Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Dolu Kadehi Ters Tut - Karanlık - Chord
Key F major – D minor Chords Am, Em, G, F, Dm, C Difficulty already in its easiest key
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Key: F | Dm
Capo: 0
Am
Ey protest halkım
Em
Bana ne yaptın
Am G Am
İçinizden hiçbirinize ait hissedemiyorum
C
Davanıza davam diyemiyorum
Dm
Bilemiyorum, sorun bende mi, ne yapsam kendimi
Anlatsam derdimi
Am
Her yer karanlık
G
Yarından umudum yok
F
Aslında sorum çok ve cevaplar sayfalar dolusu önümde
Ne kadar görmek istesem de gözümle
Am G
Her yer karanlık, her yer karanlık
F
Hiç ışık yok
Am
Ne zaman düşsem bu yalnızlığa
Em
Kitaplar koştu hep yardımıma
Am
Binlerce yıl önce mum ışığında
Em
Kavuşmuşlar insanlar aydınlığa
Am
Şimdi tüm bu ustalar izlerlerken
Em
Ve güya tanrılar da bizlerleyken
Dm
Ne yaptık da düştük bu karanlığa?
Sanki uzanıyor ta yanı başımdan sonsuzluğa
Am G
Her yer karanlık, yarından umudum yok
F
Aslında sorum çok ve cevaplar sayfalar dolusu önümde
Ne kadar görmek istesem de gözümle
Am G
Her yer karanlık, her yer karanlık
F
Hiç ışık yok
Am G F F
Am Em
Yine birilerini kızdırdım, yağıyor üstüme tanrının laneti
Am
Ne hain, ne katil, ne de hırsızdım
Em
Tanrınız buysa beyler, yok hiç adaleti
Am
Protestler, yeni tezler üretirlerken
Em
Bir şekilde marjinal olalım derken
Dm
Az olmak uğruna yine çoktan oldular
Adeta koskocaman bir boktan ordular
Am
Ne yaptıysam olmadı, hep haksızdım
Em
Söylemlerim pek çokları için tatsızdı
Am
Arkamda Titanlar olsa da fark etmez
Em
Onların gözünde ben hep dayanaksızdım
Am
Konuştukça gözlerinde düşüyorum
Em
Nolur ört üstümü anne, çok üşüyorum
Dm
Delirtiyor beni insanların gamsızlığı
Ne olacak da bitecek bu yalnızlığım
Am G
Her yer karanlık, yarından umudum yok
F
Aslında sorum çok ve cevaplar sayfalar dolusu önümde
Ne kadar görmek istesem de gözümle
Am G
Her yer karanlık, her yer karanlık
F
Hiç ışık yok
End of song Play again?
Dolu Kadehi Ters Tut - Karanlık Tabs
NotesX
Harmony analysis
Dolu Kadehi Ters Tut – Karanlık: key and chord analysis
The song opens on Am and ends on F. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F major side because it comes to rest on F and F is heard 8 times against 4 for Dm. That is an interpretation, not a rule — hearing the same chords from D minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | 8× |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | — |
| V/V | G | Secondary dominant V/V — leads to Csecondary dominant | G · B · D | 8× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | 19× |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | — |
| V | C | Dominant — strongest pull home | C · E · G | 1× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 4× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| vii | Em | Chromatic colour chordoutside the key | E · G · B | 10× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 4× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| ii | Em | Chromatic colour chordoutside the key | E · G · B | 10× |
| III | F | Relative major — the bright side | F · A · C | 8× |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | — |
| IV | G | Major IV — Dorian / melodic-minor colourmodal colour | G · B · D | 8× |
| v | Am | Minor dominant — soft pull | A · C · E | 19× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | — |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 1× |
Analysis
The key pair is F major and its relative D minor (1 flat). 6 different chords appear 50 times in total; 4 of them sit naturally inside the shared scale. G acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- C Dm FV → videceptive cadence DmVII → iAeolian arrival ×1
The move to watch is C → Dm, heard once. From the F side it reads V → vi (deceptive cadence: expected F, lands on Dm); from the Dm side it is VII → i (Aeolian arrival: rises a whole tone into home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The first chord is Am; the ear learns where home is within a second. The backbone is Am, Em, G, F — iii–vii–V/V–I from the F side, v–ii–IV–III from the Dm side. G adds a moment of surprise: secondary dominant V/V — leads to C. Keep an ear on C → Dm (V → vi in F, VII → i in Dm): deceptive cadence — expected F, lands on Dm. It closes on F, letting the F side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Dolu Kadehi Ters Tut - Karanlık Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Dolu Kadehi Ters TutMusic: Dolu Kadehi Ters Tut
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