Mert Demir - Unuttun Sen Beni - Chord

Key Eb major – C minor Chords Gm7, Abmaj7, Fm7 Easy key C (capo 3)

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Capo 0

Abmaj7      Gm7
Unuttun sen beni
Fm7         Gm7
Gözlerinden belli
Abmaj7       Gm7
Ne kadar acı di mi?
Fm7         Gm7
İki yabancı gibi

Abmaj7  Gm7  Fm7  Gm7
x2

Abmaj7          Gm7
Gidiyo'sun o zaman
Abmaj7            Gm7
Selam, sabah almadan
Abmaj7          Gm7
Sana da bu yakışır
Abmaj7                Gm7
Mutluluk yine bana haram

Abmaj7      Gm7
Unuttun sen beni
Fm7         Gm7
Gözlerinden belli
Abmaj7       Gm7
Ne kadar acı di mi?
Fm7         Gm7
İki yabancı gibi

Abmaj7          Gm7
Gidiyo'sun o zaman
Abmaj7            Gm7
Selam, sabah almadan
Abmaj7          Gm7
Sana da bu yakışır
Abmaj7                Gm7
Mutluluk yine bana haram

Abmaj7      Gm7
Unuttun sen beni
Fm7         Gm7
Gözlerinden belli
Abmaj7       Gm7
Ne kadar acı di mi?
Fm7         Gm7
İki yabancı gibi

End of song Play again?

Mert Demir - Unuttun Sen Beni Tabs

NotesX

Harmony analysis

Mert Demir – Unuttun Sen Beni: key and chord analysis

The song opens on Abmaj7 and ends on Gm7. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Eb major and C minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii7	Fm7	Supertonic — prepares the dominant	F · Ab · C · Eb	7×
iii7	Gm7	Mediant — a tonic-family shade	G · Bb · D · F	22×
III	G	Chromatic colour chordoutside the key	G · B · D	—
IVmaj7	Abmaj7	Subdominant — moves away from home	Ab · C · Eb · G	15×
V	Bb	Dominant — strongest pull home	Bb · D · F	—
vi	Cm	Relative minor — the melancholy side	C · Eb · G	—
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	—
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv7	Fm7	Subdominant — moves away from home	F · Ab · C · Eb	7×
v7	Gm7	Minor dominant — soft pull	G · Bb · D · F	22×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VImaj7	Abmaj7	Submediant — warm colour	Ab · C · Eb · G	15×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	—

Analysis

The key pair is Eb major and its relative C minor (3 flats). 3 different chords appear 44 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Gm7, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Abmaj7, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Fm7, land on F, Ab, C — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
4 semitones up

The song's harmonic story

The opening Abmaj7 lays a solid floor for everything that follows. The backbone is Gm7, Abmaj7, Fm7 — iii7–IVmaj7–ii7 from the Eb side, v7–VImaj7–iv7 from the Cm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Gm7, letting the Eb side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.