Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Doğu Swag - Güldüğüm Fotoğraflar - Kamuran Akkor - Chord
Key Ab major – F minor Chords Cm, Db, Fm, Eb, Bbm Easy key C
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Key: Ab | Fm
Capo: 0
Fm Eb Db Cm
Cm Db
Tekrar geçilmez oldu
Bbm Cm
Geçtiğin o sokaklar
Fm Eb
Gözyaşlarımla doldu
Db Cm
Güldüğüm fotoğraflar
Fm Eb
Gözyaşlarımla doldu
Db Cm
Güldüğüm fotoğraflar
Fm Eb Db Cm
Cm
Tanıyamadım çok değiştin
Db
Olmayacak her şeyi bekleyişteyim
Cm
Sana ben gelmem demiştim
Db
Hayat okulundan bile çift dikişliyim
Cm
Hep gizler bir yanı, neydi isteğin?
Db
Geceler dert olur gelmedin sen
Cm
Aciz kalır terkedişlerin
Db
Alışır kalbim inan gördü neler
Fm Eb
Ama gafil avladı beni zaman neden yoruyor
Db Cm
Sana layık değil ama tüm papatyalar senin olsun
Fm Eb Db
Halim bin beter, ayazda kaldım dedim yeter
Cm
Umursamadım inan kim ne der
Belki güler belki kader
Cm Db
Tekrar geçilmez oldu
Bbm Cm
Geçtiğin o sokaklar
Fm Eb
Gözyaşlarımla doldu
Db Cm
Güldüğüm fotoğraflar
Fm Eb
Gözyaşlarımla doldu
Db Cm
Güldüğüm fotoğraflar
End of song Play again?
Doğu Swag - Güldüğüm Fotoğraflar - Kamuran Akkor Tabs
NotesX
Harmony analysis
Doğu Swag – Güldüğüm Fotoğraflar - Kamuran Akkor: key and chord analysis
The song opens on Fm and ends on Cm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it opens on Fm and Fm is heard 8 times while Ab never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 2× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 16× |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 14× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 8× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 8× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 8× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 2× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 16× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | 14× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 8× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 5 different chords appear 48 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Cm Fm Abiii → vi Fmv → inatural-minor cadence ×6
- Db Fm AbIV → vi FmVI → iVI → i ×1
The move to watch is Cm → Fm, heard 6 times. From the Fm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Ab side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The first chord is Fm; the ear learns where home is within a second. The chords that keep coming back are Cm, Db, Fm, Eb; read them as iii–IV–vi–V in Ab or v–VI–i–VII in Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Cm → Fm (iii → vi in Ab, v → i in Fm): natural-minor cadence — gentle, modal arrival. Ending on Cm, the song seals Ab as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Doğu Swag - Güldüğüm Fotoğraflar - Kamuran Akkor Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Doğu SwagMusic: Doğu SwagArrangement: Berk Arda Büken
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