Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Yüzyüzeyken Konuşuruz - Sen Varsın Diye - Chord
Key F major – D minor Chords C, Dm, Gm, Bb, Am7 Easy key G
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Key: F | Dm
Capo: 0
Dm C Gm
Seni bir kere görsem belki rahatlar içim
Bb C
Yıllar oldu görmedim
Bb C
Belki de biraz özledim
Dm C Gm
Nasıl bir sevdaysa ancak kalbimi dağladım
C
Seni kaybettim ağladım
Bb C
Üstümden sanki trenler geçti
Bb C Dm
Yine el salladım
Gm
Belki sen varsın diye
Dm
Belki duyarsın diye
Gm
Beni anlarsın
C
Soru sormazsın
Bb Dm
Aah yetmedi mi be
Gm C Dm C Gm C Dm C
Gm C Dm Gm C Bb Dm
Dm C Gm
Bir yere varacak halim yok, saatim geç oldu
Bb C Bb C
Burdan kaçabilenler gitmiş, çok göç oldu
Dm C Gm
Nereye gizlenmiş bilmem bu işin anahtarı
C
Çoğumuzun berbat hayatları
Bb C
Birden durdum, bak içimden geldi
Bb C Dm
Nasıl da afalladım
Gm
Çünkü sen varsın diye
Dm
Belki duyarsın diye
Gm
Beni anlarsın
C
Soru sormazsın
Bb Dm
Aah yetmedi mi be
Gm
Belki sen varsın diye
Dm
Orda sen varsın diye
Gm
Beni anlarsın
C
Soru sormazsın
Bb Dm
Aah yetmedi mi be
Bb C
Gel saklanıcak bir yer
Am7
Bulalım ikimiz bir
Gm
Sen benim sırdaşım ol
Bb
Bak
C
Ne Kaldı inadından
Am7
Seni Soludum Dumanımdan
Gm C
Sen benim yanlışım ol
Gm
Belki sen varsın diye
Dm
Belki duyarsın diye
Gm
Beni anlarsın
C
Soru sormazsın
Bb Dm
Aah yetmedi mi be
End of song Play again?
Yüzyüzeyken Konuşuruz - Sen Varsın Diye Tabs
NotesX
Harmony analysis
Yüzyüzeyken Konuşuruz – Sen Varsın Diye: key and chord analysis
The song opens on Dm and ends on Dm. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it both starts and finishes on Dm and Dm is heard 18 times while F never appears. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 18× |
| iii7 | Am7 | Mediant — a tonic-family shade | A · C · E · G | 2× |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 15× |
| V | C | Dominant — strongest pull home | C · E · G | 27× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 18× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 18× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 18× |
| v7 | Am7 | Minor dominant — soft pull | A · C · E · G | 2× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | 15× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 27× |
Analysis
The key pair is F major and its relative D minor (1 flat). 5 different chords appear 80 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Gm C Fii → Vii → V Dmiv → VII ×11
- Bb C FIV → VIV → V DmVI → VIIVI → VII ×10
- C Dm FV → videceptive cadence DmVII → iAeolian arrival ×7
- Bb Dm FIV → vi DmVI → iVI → i ×5
- Gm Dm Fii → vi Dmiv → iminor plagal ×4
The move to watch is Gm → C, heard 11 times. From the Dm side it is iv → VII; from the F side it reads ii → V (ii → V: the classic preparation of the dominant). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 2 semitones up
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
Starting on Dm, the song gives away its key from the very first bar. The backbone is C, Dm, Gm, Bb — V–vi–ii–IV from the F side, VII–i–iv–VI from the Dm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gm → C (ii → V in F, iv → VII in Dm): ii → V — the classic preparation of the dominant. Ending on Dm, the song seals Dm as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Yüzyüzeyken Konuşuruz - Sen Varsın Diye Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Kaan BoşnakMusic: Kaan BoşnakArrangement: Yüzyüzeyken Konuşuruz
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