Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Oğuzhan Koç - Çat Kapı - Chord
Key Eb major – C minor Chords Bb, Gm, Cm, Ab, Fm, G7 Easy key C (capo 3)
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Key: Eb | Cm
Capo: 0
Gm Cm Fm Ben vazgeçmemişken düşün olmaz olmaz bitanem Gm Cm Bb Cm Bb Ab Gm Düşün bizi ne olur yalvarırım terketme Gm Cm Bb Başkalarındaki o aşk bizi mutlu eder mi Cm Bb Ab Fm Bb Gm Bizi ayırmaya yeter mi aşkımız böyle kolay biter mi Bb Fm Gm Gm Geceyi güneş siler beni senin hasretin Cm Bb Ab Tek başıma sanki mahşer yeriyim Ab Yüreğimdeki her yer bu evde seni bekler Cm Bb Ab Gm Hadi çat kapı gel sevineyim Gm Biraz kavga ederiz belki biraz güleriz Cm Bb Ab Bir küser bir barışır kalbimiz Fm Seni nasıl özledi yüreğim sanki deli Cm Bb Ab Gm Kıskandığım için affet beni Gm Cm Fm Başka biri var dediler inanmadım sevgilim G7 Cm Bb Cm Bb Ab Gm Gözlerimle görmeden senden nasıl vazgeçerim Gm Cm Bb Sanki yıllar oldu gittin bir gün bitti sevgilim Cm Bb Ab Fm Bb Gm Dört duvar üstüme yürür sensiz, sanki sen mutlu musun bensiz
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Oğuzhan Koç - Çat Kapı Tabs
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Harmony analysis
Oğuzhan Koç – Çat Kapı: key and chord analysis
The song opens on Gm and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
- #7 = B (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because Cm is heard 14 times while Eb never appears and the major V chord points straight at Cm. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | 6× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 14× |
| V7/vi | G7 | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D · F | 1× |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 9× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 15× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 14× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 14× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | 6× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 14× |
| V7 | G7 | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D · F | 1× |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 9× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 15× |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 6 different chords appear 59 times in total; 5 of them sit naturally inside the shared scale. The major V of Cm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Eb, the same G7 is V7/vi, a secondary dominant heading for Cm.
Chord movement
- Gm Cm Ebiii → vi Cmv → inatural-minor cadence ×7
- Bb Cm EbV → videceptive cadence CmVII → iAeolian arrival ×4
- Fm Bb Ebii → Vii → V Cmiv → VII ×2
- G7 Cm EbV7/vi → visecondary resolution CmV7 → iharmonic-minor cadence ×1
- Fm Cm Ebii → vi Cmiv → iminor plagal ×1
- Ab Cm EbIV → vi CmVI → iVI → i ×1
The move to watch is Gm → Cm, heard 7 times. From the Cm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Eb side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- When G7 comes, swap the scale's Bb for B: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 4 semitones up
The song's harmonic story
Starting on Gm, the song gives away its key from the very first bar. The backbone is Bb, Gm, Cm, Ab — V–iii–vi–IV from the Eb side, VII–v–i–VI from the Cm side. G7 is the interesting twist: in Eb it is a chromatic chord (V7/vi), while in Cm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on Gm → Cm (iii → vi in Eb, v → i in Cm): natural-minor cadence — gentle, modal arrival. Ending on Gm, the song seals Eb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Oğuzhan Koç - Çat Kapı Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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