Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Can Ozan - Baktın Olmuyo (Deniz Tekin) - Chord
Key Ab major – F minor Chords Fm, Db, Ab, Eb Easy key G (capo 1)
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Key: Ab | Fm
Capo: 0
Fm Db Ab Eb
Fm Db Ab Eb
Dünyanın en güzel yeri senin yanın evet ama
Fm Db Ab
Gelmek yasaktır bana
Fm Db Ab Eb
Sen dünyanın bi ucunda, ben ellerim avucumda
Fm Db Ab
Kaldım bu boş diyarda
Fm Db
Olur ya insan değişir
Ab Eb
Başka bedenlerle sevişir
Fm Db Ab Eb
Gerek yok suçluluk duymaya
Fm Db
Dinlee dinle
Ab Eb Fm Db
Baktın olmuyo bu şarkıyı söyle
Ab Eb Fm Db
Bi gülümseme kondursun yüzüne
Ab Eb Fm Db
Sen hiç üzülme asla ziyan olmazsın
Ab Eb Fm Db Ab Eb
Ziyan olmazsın sen
Fm Db Ab Eb
Her gecemde gündüzümde, hiç gözümde uyku yokken
Fm Db Ab
Saatlerce düşündüm
Fm Db Ab Eb
Doğru zaman, doğru insan, yanlış karar yok işin özünde
Fm Db Ab
Sen beni istemedin
Fm Db
Olur ya insan değişir
Ab Eb
Başka bedenlerle sevişir
Fm Db Ab Eb
Gerek yok suçluluk duymaya
Fm Db
Dinlee dinle
Ab Eb Fm Db
Baktın olmuyo bu şarkıyı söyle
Ab Eb Fm Db
Bi gülümseme kondursun yüzüne
Ab Eb Fm Db
Sen hiç üzülme asla ziyan olmazsın
Ab Eb Fm Db Ab Eb
Ziyan olmazsın sen
End of song Play again?
Can Ozan - Baktın Olmuyo (Deniz Tekin) Tabs
NotesX
Harmony analysis
Can Ozan – Baktın Olmuyo (Deniz Tekin): key and chord analysis
The song opens on Fm and ends on Eb. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it opens on Fm. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | 23× |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | — |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | — |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 23× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 19× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 23× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 23× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | 23× |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | — |
| v | Cm | Minor dominant — soft pull | C · Eb · G | — |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | 23× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 19× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 4 different chords appear 88 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Db Ab AbIV → Iplagal cadence FmVI → III ×23
- Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×18
The move to watch is Db → Ab, heard 23 times. From the Fm side it is VI → III; from the Ab side it reads IV → I (plagal cadence: the soft 'amen' ending). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 1 semitone up
The song's harmonic story
Starting on Fm, the song gives away its key from the very first bar. Fm, Db, Ab, Eb carry the song: vi–IV–I–V relative to Ab, i–VI–III–VII relative to Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Db → Ab (IV → I in Ab, VI → III in Fm): plagal cadence — the soft 'amen' ending. The final chord is Eb; the ear comes to rest in Ab.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Can Ozan - Baktın Olmuyo (Deniz Tekin) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Can Ozan
Deniz TekinMusic: Can Ozan
Deniz Tekin
Deniz TekinMusic: Can Ozan
Deniz Tekin
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