Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Key G major – E minor Chords D, G, Em, C, Am Difficulty already in its easiest key
G D G Em
Buludlar, pambıq kimi buludlar
C D G D
Bütün keçmiş qızlarıma deyin salamlar
G D G Em
Buludlar, pambıq kimi buludlar
C D G D
Bütün keçmiş qızlarıma deyin salamlar
G
Üzünden güneş saçır
D Em
Sevincden baş fırlanıır
Am C D G
Vurulmusan, beli vurulmusan
G
Gözün ora bura qaçır
D Em
De mene kimi axtarır
Am C D G
Vurulmusan, beli vurulmusan
G D
De mene de mene de onu görende
Em D
Boğazın quruyur dilin tutulur mu?
Am C D
De mene onu görende
G D
Seninçün qarlı qışeriyir yay olurmu?
G D
Geceden sehere qeder
Em
Ev telefonundan zengler
Am G
Sen ve o
D G D
Aloo salam sevgilim, aloo
G Em
Bu günler menim başıma da gelib
G Am
Üreyim yanıb, donub, eriyib
G D G
Ora kimler gelib getmeyib
D
ooo yeah...
G D Em
Saf mehebbet ne demekdir bunu bilir çoxu
Am
Eger sen de bilirsen
D G
Mahnımın neqaretin menimle bir oxu
D
Yo yo yo...
G D G Em
Buludlar, pambıq kimi buludlar
C D G D
Bütün keçmiş qızlarıma deyin salamlar
G D G Em
Buludlar, pambıq kimi buludlar
C D G D
Bütün keçmiş qızlarıma deyin salamlar
G
Sinemde çırpı çırpı çırpınan üreyim
Em
Dil Aç, söyle sevmedinmi
Am C D
Heyatına qonaq gelen her zanımı
G D
Sevginden vermedinmi
G D
Kimese oyuncaq oldun
Em
Kimese sığınacaq oldun
Am C D
Kimlerse çekir hesretini senin
G D
Kimese çatmadı döyüntülerin
G D Em
Saf mehebbet ne demekdir bunu bilir çoxu
Am
Eger sen de bilirsen
D G
Mahnımın neqaretin menimle bir oxu
D
Yo yo yo....
G D G Em
Buludlar, pambıq kimi buludlar
C D G D
Bütün keçmiş qızlarıma deyin salamlar
G D G Em
Buludlar, pambıq kimi buludlar
C D G D
Bütün keçmiş qızlarıma deyin salamlar
End of song Play again?
Harmony analysis
The song opens on G and ends on D. Its chords belong to both G major and Em, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the G major side because it opens on G and G is heard 39 times against 15 for Em. That is an interpretation, not a rule — hearing the same chords from E minor is just as valid and teaches you something different.
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | 39× |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 9× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | — |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 11× |
| V | D | Dominant — strongest pull home | D · F# · A | 42× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 15× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 15× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | 39× |
| iv | Am | Subdominant — moves away from home | A · C · E | 9× |
| v | Bm | Minor dominant — soft pull | B · D · F# | — |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 11× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 42× |
The key pair is G major and its relative E minor (1 sharp). 5 different chords appear 116 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is D → G, heard 33 times. From the G side it reads V → I (authentic cadence: the strongest arrival home); from the Em side it is VII → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The song is already written in its easiest key for guitar.
The opening G lays a solid floor for everything that follows. D, G, Em, C carry the song: V–I–vi–IV relative to G, VII–III–i–VI relative to Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on D → G (V → I in G, VII → III in Em): authentic cadence — the strongest arrival home. Ending on D, the song seals G as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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