Blok3 - Sebebi Yar - Chord

Key Gb major – Eb minor Chords Bmaj7, Bbm7 Easy key C (capo 6)

Add to Repertoire

No ratings yet

or your user informations

Capo 0

Bmaj7  Bmaj7  Bbm7  Bbm7

Bmaj7                           Bbm7
Dalıyor gözlerim, kanıyor yaralarım
                         Bmaj7
Ben delirmişim bir sen diye
                             Bbm7
Sebebi gözlerin, tüm bu acıların
                      Bmaj7
Çok dua ettim geçer diye

Bmaj7
Sebebi yar yine yar, yine yar yine
Bbm7
Neye yarar bilirim
Bmaj7
Beni yakar O yakar, O yakar yine
Bbm7
Bilsen sızlar mı için?

Bmaj7  Bmaj7  Bbm7  Bbm7

Bmaj7
Giden sendin ama biten bendim
Bbm7
Benim derdim bana, benim derdim
 
Bmaj7
Benim hatam mı? Bu da benim hatam mı?
Bbm7
Kalbinde son kırıntı bana mı kaldı?
Bmaj7
Nefretim artık bütün bedeni sarmış
Bbm7
Meğer senin sevgin sana kadarmış

Bmaj7                           Bbm7
Dalıyor gözlerim, kanıyor yaralarım
                         Bmaj7
Ben delirmişim bir sen diye
                             Bbm7
Sebebi gözlerin, tüm bu acıların
                      Bmaj7
Çok dua ettim geçer diye
  
Bmaj7
Sebebi yar yine yar, yine yar yine
Bbm7
Neye yarar bilirim
Bmaj7
Beni yakar O yakar, O yakar yine
Bbm7
Bilsen sızlar mı için?

End of song Play again?

Blok3 - Sebebi Yar Tabs

NotesX

Harmony analysis

Blok3 – Sebebi Yar: key and chord analysis

The song opens on Bmaj7 and ends on Bbm7. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.

Major view

Gb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F (leading tone, pulls home)
4 = Cb (the note that leans on the 3rd)

Minor view

Eb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Cb (the minor's melancholy)
b7 = Db (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Gb major and Eb minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Gb major
Degree	Chord	Role	Notes	In song
I	Gb	Tonic — home	Gb · Bb · Db	—
ii	Abm	Supertonic — prepares the dominant	Ab · Cb · Eb	—
iii7	Bbm7	Mediant — a tonic-family shade	Bb · Db · F · Ab	15×
III	Bb	Chromatic colour chordoutside the key	Bb · D · F	—
IVmaj7	Bmaj7	Subdominant — moves away from home	B · D# · F# · A#	17×
V	Db	Dominant — strongest pull home	Db · F · Ab	—
vi	Ebm	Relative minor — the melancholy side	Eb · Gb · Bb	—
vii°	Fdim	Leading-tone chord — tension	F · Ab · Cb	—

Seen from Eb minor
Degree	Chord	Role	Notes	In song
i	Ebm	Tonic — home	Eb · Gb · Bb	—
ii°	Fdim	Supertonic — prepares the dominant	F · Ab · Cb	—
III	Gb	Relative major — the bright side	Gb · Bb · Db	—
iv	Abm	Subdominant — moves away from home	Ab · Cb · Eb	—
v7	Bbm7	Minor dominant — soft pull	Bb · Db · F · Ab	15×
V	Bb	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	Bb · D · F	—
VImaj7	Bmaj7	Submediant — warm colour	B · D# · F# · A#	17×
VII	Db	Subtonic — steps back to the tonic	Db · F · Ab	—

Analysis

The key pair is Gb major and its relative Eb minor (6 flats). 2 different chords appear 32 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
Over Bmaj7, land on B, D#, F# — the chord's own tones always sound right on strong beats.
Over Bbm7, land on Bb, Db, F — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Gb major shapes

Capo 2 + E shapes
Capo 4 + D shapes
Capo 6 + C shapes

With Eb minor shapes

Capo 1 + Dm shapes
Capo 6 + Am shapes

Easiest keys on guitar

6 semitones up · capo 6 keeps the original pitch
1 semitone up

The song's harmonic story

The opening Bmaj7 lays a solid floor for everything that follows. The backbone is Bmaj7, Bbm7 — IVmaj7–iii7 from the Gb side, VImaj7–v7 from the Ebm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Bbm7, letting the Gb side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.