MFÖ - Ali Desidero - Chord

Key Bb major – G minor Chords Gm, Adim, Bb, Abm, Bbdim, B, F Easy key C

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Capo 0

Gm  F  Gm

Gm
Arkadaşları Ali derler hani oturur bizim kahvede
Yakmış abayı bir dilbere nefaset birşey fidan boylu
Bizim ali pişpirik oynar mfö dinler maç seyreder
Dedim ki abayı yakmış kıza bundan haberi yok kızın ama

 Gm  Adim  Bb            Gm
Aliiiiiiiiiii Ali Desidero
 Gm  Adim  Bb            Gm
Aliiiiiiiiiii Ali Desidero


Gm
Kız çok güzel latif şirin hem kitap kurdu hem bir ahu
Venüs mü desem afrodit mi eli yüzü düzgün bir içim su
Elbetteki feminist bir kız metafiziğe de inanmakta
Bir kusuru var yalnız kızın biraz entel takılmakta
Optimist hem de pesimist biraz idealizmi de savunmakta

 Abm  Bbdim  B              Abm
Aliiiiiiiiiiiii Ali Desidero

Gm
Teoride desen zehir gibi pratik dersen sallanmakta
Bazen ben hümanistim diyor bazen rasyonalist oluyor
Değişik bir psikoloji bir felsefe idiotloji
İdiot, idiot idiotloji

Gm
Bizim ali kahvede aynen kız oradan gelip geçerken
Gözüne kestirip kafasına takıyor
Bu benim diyor dokunanı yakarım
Ne yapmalı ne etmeli bir oyunbazlık bir şeytanlık
Kıza dalavere mi çevirmeli bu beraberlik nasıl olacak
İkisi de ayrı telden çalıyor
Centilmence mi yaklaşmalı familyasıyla mı tanışmalı
Bir bilene mi danışmalı
Bu kız sanki bir buzdolabı

 Abm  Bbdim  B              Abm
Aliiiiiiiiiiiii Ali Desidero

Gm
Ali kahvede oturup duruyor kızın geçmesini bekliyor
Hatun kişi görününce köşeden mfö başlıyor aynen kasetten

 Gm  Adim  Bb            Gm
Aliiiiiiiiiii Ali Desidero

Gm
Matmazel MFÖ'yü duyar duymaz bir an kendinden geçiyor
Ha bayıldı bayılacak derken ali kızın elinden tutuyor
Ali kıza bir klark çekiyor kahvedekiler ınının diyor
ınının ınının ınının ınının ınının ınının 

 Abm  Bbdim  B              Abm
Aliiiiiiiiiiiii Ali Desidero

Gm
Kız pardon diyor başım döndü mfö yakar gönlümü
Rica ederim gelebilir her genç kızın başına
Yardım edeyim size isterseniz
Evinize götüreyim icabında
Ay nasıl olur ben sizi hiç tanımıyorum ama
Hem konu komşu ne der sonra merci giderim tek başıma
Olur mu ne önemi var diyor oğlan
Yürüyelim işte ne çıkar bundan
Hem sizinle de tanışmış oluruz hem konuşuruz şurdan burdan

 Gm  Adim  Bb            Gm
Aliiiiiiiiiii Ali Desidero
 Gm  Adim  Bb            Gm
Aliiiiiiiiiii Ali Desidero

Gm
Ne kibar çocuk dior kız içinden hem samimi hem vefalı yani
Bir imtihan çekeyim şuna diyor serseri mi yoksa bir dahi mi
Diyor felsefeyi sever misiniz ali diyor biz hep dönerciyiz
Luther diyor kız machiavelli
Şampiyon biziz diyor ali attığımız gollerden belli

 Gm  Adim  Bb            Gm
Aliiiiiiiiiii Ali Desidero
 Gm  Adim  Bb            Gm
Aliiiiiiiiiii Ali Desidero

Gm
Kız anlıyor ki dünyalar ayrı aliye kibarca bir bay bay
Ali diyor hay hay,
Gözü parlıyor aniden kızın şeytan tüyü var bu hınzırın
Ali anlıyor ki doğru yolda hazırım diyor buluşmaya 
Kız diyor ki bu işler narin bugün olmaz ali belki yarın

 Gm  Adim  Bb            Gm
Aliiiiiiiiiii Ali Desidero
 Gm  Adim  Bb            Gm
Aliiiiiiiiiii Ali Desidero

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MFÖ - Ali Desidero Tabs

NotesX

Harmony analysis

MFÖ – Ali Desidero: key and chord analysis

The song opens on Gm and ends on Gm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.

Major view

Bb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = A (leading tone, pulls home)
4 = Eb (the note that leans on the 3rd)

Minor view

G minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Eb (the minor's melancholy)
b7 = F (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the G minor side because it both starts and finishes on Gm and Gm is heard 29 times against 9 for Bb. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Bb major
Degree	Chord	Role	Notes	In song
I	Bb	Tonic — home	Bb · D · F	9×
i°	Bbdim	Chromatic colour chordoutside the key	Bb · Db · Fb	3×
bII	B	Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord	B · D# · F#	3×
ii	Cm	Supertonic — prepares the dominant	C · Eb · G	—
iii	Dm	Mediant — a tonic-family shade	D · F · A	—
V/vi	D	Secondary dominant V/vi — leads to Gmsecondary dominant	D · F# · A	—
IV	Eb	Subdominant — moves away from home	Eb · G · Bb	—
V	F	Dominant — strongest pull home	F · A · C	1×
vi	Gm	Relative minor — the melancholy side	G · Bb · D	29×
bvii	Abm	Chromatic colour chordoutside the key	Ab · Cb · Eb	6×
vii°	Adim	Leading-tone chord — tension	A · C · Eb	9×

Seen from G minor
Degree	Chord	Role	Notes	In song
i	Gm	Tonic — home	G · Bb · D	29×
bii	Abm	Chromatic colour chordoutside the key	Ab · Cb · Eb	6×
ii°	Adim	Supertonic — prepares the dominant	A · C · Eb	9×
III	Bb	Relative major — the bright side	Bb · D · F	9×
iii°	Bbdim	Chromatic colour chordoutside the key	Bb · Db · Fb	3×
#III	B	Chromatic colour chordoutside the key	B · D# · F#	3×
iv	Cm	Subdominant — moves away from home	C · Eb · G	—
v	Dm	Minor dominant — soft pull	D · F · A	—
V	D	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	D · F# · A	—
VI	Eb	Submediant — warm colour	Eb · G · Bb	—
VII	F	Subtonic — steps back to the tonic	F · A · C	1×

Analysis

The key pair is Bb major and its relative G minor (2 flats). 7 different chords appear 60 times in total; 4 of them sit naturally inside the shared scale. B is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

F Gm BbV → videceptive cadence GmVII → iAeolian arrival ×1

The move to watch is F → Gm, heard once. From the Gm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the Bb side it reads V → vi (deceptive cadence: expected Bb, lands on Gm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Adim, land on A, C, Eb — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
On B, follow the chord's notes (B · D# · F#) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Bb major shapes

Capo 1 + A shapes
Capo 3 + G shapes
Capo 6 + E shapes

With G minor shapes

Capo 3 + Em shapes
Capo 5 + Dm shapes

Easiest keys on guitar

2 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

The first chord is Gm; the ear learns where home is within a second. The chords that keep coming back are Gm, Adim, Bb, Abm; read them as vi–vii°–I–bvii in Bb or i–ii°–III–bii in Gm. B briefly darkens the picture: neapolitan bii — a dark, dramatic colour a half step above the tonic. Keep an ear on F → Gm (V → vi in Bb, VII → i in Gm): Aeolian arrival — rises a whole tone into home. Ending on Gm, the song seals Gm as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.