Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Can Ozan - Üzdünüz Beni - Chord
Key Eb major – C minor Chords Ebmaj7, Bb7, Ab, Fm7, Cm7, Abm Easy key D (capo 1)
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Key: Eb | Cm
Capo: 0
Ebmaj7 Bb7 Cm7 Ab Abm
Ebmaj7 Bb7
Üzdünüz beni çok üzdünüz ama
Ebmaj7 Bb7
Sorduğum kadar cevabım yok daha
Ebmaj7
Tatmadım ama bir son var galiba
Bb7 Ebmaj7
Korktuğum kadar sevmedim daha
Fm7 Ab
Durduğum yer belki evimden uzakmış
Ebmaj7
Delinin biri her gün kuyuma bin taş atmış
Bb7
Çarşaflar yepyeni ve renkli olsa da
Ebmaj7
Duyduğum masallar beni hiç uyutmamış
Ab Ebmaj7
Gülümser yüzüm pes etmedim baba
Ab Ebmaj7
Yalnız ölmiycem umudum var hala
Bb7 Ebmaj7
Tatmadım ama bir son var galiba
Bb7 Ebmaj7
Korktuğum kadar sevmedim daha
Fm7 Ab
Duyulur muydu ordan sesim cılız olsa
Ebmaj7
Utanır mıydım yoksa aklım çıplak olsa
Bb7
Yansın tüm ışıklar görsünler halimi
Ebmaj7
Sevemem hiç kimseyi yaşamazsam hiç beni
Fm7 Ab
Duyulur muydu ordan sesim cılız olsa
Ebmaj7
Utanır mıydım yoksa bedenim çıplak olsa
Bb7
Dağılsın bulutlar görsünler halimi
Ebmaj7
Sevemem hiç kimseyi sevemezsem kendimi
Bb7 Ebmaj7
Tatmadım ama bir son var galiba
Bb7 Ebmaj7
Korktuğum kadar sevmedim daha
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Can Ozan - Üzdünüz Beni Tabs
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Harmony analysis
Can Ozan – Üzdünüz Beni: key and chord analysis
The song opens on Ebmaj7 and ends on Ebmaj7. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Eb major side because it both starts and finishes on Eb and Eb is heard 17 times against 1 for Cm. That is an interpretation, not a rule — hearing the same chords from C minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| Imaj7 | Ebmaj7 | Tonic — home | Eb · G · Bb · D | 17× |
| ii7 | Fm7 | Supertonic — prepares the dominant | F · Ab · C · Eb | 3× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | — |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 6× |
| iv | Abm | Minor iv — borrowed from the parallel minorborrowed chord | Ab · Cb · Eb | 1× |
| V7 | Bb7 | Dominant — strongest pull home | Bb · D · F · Ab | 11× |
| vi7 | Cm7 | Relative minor — the melancholy side | C · Eb · G · Bb | 1× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | Cm7 | Tonic — home | C · Eb · G · Bb | 1× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| IIImaj7 | Ebmaj7 | Relative major — the bright side | Eb · G · Bb · D | 17× |
| iv7 | Fm7 | Subdominant — moves away from home | F · Ab · C · Eb | 3× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | — |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 6× |
| vi | Abm | Chromatic colour chordoutside the key | Ab · Cb · Eb | 1× |
| VII7 | Bb7 | Subtonic — steps back to the tonic | Bb · D · F · Ab | 11× |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 6 different chords appear 39 times in total; 5 of them sit naturally inside the shared scale. Abm is borrowed from the parallel minor, adding a darker shade to the major side.
Chord movement
- Bb7 Ebmaj7 EbV7 → Imaj7authentic cadence CmVII7 → IIImaj7 ×10
- Ab Ebmaj7 EbIV → Imaj7plagal cadence CmVI → IIImaj7 ×5
- Bb7 Cm7 EbV7 → vi7deceptive cadence CmVII7 → i7Aeolian arrival ×1
- Abm Ebmaj7 Ebiv → Imaj7minor plagal Cmvi → IIImaj7 ×1
The move to watch is Bb7 → Ebmaj7, heard 10 times. From the Eb side it reads V7 → Imaj7 (authentic cadence: the strongest arrival home); from the Cm side it is VII7 → IIImaj7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Ebmaj7, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- Over Bb7, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
- On Abm, follow the chord's notes (Ab · Cb · Eb) rather than the key's scale — it's a borrowed colour.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 4 semitones up
The song's harmonic story
The opening Ebmaj7 lays a solid floor for everything that follows. The chords that keep coming back are Ebmaj7, Bb7, Ab, Fm7; read them as Imaj7–V7–IV–ii7 in Eb or IIImaj7–VII7–VI–iv7 in Cm. Abm briefly darkens the picture: minor iv — borrowed from the parallel minor. Keep an ear on Bb7 → Ebmaj7 (V7 → Imaj7 in Eb, VII7 → IIImaj7 in Cm): authentic cadence — the strongest arrival home. The final chord is Ebmaj7; the ear comes to rest in Eb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Can Ozan - Üzdünüz Beni Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Emrecan KirazMusic: Emrecan Kiraz
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