Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Sabrina Carpenter - Espresso - Chord
Key C major – A minor Chords Em7, Am7, Dm7 Difficulty already in its easiest key
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Key: C | Am
Capo: 0
Dm7 Em7 Am7
Dm7 Em7 Am7
Dm7 Em7 Am7
Dm7 Em7 Am7
Dm7 Em7
Dm7
Now he's thinkin' 'bout me
Em7
Every night, oh
Am7 Dm7
Is it that sweet? I guess so
Em7
Say you can't sleep, baby, I know
Am7 Dm7
That's that me, espresso
Em7
Move it up, down, left, right, oh
Am7 Dm7
Switch it up like Nintendo
Em7
Say you can't sleep, baby, I know
Am7
That's that me, espresso
Dm7 Em7 Am7
I can't relate to desperation
Dm7 Em7 Am7 Dm7
My give a fucks are on vacation
Em7
And I got this one boy
Am7 Dm7
And he won't stop calling
Em7
When they act this way
Am7
I know I got em'
Dm7
Too bad your ex don't do it for ya
Em7 Am7
Walked in and dream came trued
It for ya
Dm7
Soft skin and I perfumed
Em7 Am7
It for ya
Dm7
I know I Mountain Dew
It for ya
Em7 Am7
That morning coffee brewed
It for ya
Em7
One touch and I brand newed
Em7 Am7
It for ya
Dm7
Now he's thinkin' 'bout me
Em7
Every night, oh
Am7 Dm7
Is it that sweet? I guess so
Em7
Say you can't sleep, baby, I know
Am7 Dm7
That's that me, espresso
Em7
Move it up, down, left, right, oh
Am7 Dm7
Switch it up like Nintendo
Em7
Say you can't sleep, baby, I know
Am7 Dm7
That's that me, espresso
Em7
Holy shit
Am7
Is it that sweet? I guess so
Dm7 Em7
I'm working late
Am7
'Cause I'm a singer
Dm7 Em7
Oh, he looks so cute
Am7 Dm7
Wrapped 'round my finger
Em7
My twisted humor
Am7 Dm7
Make him laugh so often
Em7 Am7
My honeybee, come and get this pollen
Dm7
Too bad your ex don't do it for ya
Em7 Am7
Walked in and dream came trued
It for ya
Dm7
Soft skin and I perfumed
Em7 Am7
It for ya
Dm7
I know I Mountain Dew
It for ya
Em7 Am7
That morning coffee brewed
It for ya
Em7
One touch and I brand newed
Em7 Am7
It for ya
Dm7
Now he's thinkin' 'bout me
Em7
Every night, oh
Am7 Dm7
Is it that sweet? I guess so
Em7
Say you can't sleep, baby, I know
Am7 Dm7
That's that me, espresso
Em7
Move it up, down, left, right, oh
Am7 Dm7
Switch it up like Nintendo
Em7
Say you can't sleep, baby, I know
Am7 Dm7
That's that me, espresso
Thinkin' 'bout me
Em7
Every night, oh
Am7 Dm7
Is it that sweet? I guess so
Em7
Say you can't sleep, baby, I know
Am7 Dm7
That's that me, espresso
Em7
Move it up, down, left, right, oh
Am7 Dm7
Switch it up like Nintendo
Em7
Say you can't sleep, baby, I know
Am7 Dm7 Em7
That's that me, espresso
Am7 Dm7
Is it that sweet? I guess so
Em7 Am7
Mm, that's me, espresso
End of song Play again?
Sabrina Carpenter - Espresso Tabs
NotesX
Harmony analysis
Sabrina Carpenter – Espresso: key and chord analysis
The song opens on Dm7 and ends on Am7. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it comes to rest on Am and Am is heard 39 times while C never appears. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | — |
| ii7 | Dm7 | Supertonic — prepares the dominant | D · F · A · C | 38× |
| iii7 | Em7 | Mediant — a tonic-family shade | E · G · B · D | 42× |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | — |
| IV | F | Subdominant — moves away from home | F · A · C | — |
| V | G | Dominant — strongest pull home | G · B · D | — |
| vi7 | Am7 | Relative minor — the melancholy side | A · C · E · G | 39× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | Am7 | Tonic — home | A · C · E · G | 39× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | — |
| iv7 | Dm7 | Subdominant — moves away from home | D · F · A · C | 38× |
| v7 | Em7 | Minor dominant — soft pull | E · G · B · D | 42× |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VI | F | Submediant — warm colour | F · A · C | — |
| VII | G | Subtonic — steps back to the tonic | G · B · D | — |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 3 different chords appear 119 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Em7 Am7 Ciii7 → vi7 Amv7 → i7natural-minor cadence ×39
The move to watch is Em7 → Am7, heard 39 times. From the Am side it is v7 → i7 (natural-minor cadence: gentle, modal arrival); from the C side it reads iii7 → vi7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Em7, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over Am7, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Dm7, land on D, F, A — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The opening Dm7 lays a solid floor for everything that follows. Em7, Am7, Dm7 carry the song: iii7–vi7–ii7 relative to C, v7–i7–iv7 relative to Am. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Em7 → Am7 (iii7 → vi7 in C, v7 → i7 in Am): natural-minor cadence — gentle, modal arrival. Ending on Am7, the song seals Am as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sabrina Carpenter - Espresso Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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