Beyonce - Dangerously in love - Chord

Key E major – C# minor Chords B, Bb7, Ebm, Bbm, Db, Abm, Dm, D#m … Easy key F

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Capo 0

Ebm  Db  B  Bb7

B      Abm                  Bbm
Baby I love you, you are my life
                    Bb7                                   B
My happiest moments weren't complete if you weren't by my side

          Abm                            Bbm
You're my relation and connection to the sun
                     Bb7                             B
With you next to me, there's no darkness I can't overcome

           Abm                 Bbm
You are my raindrops, I am the seed
                          Bb7
With you and God who's my sunlight I'm blooming
                Dm
grown so beautifully
         Abm                         Bbm
Baby I'm so proud, proud to be your girl
                       Bb7
You make the confusion go all away from this cold and misty world

Ebm
I am in love with you (in love)
 Db             B
You set me free
                             Bb7
I can't do this thing called life without you here with me
         Ebm
Cause I'm dangerously in love with you (in love)
  Db
I'll never leave
 B                      Bb7
Just keep loving me the way I love you loving me

B                       Abm               Bbm
And I know you love me, love me for who I am
                       Bb7                              B
Cause years before I became who I am, baby you were my man

                 Abm              Bbm
I know it ain't easy, easy loving me
                      Bb7                         B
I appreciate the love and dedication from you to me
                 Abm                             Bbm
Later on in my destiny I see myself having your child

                    Bb7
I see myself being your wife and I see my whole
           B
future in your eyes
                       Abm                                    Bbm
The thought of all my love for you, sometimes makes me wanna cry

                    Bb7
Realize all of my blessings, I'm grateful to have you by my side

Ebm
I am in love with you (in love)
 Db             B
You set me free
                             Bb7
I can't do this thing called life without you here with me
         Ebm
Cause I'm dangerously in love with you (in love)
  Db
I'll never leave
 B                      Bb7
Just keep loving me the way I love you loving me

D#m  C#m  F#m  Em

Ebm                      Bbm                Abm
Every time I see your face, my heart smiles
                          Bbm              Ebm
Every time it feels so good, it hurts sometimes
                          Db/F
Created in this world to love, to hold,
    B       Db
to feel, to breathe
   D        Db
To live you
                Ebm
Dangerously in love, yeah

Ebm
I am in love with you (in love)
 Db             B
You set me free
                             Bb7
I can't do this thing called life without you here with me
         Ebm
Cause I'm dangerously in love with you (in love)
  Db
I'll never leave
 B                      Bb7
Just keep loving me the way I love you loving me

End of song Play again?

Beyonce - Dangerously in love Tabs

NotesX

Harmony analysis

Beyonce – Dangerously in love: key and chord analysis

The song opens on Ebm and ends on Bb7. Its chords belong to both E major and C#m, so every chord below is read both ways.

Major view

E major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D# (leading tone, pulls home)
4 = A (the note that leans on the 3rd)

Minor view

C# minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = A (the minor's melancholy)
b7 = B (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C# minor side because C#m is heard 1 times while E never appears. That is an interpretation, not a rule — the same chords are just as valid seen from E major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to E or to C#m; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from E major
Degree	Chord	Role	Notes	In song
I	E	Tonic — home	E · G# · B	—
i	Em	Chromatic colour chordoutside the key	E · G · B	1×
ii	F#m	Supertonic — prepares the dominant	F# · A · C#	1×
iii	Abm	Mediant — a tonic-family shade	Ab · Cb · Eb	9×
V/vi	G#	Secondary dominant V/vi — leads to Dbmsecondary dominant	G# · B# · D#	—
IV	A	Subdominant — moves away from home	A · C# · E	—
#IV7	Bb7	Chromatic colour chordoutside the key	Bb · D · F · Ab	15×
#iv	Bbm	Chromatic colour chordoutside the key	Bb · Db · F	10×
V	B	Dominant — strongest pull home	B · D# · F#	15×
vi	C#m	Relative minor — the melancholy side	C# · E · G#	1×
V/ii	Db	Secondary dominant V/ii — leads to F#msecondary dominant	Db · F · Ab	9×
V/ii	Db/F	Secondary dominant V/ii — leads to F#msecondary dominant	Db · F · Ab	1×
bvii	Dm	Chromatic colour chordoutside the key	D · F · A	1×
bVII	D	bVII — borrowed (Mixolydian / parallel minor)borrowed chord	D · F# · A	1×
vii°	D#dim	Leading-tone chord — tension	D# · F# · A	—
vii	Ebm	Chromatic colour chordoutside the key	Eb · Gb · Bb	10×
vii	D#m	Chromatic colour chordoutside the key	D# · F# · A#	1×

Seen from C# minor
Degree	Chord	Role	Notes	In song
i	C#m	Tonic — home	C# · E · G#	1×
V/iv	Db	Secondary dominant V/iv — leads to F#msecondary dominant	Db · F · Ab	9×
V/iv	Db/F	Secondary dominant V/iv — leads to F#msecondary dominant	Db · F · Ab	1×
bii	Dm	Chromatic colour chordoutside the key	D · F · A	1×
bII	D	Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord	D · F# · A	1×
ii°	D#dim	Supertonic — prepares the dominant	D# · F# · A	—
ii	Ebm	Chromatic colour chordoutside the key	Eb · Gb · Bb	10×
ii	D#m	Chromatic colour chordoutside the key	D# · F# · A#	1×
III	E	Relative major — the bright side	E · G# · B	—
iii	Em	Chromatic colour chordoutside the key	E · G · B	1×
iv	F#m	Subdominant — moves away from home	F# · A · C#	1×
v	Abm	Minor dominant — soft pull	Ab · Cb · Eb	9×
V	G#	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G# · B# · D#	—
VI	A	Submediant — warm colour	A · C# · E	—
#VI7	Bb7	Chromatic colour chordoutside the key	Bb · D · F · Ab	15×
#vi	Bbm	Chromatic colour chordoutside the key	Bb · Db · F	10×
VII	B	Subtonic — steps back to the tonic	B · D# · F#	15×

Analysis

The key pair is E major and its relative C# minor (4 sharps). 13 different chords appear 75 times in total; 4 of them sit naturally inside the shared scale. Db, Db/F act as secondary dominants, briefly pointing at another chord of the key. D is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

Bb7 Ebm E#IV7 → viisecondary resolution C#m#VI7 → ii ×5
Bb7 D#m E#IV7 → viisecondary resolution C#m#VI7 → ii ×1

The move to watch is Bb7 → Ebm, heard 5 times. From the C#m side it is #VI7 → ii; from the E side it reads #IV7 → vii (secondary resolution: Bb7 resolves a fourth up to Ebm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

E major pentatonic and C# minor pentatonic are the same five notes (E – F# – G# – B – C#): start from E for a brighter phrase, from C# for a bluesier one.
Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.
Over Bb7, land on Bb, D, F — the chord's own tones always sound right on strong beats.
Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
On D, follow the chord's notes (D · F# · A) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With E major shapes

No capo — open E shapes
Capo 2 + D shapes
Capo 4 + C shapes

With C# minor shapes

Capo 4 + Am shapes

Easiest keys on guitar

1 semitone up
6 semitones up · capo 6 keeps the original pitch

The song's harmonic story

The first chord is Ebm; the ear learns where home is within a second. B, Bb7, Ebm, Bbm carry the song: V–#IV7–vii–#iv relative to E, VII–#VI7–ii–#vi relative to C#m. Db adds a moment of surprise: secondary dominant V/ii — leads to F#m. Keep an ear on Bb7 → Ebm (#IV7 → vii in E, #VI7 → ii in C#m): secondary resolution — Bb7 resolves a fourth up to Ebm. Ending on Bb7, the song seals E as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.