Tarkan - Geççek - Chord

Key Eb major – C minor Chords G, Ab, Fm Easy key C (capo 3)

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Capo 0

G               Ab   
Hep köşeye sıkıştırmadı mı
     G 
Daha önce de sanki 
Ab 
Sırtımızdan vurmadı mı
G          Ab              G
Bu kaçıncı darbe ilk değil ki

G               Ab
Düştük evet ama kalkmadık mı
G                 Ab
Biz hep hayata meydan okumadık mı
         G 
Sen ferah tut içini
Fm              G
Biz neleri atlatmadık ki

G             Ab
Geççek geççek elbet bu da geççek
G              Ab
Gör bak umudun gününü gün etçek
G                   Ab
Oh oh zilleri takıp oynıycaz o zaman
G             Ab
O çiçekten günler çok yakın inan

G             Ab
Gitçek gitçek geldiği gibi gitçek
G                  Ab   
Her şeyin sonu var bu çile de bitçek
G                   Ab
Oh oh zilleri takıp oynıycaz o zaman
G             Ab
O çiçekten günler çok yakın inan

G  Ab  G  Ab

G             Ab
Dayan çoğu gitti azı kaldı
G               Ab
Yapma güze kışa boğma yazını
G        Ab         G
Yakındır sabrın zaferi
                Ab
Düştük evet ama kalkmadık mı
G                 Ab
Biz hep hayata meydan okumadık mı
         G
Sen ferah tut içini
Fm              G     
Biz neleri atlatmadık ki

G
Çok uzattın vallahi bıktık

Bi durmadın vermedin ki aman
Fm
Hadi yeter artık fena bunaldık
Fm
Düş babam artık düş yakamızdan

G
Var bir hayır her şerde dedik

Oturduk bir dolu ders de çıkarttık
Fm
Ama yeter artık anladık tamam

Düş babam artık düş yakamızdan

G             Ab
Beni sorarsan ben de iyi değilim pek
G                      Ab
Kalmadı eski neşem hiç tadım tuzum yok pek
G                   Ab
Dar dar dar geliyor ruhuma bedenim 
G                 Ab
Har har yanıyorum küle dönmek üzereyim 

G                    Ab
Bi suyun akışındayım bi gidiyorum tersine
G                    Ab
Bi arkadaşım ümitle  bi aram açık kaderle
G                 Ab
Lakin sabrın sonu selamettir beklerim 
G            Ab
Gün doğmadan neler doğar bilirim

G             Ab
Geççek geççek elbet bu da geççek
G              Ab
Gör bak umudun gününü gün etçek
G                   Ab
Oh oh zilleri takıp oynıycaz o zaman
G             Ab
O çiçekten günler çok yakın inan

G             Ab
Gitçek gitçek geldiği gibi gitçek
G                  Ab   
Her şeyin sonu var bu çile de bitçek
G                   Ab
Oh oh zilleri takıp oynıycaz o zaman
G             Ab
O çiçekten günler çok yakın inan

End of song Play again?

Tarkan - Geççek Tabs

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Harmony analysis

Tarkan – Geççek: key and chord analysis

The song opens on G and ends on Ab. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)
#7 = B (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because the major V chord points straight at Cm. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	5×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	—
III	G	Chromatic colour chordoutside the key	G · B · D	43×
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	36×
V	Bb	Dominant — strongest pull home	Bb · D · F	—
vi	Cm	Relative minor — the melancholy side	C · Eb · G	—
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	—
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv	Fm	Subdominant — moves away from home	F · Ab · C	5×
v	Gm	Minor dominant — soft pull	G · Bb · D	—
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	43×
VI	Ab	Submediant — warm colour	Ab · C · Eb	36×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	—

Analysis

The key pair is Eb major and its relative C minor (3 flats). 3 different chords appear 84 times in total; 2 of them sit naturally inside the shared scale. The major V of Cm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull.

Chord movement

Fm G Ebii → III Cmiv → Viv → V ×4

The move to watch is Fm → G, heard 4 times. From the Cm side it is iv → V (iv → V: the minor side's tension builder); from the Eb side it reads ii → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
When G comes, swap the scale's Bb for B: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
1 semitone down · capo 1 keeps the original pitch

The song's harmonic story

The opening G lays a solid floor for everything that follows. The backbone is G, Ab, Fm — III–IV–ii from the Eb side, V–VI–iv from the Cm side. G is the interesting twist: in Eb it is a chromatic chord (III), while in Cm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Fm → G (ii → III in Eb, iv → V in Cm): iv → V — the minor side's tension builder. Ending on Ab, the song seals Eb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.