Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Mert Demir - Bi Gece Gidebilirim - Chord
Key F major – D minor Chords Gm7, Am7 Easy key C (capo 5)
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Key: F | Dm
Capo: 0
Gm7 Am7 Beni sana deli gibi bağladın Gm7 Am7 Nasıl geçti zaman anlamadım Gm7 Am7 Yanımdasın ama yine yalnızım Gm7 Am7 Bi gece gidebilirim ansızın Gm7 Am7 Gm7 Am7 x2 Gm7 Am7 Gözlerinden okuyorum Gm7 Am7 Aklından geçen her bir şeyi Gm7 Am7 Söyleyemediklerim var Gm7 Am7 Bilir misin bu endişeyi? Gm7 Am7 Duysana eriyorum gün be gün Gm7 Am7 Tutsana elimi, nasıl düşüyorum Gm7 Am7 Gm7 Am7 Umrunda değilim biliyorum, aaahhh aaahhh Gm7 Am7 Beni sana deli gibi bağladın Gm7 Am7 Nasıl geçti zaman anlamadım Gm7 Am7 Yanımdasın ama yine yalnızım Gm7 Am7 Bi gece gidebilirim ansızın Gm7 Am7 Gm7 Am7 x2 Gm7 Am7 Duysana eriyorum gün be gün Gm7 Am7 Tutsana elimi, nasıl düşüyorum Gm7 Am7 Gm7 Am7 Umrunda değilim biliyorum, aaahhh aaahhh Gm7 Am7 Beni sana deli gibi bağladın Gm7 Am7 Nasıl geçti zaman anlamadım Gm7 Am7 Yanımdasın ama yine yalnızım Gm7 Am7 Bi gece gidebilirim ansızın Gm7 Am7 Yanımdasın ama yine yalnızım Gm7 Am7 Bi gece gidebilirim ansızın
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Mert Demir - Bi Gece Gidebilirim Tabs
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Harmony analysis
Mert Demir – Bi Gece Gidebilirim: key and chord analysis
The song opens on Gm7 and ends on Am7. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between F major and D minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii7 | Gm7 | Supertonic — prepares the dominant | G · Bb · D · F | 30× |
| iii7 | Am7 | Mediant — a tonic-family shade | A · C · E · G | 30× |
| III | A | Chromatic colour chordoutside the key | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | — |
| V | C | Dominant — strongest pull home | C · E · G | — |
| vi | Dm | Relative minor — the melancholy side | D · F · A | — |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | — |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv7 | Gm7 | Subdominant — moves away from home | G · Bb · D · F | 30× |
| v7 | Am7 | Minor dominant — soft pull | A · C · E · G | 30× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | — |
| VII | C | Subtonic — steps back to the tonic | C · E · G | — |
Analysis
The key pair is F major and its relative D minor (1 flat). 2 different chords appear 60 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Gm7, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Am7, land on A, C, E — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
The opening Gm7 lays a solid floor for everything that follows. The chords that keep coming back are Gm7, Am7; read them as ii7–iii7 in F or iv7–v7 in Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Am7, letting the F side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Mert Demir - Bi Gece Gidebilirim Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Mert DemirMusic: Mert Demir
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