Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Poizi - Çıkar Biri Karşıma feat - Chord
Key F major – D minor Chords Dm, Am Difficulty already in its easiest key
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Key: F | Dm
Capo: 0
Dm Am
Dm
Çıkar biri karşıma, sen çıkamazsın aklımdan
Yalnız geçirdiğim gecelere ahdım var
Am
Bırakmış her şeyini gençliğimin ardında
Kötüyüm bu ara, ellerimden tut en azından
x2
Dm
Kendi kendime çabaladım, gözüm yoktu o tahtında
Sen iste yeter, tüm şehir ayakların altında
Am
Aslında görmedim hiç kimseyi bahtımda
Ben de bi' sigara yaktım yıldızların altında
Dm
Sanıyorum ki herkes her şeyin farkında
Ama ben konuşmuyorum hiç kimsenin hakkında
Am
Söyledi çocuklar, çıkmıyorum aklından
Biliyo'sun, bekliyorum mahallenin parkında
Dm
Nedense hep biz kaybediyoruz ama bi' şekil hallediyoruz
Am
Nedense hep biz kaybediyoruz ama bi' şekil hallediyoruz
[NAKARAT]
Dm
Bugün değil yarın, yarınlarım yarım
Am
Bugünlerde buluyorum kendimi sandalyesinde sarhoş hâlde bi' barın
Bileklerim ince, çiziklerim kalın
Dm
Bi' yalan daha söyleme, çünkü inanırım
Telefonum açık, belki ararsın
Sen benim inandığım en güzel yalansın
Am
Belki bi' gün anlarsın çok geç olmadan
Bu lanet kader yazılmış alnıma daha doğmadan
Dm
Bakma ağladığıma, herkes koşar ışığına, ben koştum karanlığına
Am
Bilsen neler düşündüm gözlerimi kapattığımda
Dm
Her gece kâbusla, mapustaki kardeşlere sözüm var, alıca'm onları Lambo Brabus'la
Dön'cekmiş, seni sevmek meğer her gün ölmekmiş
Am
Ateş gibi sönmek, iyi hâl için mahkemede giyilen beyaz kırışık bi' gömlekmiş
Dm
Çıkar biri karşıma, sen çıkamazsın aklımdan
Yalnız geçirdiğim gecelere ahdım var
Am
Bırakmış her şeyini gençliğimin ardında
Kötüyüm bu ara, ellerimden tut en azından
x2
Dm
Nedense hep biz kaybediyoruz ama bi' şekil hallediyoruz
Am
Nedense hep biz kaybediyoruz ama bi' şekil hallediyoruz
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Poizi - Çıkar Biri Karşıma feat Tabs
NotesX
Harmony analysis
Poizi – Çıkar Biri Karşıma feat : key and chord analysis
The song opens on Dm and ends on Am. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it opens on Dm and Dm is heard 11 times while F never appears. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | — |
| iii | Am | Mediant — a tonic-family shade | A · C · E | 11× |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | — |
| V | C | Dominant — strongest pull home | C · E · G | — |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 11× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 11× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | — |
| v | Am | Minor dominant — soft pull | A · C · E | 11× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | — |
| VII | C | Subtonic — steps back to the tonic | C · E · G | — |
Analysis
The key pair is F major and its relative D minor (1 flat). 2 different chords appear 22 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Am Dm Fiii → vi Dmv → inatural-minor cadence ×10
The move to watch is Am → Dm, heard 10 times. From the Dm side it is v → i (natural-minor cadence: gentle, modal arrival); from the F side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The opening Dm lays a solid floor for everything that follows. Dm, Am carry the song: vi–iii relative to F, i–v relative to Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Am → Dm (iii → vi in F, v → i in Dm): natural-minor cadence — gentle, modal arrival. It closes on Am, letting the F side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Poizi - Çıkar Biri Karşıma feat Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: POIZI, ERA7CAPONEMusic: POIZI, ERA7CAPONE
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