunurum sandığım dala başkası konacak

Bbm
Sanki yıllar önce rastlamış gibiyim 
Ab
İçime atsam olmayacak, sensiz çaresizim
F#
Yerin hiç dolmayacak bu aşk olmasa da 
Ab               F#              Fm
Zaman ilaç gelir tutunduğum yarınlara

End of song Play again?

Berkay - Sen Varsın Tabs

NotesX

Harmony analysis

Berkay – Sen Varsın: key and chord analysis

The song opens on Bbm and ends on Fm. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.

Major view

Gb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F (leading tone, pulls home)
4 = Cb (the note that leans on the 3rd)

Minor view

Eb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Cb (the minor's melancholy)
b7 = Db (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Gb major side because Gb is heard 3 times against 2 for Ebm. That is an interpretation, not a rule — hearing the same chords from Eb minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Gb major
Degree	Chord	Role	Notes	In song
I	F#	Tonic — home	F# · A# · C#	3×
ii	Abm	Supertonic — prepares the dominant	Ab · Cb · Eb	—
II	Ab	Chromatic colour chordoutside the key	Ab · C · Eb	5×
iii	Bbm	Mediant — a tonic-family shade	Bb · Db · F	3×
V/vi	Bb	Secondary dominant V/vi — leads to Ebmsecondary dominant	Bb · D · F	—
IV	Cb	Subdominant — moves away from home	Cb · Eb · Gb	—
V	Db	Dominant — strongest pull home	Db · F · Ab	—
vi	Ebm	Relative minor — the melancholy side	Eb · Gb · Bb	2×
vii°	Fdim	Leading-tone chord — tension	F · Ab · Cb	—
vii	Fm	Chromatic colour chordoutside the key	F · Ab · C	4×

Seen from Eb minor
Degree	Chord	Role	Notes	In song
i	Ebm	Tonic — home	Eb · Gb · Bb	2×
ii°	Fdim	Supertonic — prepares the dominant	F · Ab · Cb	—
ii	Fm	Chromatic colour chordoutside the key	F · Ab · C	4×
III	F#	Relative major — the bright side	F# · A# · C#	3×
iv	Abm	Subdominant — moves away from home	Ab · Cb · Eb	—
IV	Ab	Major IV — Dorian / melodic-minor colourmodal colour	Ab · C · Eb	5×
v	Bbm	Minor dominant — soft pull	Bb · Db · F	3×
V	Bb	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	Bb · D · F	—
VI	Cb	Submediant — warm colour	Cb · Eb · Gb	—
VII	Db	Subtonic — steps back to the tonic	Db · F · Ab	—

Analysis

The key pair is Gb major and its relative Eb minor (6 flats). 5 different chords appear 17 times in total; 3 of them sit naturally inside the shared scale. Ab, Fm step outside the scale as colour chords.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Gb major shapes

Capo 2 + E shapes
Capo 4 + D shapes
Capo 6 + C shapes

With Eb minor shapes

Capo 1 + Dm shapes
Capo 6 + Am shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
6 semitones up · capo 6 keeps the original pitch

The song's harmonic story

The first chord is Bbm; the ear learns where home is within a second. Ab, Fm, Bbm, F# carry the song: II–vii–iii–I relative to Gb, IV–ii–v–III relative to Ebm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Fm, letting the Gb side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.