Mavi - Değmemeli - Chord

Key Gb major – Eb minor Chords Ebm, B Easy key G

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Capo 0

Ebm  B  Ebm  B

            Ebm
Bi' tarafım istiyo' boynuna ip

Bi' tarafım istiyo' kolye, garip
         B
Nefretim emreder: "O tarafa git"

Yastığıma akıttım bilerek drip
         Ebm
Akıntıya ters yüzelim mi, bebek?

Gece istemiyo' fren; ter, yaş yerine
              B
İstediğin ne? Aşk kaç kelime?

Geç yerime; yaklaş, duy bi' kere
          Ebm
Ol nefretine artık sadık

Olmasaydın aklımı oynatırdım
            B
Birbirimizi bizden kurtardık

Gökyüzüyle aynı katmandaydık
            Ebm
Biraz olsun sevgi katmalıydın

Aslında hep aynı kavgadaydık
            B
Sözlerimize bağlı kalmalıydık

Kaygı hep arka plandaydı

          Ebm
Göğsümden akan yaş bana zindan etti beni
 B
Ellerim ellerine değmemeli
              Ebm
Issız kaldım, bıraktın düşüncelerimle beni
  B
Geceyi ön koltukta seyredelim istedim

Ebm  B  Ebm  B
(aynı akor döngüsü devam eder)

Keşkemi bıraktım geçmişimde
Besbelli kaldık eskisinde
Çıkıyorum artık etkisinden
Hızlandım, sen de gel peşimden
Ateşim bana yakın hâlâ
Çıkarıyorum onu gerçek dışına, ya
Yardım almalıydım, çıktı yüklerim omzumdan başıma, ah
Her şeyin en başına, hah
Döndüm beş yaşıma, hah
Senle inatlaşamam
Yanımda kötü insan taşımam, ya
Gel, gerçeği bekleyemem
Uçmayı denemişken emekleyemem
Kafamdakiyle savaş içindeyim
Bu yüzden kendime "Öl" diyemem

Göğsümden akan yaş bana zindan etti beni
Ellerim ellerine değmemeli
Issız kaldım, bıraktın düşüncelerimle beni
Geceyi ön koltukta seyredelim istedim

Ellerim ellerine değmemeli

End of song Play again?

Mavi - Değmemeli Tabs

NotesX

Harmony analysis

Mavi – Değmemeli: key and chord analysis

The song opens on Ebm and ends on B. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.

Major view

Gb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F (leading tone, pulls home)
4 = Cb (the note that leans on the 3rd)

Minor view

Eb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Cb (the minor's melancholy)
b7 = Db (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Eb minor side because it opens on Ebm and Ebm is heard 10 times while Gb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Gb major
Degree	Chord	Role	Notes	In song
I	Gb	Tonic — home	Gb · Bb · Db	—
ii	Abm	Supertonic — prepares the dominant	Ab · Cb · Eb	—
iii	Bbm	Mediant — a tonic-family shade	Bb · Db · F	—
V/vi	Bb	Secondary dominant V/vi — leads to Ebmsecondary dominant	Bb · D · F	—
IV	B	Subdominant — moves away from home	B · D# · F#	10×
V	Db	Dominant — strongest pull home	Db · F · Ab	—
vi	Ebm	Relative minor — the melancholy side	Eb · Gb · Bb	10×
vii°	Fdim	Leading-tone chord — tension	F · Ab · Cb	—

Seen from Eb minor
Degree	Chord	Role	Notes	In song
i	Ebm	Tonic — home	Eb · Gb · Bb	10×
ii°	Fdim	Supertonic — prepares the dominant	F · Ab · Cb	—
III	Gb	Relative major — the bright side	Gb · Bb · Db	—
iv	Abm	Subdominant — moves away from home	Ab · Cb · Eb	—
v	Bbm	Minor dominant — soft pull	Bb · Db · F	—
V	Bb	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	Bb · D · F	—
VI	B	Submediant — warm colour	B · D# · F#	10×
VII	Db	Subtonic — steps back to the tonic	Db · F · Ab	—

Analysis

The key pair is Gb major and its relative Eb minor (6 flats). 2 different chords appear 20 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

B Ebm GbIV → vi EbmVI → iVI → i ×9

The move to watch is B → Ebm, heard 9 times. From the Ebm side it is VI → i (VI → i: falls a half step into home); from the Gb side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Gb major shapes

Capo 2 + E shapes
Capo 4 + D shapes
Capo 6 + C shapes

With Eb minor shapes

Capo 1 + Dm shapes
Capo 6 + Am shapes

Easiest keys on guitar

1 semitone up
3 semitones up

The song's harmonic story

The first chord is Ebm; the ear learns where home is within a second. The backbone is Ebm, B — vi–IV from the Gb side, i–VI from the Ebm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on B → Ebm (IV → vi in Gb, VI → i in Ebm): VI → i — falls a half step into home. Ending on B, the song seals Gb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.