Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Key Db major – Bb minor Chords Fm, Ab, Eb, Db, Bbm, Gb, Ebm Easy key C (capo 1)
Bbm Fm Ab Eb Eb Db Fm
Bbm Fm
Evîn xaçirêkek tenge li Botan
Ab Eb
Keziyeke, difire li vî wara
Db Fm
Dile min bû kevokeke li Gabarê
Bbm Fm
Xwezî zimanê rê heba û bigota
Ab Eb
Kî û kê pişta xwe sipart van zinara
Db Fm
Ev evîn wê min jî bibe goristanê
Fm Eb Db Fm
Bbm Gb
Konê penaberiyê li pişta min û te heval
Ab Db Ab
Ew rêça li ser berfê ya karxezaleke lal
Gb
Dikale li pey dayîkê,dayîk li kolanê bê can
Fm Ebm Fm
Dayîk êdî çiya ye, çiyayê bi dar
Bbm Fm Ab Eb Eb Db Fm
Bbm Fm
Ew rêça ku dirêj dibe li Nisêbînê
Ab Eb
Tasek ava sipî vexwar ji dil û can
Db Fm
Xwedê zane ev ewr ew ê bi ser me de bigirî
Bbm Fm
Xwezî basikê min heba û biçûma
Ab Eb
Min deste xwe dirêj kira heta tavê
Db Fm
Çi bikim xwîn gihiştiye pelê gulê
Fm Eb Db Fm
Bbm Gb
Konê penaberiyê li pişta min û te heval
Ab Db Ab
Ew rêça li ser berfê ya karxezaleke lal
Gb
Dikale li pey dayîkê,dayîk li kolanê bê can
Fm Ebm Fm
Dayîk êdî çiya ye, çiyayê bi dar
End of song Play again?
Harmony analysis
The song opens on Bbm and ends on Fm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Db major and Bb minor because it opens on Bbm and Db is heard 10 times against 8 for Bbm. Try reading the chords both ways and see which feels more like home to you.
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | 10× |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 2× |
| V/V | Eb | Secondary dominant V/V — leads to Absecondary dominant | Eb · G · Bb | 10× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | 20× |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 4× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 10× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 8× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 8× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | 10× |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 2× |
| IV | Eb | Major IV — Dorian / melodic-minor colourmodal colour | Eb · G · Bb | 10× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | 20× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 4× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 10× |
The key pair is Db major and its relative Bb minor (5 flats). 7 different chords appear 64 times in total; 6 of them sit naturally inside the shared scale. Eb acts as a secondary dominant, briefly pointing at another chord of the key.
The move to watch is Fm → Bbm, heard 7 times. From the Db side it reads iii → vi; from the Bbm side it is v → i (natural-minor cadence: gentle, modal arrival). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
Starting on Bbm, the song gives away its key from the very first bar. Fm, Ab, Eb, Db carry the song: iii–V–V/V–I relative to Db, v–VII–IV–III relative to Bbm. Eb adds a moment of surprise: secondary dominant V/V — leads to Ab. Keep an ear on Fm → Bbm (iii → vi in Db, v → i in Bbm): natural-minor cadence — gentle, modal arrival. Ending on Fm, the song seals Db as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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