Doğu Swag - Daha Kötü Ne Olabilir Ki - Chord

Key Eb major – C minor Chords Gm, Ab, Bb Easy key D (capo 1)

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Capo 0

Gm  Ab  Gm  Ab

Gm
Sonunda ben bile boşverdim
Ab
Heveslerimi kursağıma gömdüm
Gm
Gözler de yalan söylermiş
Ab
Sen başkasına bakarken gördüm

Gm
Ne gerekti ki git demek mi
Ab
Sonunu bile bile beklemek mi
Bb
Özlemek mi zor dön demek mi
    Ab                        Gm
Ben vazgeçmekten de çoktan geçtim

Gm
Daha kötü ne olabilir ki
      Ab
Canım daha ne kadar acıyabilir ki
Gm                     Ab
Seni unutabilirdim ama üzgünüm

Acısa da yine sevdim

     Gm                        Ab
Beni bıraktın yarım kalmak hiç olmadı

Kaç gece verdim hatırla
Bb                            Ab
Bir gençlik bıraktım o pencerenin önünde
            Gm
Gel yak utanma

Gm
Daha kötü ne olabilir ki
      Ab
Yaram daha ne kadar kanayabilir ki
      Gm                  Ab
Hadi! İnanabilirdim, bir umut görsem dayanabilirdim

   Gm
Seni bir liman sanıyorken
   Ab
Çoktan suya battı bu yelken
        Bb
Sen hiç önde durmadın, hiç yorulmadın
Ab                          Gm
Ummadığın yerden vurulmadın ki

Gm
Sonunda ben bile boşverdim
Ab
Heveslerimi kursağıma gömdüm
Gm
Gözler de yalan söylermiş
Ab
Sen başkasına bakarken gördüm

Gm
Ne gerekti ki git demek mi
Ab
Sonunu bile bile beklemek mi
Bb
Özlemek mi zor dön demek mi
    Ab                        Gm
Ben vazgeçmekten de çoktan geçtim

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Doğu Swag - Daha Kötü Ne Olabilir Ki Tabs

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Harmony analysis

Doğu Swag – Daha Kötü Ne Olabilir Ki: key and chord analysis

The song opens on Gm and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Eb major and C minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	—
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	18×
III	G	Chromatic colour chordoutside the key	G · B · D	—
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	18×
V	Bb	Dominant — strongest pull home	Bb · D · F	4×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	—
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	—
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv	Fm	Subdominant — moves away from home	F · Ab · C	—
v	Gm	Minor dominant — soft pull	G · Bb · D	18×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	Ab	Submediant — warm colour	Ab · C · Eb	18×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	4×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 3 different chords appear 40 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Ab Bb EbIV → VIV → V CmVI → VIIVI → VII ×4

The move to watch is Ab → Bb, heard 4 times. From the Eb side it reads IV → V (IV → V: the lift that builds tension before home); from the Cm side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

The opening Gm lays a solid floor for everything that follows. The backbone is Gm, Ab, Bb — iii–IV–V from the Eb side, v–VI–VII from the Cm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Bb (IV → V in Eb, VI → VII in Cm): IV → V — the lift that builds tension before home. Ending on Gm, the song seals Eb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Doğu Swag - Daha Kötü Ne Olabilir Ki Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Doğu Swag

Music: Doğu Swag

Arrangement: Berk Arda Büken

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