Berkay - Ağla Gözüm - Chord

Key F major – D minor Chords Bb, Am, Dm, F, Gm, C Easy key G

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Capo 0

F                      Gm      F
Ağla gözüm ağla ağla gülemem bugün
F                       Gm        F
Kana yaram kana kana sızlarsın bugün
Dm            Bb             Dm       C
Dertli sazım dertli dertli çalarım bugün
C                      Bb      Dm
Ağla gözüm ağla ağla gülemem bugün
            C           Bb      Am
Ağla gözüm ağla ağla gülemem bugün 

Am
Söz vermiştin bana kaç hafta oldu
Bb                   Dm
Çok cumalar geçti ne görüşler bitti
Am                  C                 Gm
Senden başka kimsem var mıydı benim yar

Dm               Bb 
Yar bana dağlar taşlar bile ağladı
Am
Gardiyana sordum daha gelen olmadı
Gm                                    Am
Sen gittin gideli güneşim hiç doğmadı yar
Bb                                    Am
Sen gittin gideli güneşim hiç doğmadı yar

Am
Takatim kalmadı sabrım tükendi
Dm                  Bb                     
Bir derdime bin dert yine eklendi
Am                   C           Gm
Saat 5 e 10 var bu cuma da bitti yar

Dm               Bb 
Yar bana dağlar taşlar bile ağladı
Am
Gardiyana sordum daha gelen olmadı
Gm                                    Am
Sen gittin gideli güneşim hiç doğmadı yar
Bb                                    Am
Sen gittin gideli güneşim hiç doğmadı yar

F                      Gm      F
Burda esen hazan yeli mevsim sonbahar
F                   Gm       F
Gönül bahçemde kurudu nice umutlar
Dm          Bb           Dm        C
Yüreğimde tamiri yok çok hasarlar var
C                      Bb      Dm
Ağla gözüm ağla ağla gülemem bugün
            C           Bb      Am
Ağla gözüm ağla ağla gülemem bugün

End of song Play again?

Berkay - Ağla Gözüm Tabs

NotesX

Harmony analysis

Berkay – Ağla Gözüm: key and chord analysis

The song opens on F and ends on Am. Its chords belong to both F major and Dm, so every chord below is read both ways.

Major view

F major

Brightness rank 2/7 (bright)

Characteristic notes

7 = E (leading tone, pulls home)
4 = Bb (the note that leans on the 3rd)

Minor view

D minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Bb (the minor's melancholy)
b7 = C (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between F major and D minor because it opens on F and Dm is heard 10 times against 8 for F. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from F major
Degree	Chord	Role	Notes	In song
I	F	Tonic — home	F · A · C	8×
ii	Gm	Supertonic — prepares the dominant	G · Bb · D	8×
iii	Am	Mediant — a tonic-family shade	A · C · E	12×
V/vi	A	Secondary dominant V/vi — leads to Dmsecondary dominant	A · C# · E	—
IV	Bb	Subdominant — moves away from home	Bb · D · F	12×
V	C	Dominant — strongest pull home	C · E · G	8×
vi	Dm	Relative minor — the melancholy side	D · F · A	10×
vii°	Edim	Leading-tone chord — tension	E · G · Bb	—

Seen from D minor
Degree	Chord	Role	Notes	In song
i	Dm	Tonic — home	D · F · A	10×
ii°	Edim	Supertonic — prepares the dominant	E · G · Bb	—
III	F	Relative major — the bright side	F · A · C	8×
iv	Gm	Subdominant — moves away from home	G · Bb · D	8×
v	Am	Minor dominant — soft pull	A · C · E	12×
V	A	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	A · C# · E	—
VI	Bb	Submediant — warm colour	Bb · D · F	12×
VII	C	Subtonic — steps back to the tonic	C · E · G	8×

Analysis

The key pair is F major and its relative D minor (1 flat). 6 different chords appear 58 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Bb Dm FIV → vi DmVI → iVI → i ×5
Gm Dm Fii → vi Dmiv → iminor plagal ×2
Am Dm Fiii → vi Dmv → inatural-minor cadence ×1

The move to watch is Bb → Dm, heard 5 times. From the F side it reads IV → vi; from the Dm side it is VI → i (VI → i: falls a half step into home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With F major shapes

Capo 1 + E shapes
Capo 3 + D shapes
Capo 5 + C shapes

With D minor shapes

No capo — open Dm shapes
Capo 5 + Am shapes

Easiest keys on guitar

2 semitones up
5 semitones down · capo 5 keeps the original pitch

The song's harmonic story

The opening F lays a solid floor for everything that follows. The backbone is Bb, Am, Dm, F — IV–iii–vi–I from the F side, VI–v–i–III from the Dm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bb → Dm (IV → vi in F, VI → i in Dm): VI → i — falls a half step into home. It closes on Am, letting the F side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.