Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Oğuzhan Koç - Geçsin Yıllar Merve Özbey - Chord
Key F major – D minor Chords Gm7, Dm7, Am7, Bbmaj7, C Easy key C (capo 5)
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Key: F | Dm
Capo: 0
Gm7 Dm7
Yine bile bile sana koşuyor
C Bbmaj7
Adın eğer uçurumsa
Gm7 Dm7
Bir de sitemine katlanıyor
C Gm7
Ödülüm gözyaşımsaa
Gm7 Dm7
Kime sarılayım ah bu gece?
C Bbmaj7
Kokun hala burda
Gm7 Dm7
Ben hiç alışamadım güneşe
C Bbmaj7
Sabah olmasın orda da
Gm7 Dm7
Yandım yandım aldandım
C Bbmaj7
Sen de yandın sandım
Gm7 Am7 Dm7
Kurunun yanında yaş mısın?
Bbmaj7 Gm7 Dm7
Yooooooooook yok hiç güldüğüm
C Bbmaj7
Günüm gecem kördüğüm
Gm7 Am7 Dm7
Dost musun düşman mısın?
Dm7 Am7
Bekleyelim de geçsin yıllar
Gm7 Am7
Saçımızda çoğalsın kırlar
Gm7 Am7 Dm7
O zaman belki sızlar ah yüreğin
Dm7 Am7
Bekleyelim de geçsin yıllar
Gm7 Am7
Saçımızda çoğalsın kırlar
Gm7 Am7 Dm7
O zaman belki ağlar ah gözlerin
Gm7 Dm7
Yandım yandım aldandım
C Bbmaj7
Sen de yandın sandım
Gm7 Am7 Dm7
Kurunun yanında yaş mısın?
Bbmaj7 Gm7 Dm7
Yooooooooook yok hiç güldüğüm
C Bbmaj7
Günüm gecem kördüğüm
Gm7 Am7 Dm7
Dost musun düşman mısın?
Dm7 Am7
Bekleyelim de geçsin yıllar
Gm7 Am7
Saçımızda çoğalsın kırlar
Gm7 Am7 Dm7
O zaman belki sızlar ah yüreğin
Dm7 Am7
Bekleyelim de geçsin yıllar
Gm7 Am7
Saçımızda çoğalsın kırlar
Gm7 Am7 Dm7
O zaman belki ağlar ah gözlerin
End of song Play again?
Oğuzhan Koç - Geçsin Yıllar Merve Özbey Tabs
NotesX
Harmony analysis
Oğuzhan Koç – Geçsin Yıllar Merve Özbey: key and chord analysis
The song opens on Gm7 and ends on Dm7. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it comes to rest on Dm and Dm is heard 20 times while F never appears. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii7 | Gm7 | Supertonic — prepares the dominant | G · Bb · D · F | 21× |
| iii7 | Am7 | Mediant — a tonic-family shade | A · C · E · G | 16× |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IVmaj7 | Bbmaj7 | Subdominant — moves away from home | Bb · D · F · A | 9× |
| V | C | Dominant — strongest pull home | C · E · G | 8× |
| vi7 | Dm7 | Relative minor — the melancholy side | D · F · A · C | 20× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | Dm7 | Tonic — home | D · F · A · C | 20× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv7 | Gm7 | Subdominant — moves away from home | G · Bb · D · F | 21× |
| v7 | Am7 | Minor dominant — soft pull | A · C · E · G | 16× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VImaj7 | Bbmaj7 | Submediant — warm colour | Bb · D · F · A | 9× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 8× |
Analysis
The key pair is F major and its relative D minor (1 flat). 5 different chords appear 74 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Gm7 Dm7 Fii7 → vi7 Dmiv7 → i7minor plagal ×8
- Am7 Dm7 Fiii7 → vi7 Dmv7 → i7natural-minor cadence ×8
The move to watch is Gm7 → Dm7, heard 8 times. From the Dm side it is iv7 → i7 (minor plagal: deep and melancholic); from the F side it reads ii7 → vi7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Gm7, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Dm7, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Am7, land on A, C, E — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
The opening Gm7 lays a solid floor for everything that follows. The chords that keep coming back are Gm7, Dm7, Am7, Bbmaj7; read them as ii7–vi7–iii7–IVmaj7 in F or iv7–i7–v7–VImaj7 in Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gm7 → Dm7 (ii7 → vi7 in F, iv7 → i7 in Dm): minor plagal — deep and melancholic. Ending on Dm7, the song seals Dm as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Oğuzhan Koç - Geçsin Yıllar Merve Özbey Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Oğuzhan KoçMusic: Oğuzhan KoçArrangement: Çağrı Telkıvıran
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