Kalben - Fakat O Ne - Chord

Key A major – F# minor Chords D, F#m, G, A, Bm Easy key G (capo 2)

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Capo 0

D                F#m       G      A             D
Sevgiline yemek yiyelim dedin, götürdün güzel bir yere
D           F#m          G         A       Bm
Tam hesap ödeyecekken ne gördün, yetersiz bakiye
        F#m        G            A            D
Fakat o ne, fakat o ne, fakat o ne, o ne, o ne

D              F#m       G         A       D
Gençsin eğlenmek ister gönlün, hormonlar işte
D            F#m            G          A        Bm
Onlar giderken sen eve döndün, paralar suyunu çekince
       F#m         G            A            D
Fakat o ne, fakat o ne, fakat o ne, o ne, o ne

D         F#m         G      A       D
Ay başında hep en zengindin, en kraldın
D           F#m       G               A         Bm
Ay sonunda hep küçüldün, hep hep hep hepten daraldın
       F#m         G            A            D
Fakat o ne, fakat o ne, fakat o ne, o ne, o ne

D             F#m      G        A    D
Dediler sana ne bakmıştınız, dükkanımızda
D             F#m      G          A      Bm
Dedin ki çok kalmayacam etikete bakıp çıkacam
       F#m         G            A            D
Fakat o ne, fakat o ne, fakat o ne, o ne, o ne

D               F#m         G      A          D
Kıza taksiyle bırakırım deme, gözün hep taksimetrede
D            F#m       G       A     Bm
Taksiden inince bitti oyun, e indi perde
       F#m         G            A            D
Fakat o ne, fakat o ne, fakat o ne, o ne, o ne

D            F#m        G         A      D
Senin boş akbilin sesi, bir de yağmur getirdi
D              F#m    G           A         Bm
Islak ıslak yürümek mantıklı diye kandırma kendini
       F#m         G            A            D
Fakat o ne, fakat o ne, fakat o ne, o ne, o ne

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Kalben - Fakat O Ne Tabs

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Harmony analysis

Kalben – Fakat O Ne: key and chord analysis

The song opens on D and ends on D. Its chords belong to both A major and F#m, so every chord below is read both ways.

Major view

A major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G# (leading tone, pulls home)
4 = D (the note that leans on the 3rd)

Minor view

F# minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = D (the minor's melancholy)
b7 = E (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between A major and F# minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to A or to F#m; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from A major
Degree	Chord	Role	Notes	In song
I	A	Tonic — home	A · C# · E	18×
ii	Bm	Supertonic — prepares the dominant	B · D · F#	6×
iii	C#m	Mediant — a tonic-family shade	C# · E · G#	—
V/vi	C#	Secondary dominant V/vi — leads to F#msecondary dominant	C# · E# · G#	—
IV	D	Subdominant — moves away from home	D · F# · A	24×
V	E	Dominant — strongest pull home	E · G# · B	—
vi	F#m	Relative minor — the melancholy side	F# · A · C#	18×
bVII	G	bVII — borrowed (Mixolydian / parallel minor)borrowed chord	G · B · D	18×
vii°	G#dim	Leading-tone chord — tension	G# · B · D	—

Seen from F# minor
Degree	Chord	Role	Notes	In song
i	F#m	Tonic — home	F# · A · C#	18×
bII	G	Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord	G · B · D	18×
ii°	G#dim	Supertonic — prepares the dominant	G# · B · D	—
III	A	Relative major — the bright side	A · C# · E	18×
iv	Bm	Subdominant — moves away from home	B · D · F#	6×
v	C#m	Minor dominant — soft pull	C# · E · G#	—
V	C#	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C# · E# · G#	—
VI	D	Submediant — warm colour	D · F# · A	24×
VII	E	Subtonic — steps back to the tonic	E · G# · B	—

Analysis

The key pair is A major and its relative F# minor (3 sharps). 5 different chords appear 84 times in total; 4 of them sit naturally inside the shared scale. G is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

G A AbVII → IbVII → I F#mbII → III ×18
D F#m AIV → vi F#mVI → iVI → i ×12
Bm F#m Aii → vi F#miv → iminor plagal ×6

The move to watch is G → A, heard 18 times. From the A side it reads bVII → I (bVII → I: a rock / Mixolydian arrival); from the F#m side it is bII → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

A major pentatonic and F# minor pentatonic are the same five notes (A – B – C# – E – F#): start from A for a brighter phrase, from F# for a bluesier one.
Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
Over F#m, land on F#, A, C# — the chord's own tones always sound right on strong beats.
Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
On G, follow the chord's notes (G · B · D) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With A major shapes

No capo — open A shapes
Capo 2 + G shapes
Capo 5 + E shapes

With F# minor shapes

Capo 2 + Em shapes
Capo 4 + Dm shapes

Easiest keys on guitar

2 semitones down · capo 2 keeps the original pitch
5 semitones up · capo 7 keeps the original pitch

The song's harmonic story

Starting on D, the song gives away its key from the very first bar. The chords that keep coming back are D, F#m, G, A; read them as IV–vi–bVII–I in A or VI–i–bII–III in F#m. G briefly darkens the picture: bvii — borrowed (mixolydian / parallel minor). Keep an ear on G → A (bVII → I in A, bII → III in F#m): bVII → I — a rock / Mixolydian arrival. Ending on D, the song seals A as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.