Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Dolu Kadehi Ters Tut - Sevdin Diye Mi - Chord
Key G major – E minor Chords D, Am7, C, Am Difficulty already in its easiest key
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Key: G | Em
Capo: 0
Am7 D
Sen sevdin diye mi sevdim kendimi acaba?
Am7 D
Sen sevmeyince ben de sevmez oldum
Am7 D
Sen gösterdin diye mi gördüm kendimi acaba?
Am7 D
Sen olmayınca
Am7 D C
Am7 D C
Anılar, anılar, anılar canımı yakıyorlar
Am7 D C
Giderek, giderek, giderek daha da derine batıyorlar
Am7 D
Sorun acaba bende mi?
C
İstemez miyim gelmeni
Am D C
Bana yeniden gülmeni? Oof
Am
Ne yapsam da boş mu?
D
Hiçbir çarem yok mu?
C
Sağlayamaz mıyım dönmeni
Am7 D C
Beni yeniden sevmeni?
Am7 D
Sen sevdin diye mi sevdim kendimi acaba?
Am7 D
Sen sevmeyince ben de sevmez oldum
Am7 D
Sen gösterdin diye mi gördüm kendimi acaba?
Am7 D
Sen olmayınca görmez oldum
Am7 D
Gözüm görmez oldu
Am7 D
Yüzüm gülmez oldu
Am7 D Am7 D
Kalbim atmaz olduuuuuuuu
Am7 D
Dışarı çıkmadım günlerce
C
Arandım durdum hep kendimce
Am7 D C
Ruh halimi çözmeye çalıştım
Am7 D
Yanlışlıkla yalnızlığa alıştım
C
E, haliyle kafam da biraz karıştı
Am7 D C
Mutlu olmak istemiştim sadece, oof
Am7 D C
Anlamı yok, sen olmayınca
Am7 D C
İmkanı yok, sen sevmeyince
Am7 D
Sen sevdin diye mi sevdim kendimi acaba?
Am7 D
Sen sevmeyince ben de sevmez oldum
Am7 D
Sen gösterdin diye mi gördüm kendimi acaba?
Am7 D
Sen olmayınca görmez oldum
End of song Play again?
Dolu Kadehi Ters Tut - Sevdin Diye Mi Tabs
NotesX
Harmony analysis
Dolu Kadehi Ters Tut – Sevdin Diye Mi: key and chord analysis
The song opens on Am7 and ends on D. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between G major and E minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | — |
| ii7 | Am7 | Supertonic — prepares the dominant | A · C · E · G | 27× |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 2× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | — |
| III | B | Chromatic colour chordoutside the key | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 13× |
| V | D | Dominant — strongest pull home | D · F# · A | 29× |
| vi | Em | Relative minor — the melancholy side | E · G · B | — |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | — |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | — |
| iv7 | Am7 | Subdominant — moves away from home | A · C · E · G | 27× |
| iv | Am | Subdominant — moves away from home | A · C · E | 2× |
| v | Bm | Minor dominant — soft pull | B · D · F# | — |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 13× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 29× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 4 different chords appear 71 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Am7 D Gii7 → Vii → V Emiv7 → VII ×27
- Am D Gii → Vii → V Emiv → VII ×2
The move to watch is Am7 → D, heard 27 times. From the G side it reads ii7 → V (ii → V: the classic preparation of the dominant); from the Em side it is iv7 → VII. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
- Over Am7, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The opening Am7 lays a solid floor for everything that follows. The backbone is D, Am7, C, Am — V–ii7–IV–ii from the G side, VII–iv7–VI–iv from the Em side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Am7 → D (ii7 → V in G, iv7 → VII in Em): ii → V — the classic preparation of the dominant. It closes on D, letting the G side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Dolu Kadehi Ters Tut - Sevdin Diye Mi Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Dolu Kadehi Ters TutMusic: Dolu Kadehi Ters Tut
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