Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Halil Sezai - Ayyaş - Chord
Key Db major – Bb minor Chords Fm, Gb, Ebm, Bbm, Ab Easy key C (capo 1)
No ratings yet
or your user informations
Make it yours
Text size
Key: Db | A#m | Bbm
Capo: 0
Fm Gb Fm Gb Biz demlendik başımız tüttü, cümlelere hükmeder olduk Fm Gb Fm Acılarımızı iyi süzdük, mecnuna aşk öğretir olduk Fm Gb Fm Gb Bir gün çıkagelir ansızın, o insan güneşi somurtturur Fm Gb Fm Ebm Fm Biraz delikanlıysa eğer, o da bize Leylayı unutturur Fm Gb Fm Gb Ebm Ab Bbm Garezin kime büyük şehir Bbm İstanbul kime kızdı da böyle, bizden çıkarır oldu Gb Acısını kaybedenlerin acısını niye biz bulduk Ebm Gb Sonbahar içirir böyle aşk kimlere nasip oldu Ab Bbm Biz doğruyu aradıkça kimine göre ayyaş olduk Koca bir damla gözyaşıyım ben... Düşsem, "Kimin gözünden attın kendini?" derler... Kocaman bir gözyaşı var içimde, Baksalar, "Dünya tersine dönmüş" derler... O bir damlada kendilerini görmek istemedikleri için... Ben renksizim, yorgunum, beceriksizim... Yendiler beni... Ama kim? Neden? Şimdi kalbinin attığını sanan, koca bir hasretim... Adına yaşamak dedikleri meczup bir garabetim... Bir Salı pazarında toplanmayı bekleyen, çürümüş bir melodiyim... Oysa ki; Adına sevgi dedikleri, tanrının en güzel cezasının temsilcileriydik biz... Sen vardın... Ben vardım... Onur Can vardı... Koca bir şişenin dibiyim şimdi... Uçurumun kenarında... Bize hasret...
End of song Play again?
Halil Sezai - Ayyaş Tabs
NotesX
Harmony analysis
Halil Sezai – Ayyaş: key and chord analysis
The song opens on Fm and ends on Bbm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because it comes to rest on Bbm and Bbm is heard 3 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 3× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | 11× |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 10× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 2× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 3× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 3× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 3× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | 11× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 10× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 2× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 5 different chords appear 29 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Ab Bbm DbV → videceptive cadence BbmVII → iAeolian arrival ×2
- Ebm Ab Dbii → Vii → V Bbmiv → VII ×1
- Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×1
The move to watch is Ab → Bbm, heard 2 times. From the Bbm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the Db side it reads V → vi (deceptive cadence: expected Db, lands on Bbm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The opening Fm lays a solid floor for everything that follows. The backbone is Fm, Gb, Ebm, Bbm — iii–IV–ii–vi from the Db side, v–VI–iv–i from the Bbm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Bbm (V → vi in Db, VII → i in Bbm): Aeolian arrival — rises a whole tone into home. It closes on Bbm, letting the Bbm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Halil Sezai - Ayyaş Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Onur Can ÖzcanMusic: Onur Can ÖzcanArrangement: Onur Can Özcan
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.