Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Aydeed - Tamam Sensin - Chord
Key Db major – Bb minor Chords F, Gb, Ebm, Ab Easy key C (capo 1)
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Key: Db | A#m | Bbm
Capo: 0
F Gb
Kimdir bunlar, kaç karışlar
Ab Ebm
Hepsi benle yarışta
F
Alnını karışlarım
Gb
Girme savaşa, külleri savur
Ab
Atma bana çamur
Ebm
Oynarım senle hamur gibi
F Gb
Tamam sensin kimlerdensin
Ab Ebm F
Yüzüne bile bakamam
Nedensiz, oldun bi densiz
Gb Ab Ebm F
Gözüm fersiz, hisleri bile sataamam
Yanına bile yatamam
F
Ama burdan görmeliydim
Seni uzaktan seçmeliydim
Durağım sen değilsin
Ve de önünden geçmeliydim
Yukarı çıktım kaldın hasta
Dilersen merdiven daya
En tepe diil kolay
Yollar kaygan ayağın kayar ya
Yalan dolan değil hepsi facts
Good tits pics on the gram
Siz hepniz bense tek
Çok yanıksa sür krem
F
Neden ya
Gb Ebm F
Bi gördün ettin firar hep
Cebimde dolu dinar
F Gb
Kimdir bunlar, kaç karışlar
Ab Ebm
Hepsi benle yarışta
F
Alnını karışlarım
Gb
Girme savaşa, külleri savur
Ab
Atma bana çamur
Ebm
Oynarım senle hamur gibi
F Gb
Tamam sensin kimlerdensin
Ab Ebm F
Yüzüne bile bakamam
Nedensiz, oldun bi densiz
Gb Ab Ebm F
Gözüm fersiz, hisleri bile sataamam
Yanına bile yatamam
End of song Play again?
Aydeed - Tamam Sensin Tabs
NotesX
Harmony analysis
Aydeed – Tamam Sensin: key and chord analysis
The song opens on F and ends on F. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
- #7 = A (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because the major V chord points straight at Bbm. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 9× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | — |
| III | F | Chromatic colour chordoutside the key | F · A · C | 13× |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 9× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 8× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | — |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | — |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 9× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | — |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | 13× |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 9× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 8× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 4 different chords appear 39 times in total; 3 of them sit naturally inside the shared scale. The major V of Bbm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull.
Chord movement
- Ebm F Dbii → III Bbmiv → Viv → V ×9
- Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×8
The move to watch is Ebm → F, heard 9 times. From the Bbm side it is iv → V (iv → V: the minor side's tension builder); from the Db side it reads ii → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- When F comes, swap the scale's Ab for A: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 1 semitone up
The song's harmonic story
Starting on F, the song gives away its key from the very first bar. The chords that keep coming back are F, Gb, Ebm, Ab; read them as III–IV–ii–V in Db or V–VI–iv–VII in Bbm. F is the interesting twist: in Db it is a chromatic chord (III), while in Bbm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Ebm → F (ii → III in Db, iv → V in Bbm): iv → V — the minor side's tension builder. Ending on F, the song seals Db as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Aydeed - Tamam Sensin Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Zeki Arkun, Ayça DalaklıMusic: Zeki Arkun
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