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MEG - Yorgunum - Chord

Key Ab major – F minor Chords Eb, Fm, Db, Bbm, Cm Easy key G (capo 1)

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Capo 0 
Fm  Eb  Db  Eb

Fm                Db   Fm
Görmüyorsun ölsem de sana
                  Db    Fm
Gelmeyecek geri giden zaman
     Bbm
Bide yağmur yağarken inadına ıslanıp
Cm                            Db
Her tarafımda sönen yangınlar var
             Eb
Beni sar ama eskisi gibi olamam

Fm 
Yorgunum bu şehir neden sürekli sessiz
Eb
Kursağımda kaldı sevgi yaş gözümde sel gibi
Db
Hırsla kalbe yenik düştüm usta sanarken
Eb
Beni ben kısık sesle çığlık attım, duyar mı tüm şehir

Fm 
Duyarsa bilin o gün gök gürülder ağlar
Eb
Hatırla sen de bizi, usulca ağla
Db
Duyarsa bilin o gün yer yerinden oynar ve
Eb
Hayallerin beynin’de usulca yıkılacak

Fm
Kusurlarını ört ve git bu dert yürekte yer etmiş
    Eb
Ben kusurlarını görmeden bu kalpte sana bi yer açtım
Db
Bıraktım ağla, umurumda olmaz
    Eb
Ben 15 imde alıştım, en büyük vedalara

Fm
Rüzgar essin inceden, kokumu getirsin sana
Eb
Tebessümle karşıla sen sesimi duyduğunda yan
Db
Tereddüt etmedim, yazdığımda sözleri
Eb
Teşekkür etme sakın, hak ettin bunları

Fm
Mutluluk yazar bu el ve askı tazeler bakış
Eb
Her bakışını islerim bu kalbime nakış nakış
Db
Hayaldin herzaman ve kimi zamanda pişmanlık
Eb
Zararım oldun anla dinle beni ben haklıyım

Fm
Bi nebze kin var  evet birazda özlem artı 
Eb
Sevgi hala aynı çünkü geldim onca engel aşıp
Db
Birazda sen ol canım hatalardan arın ve 
Eb
Birazdan sel olur bu gözyaşımla satırlarım

Fm
Bi dakika ağlamayacağım, o böyle mutlu olur 
Eb
Görse gözüm susar dilim istesem de olma bugün 
Db
Bu şarkı duygu bedene tonla derdi yükle taşır 
Eb
Mutlu olan karşı taraf, haber salın güven kayıp

Fm
Acın da güzel senin bakışın kadar zarif 
Eb
Canım bu duygu senle beraberken gelmiş 
Db
Bi gitsen bu bitmez ve hisler değişmez 
Eb
Gül olsan da koksan bir burnumda tütsen

Fm                Db   Fm
Görmüyorsun ölsem de sana
                  Db    Fm
Gelmeyecek geri giden zaman
     Bbm
Bide yağmur yağarken inadına ıslanıp
Cm                            Db
Her tarafımda sönen yangınlar var
             Eb
Beni sar ama eskisi gibi olamam

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MEG - Yorgunum Tabs

NotesX

Harmony analysis

MEG – Yorgunum: key and chord analysis

The song opens on Fm and ends on Eb. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = G (leading tone, pulls home)
  • 4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = Db (the minor's melancholy)
  • b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the F minor side because it opens on Fm and Fm is heard 15 times while Ab never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree Chord Role Notes In song
I Ab Tonic — home Ab · C · Eb —
ii Bbm Supertonic — prepares the dominant Bb · Db · F 2×
iii Cm Mediant — a tonic-family shade C · Eb · G 2×
V/vi C Secondary dominant V/vi — leads to Fmsecondary dominant C · E · G —
IV Db Subdominant — moves away from home Db · F · Ab 15×
V Eb Dominant — strongest pull home Eb · G · Bb 20×
vi Fm Relative minor — the melancholy side F · Ab · C 15×
vii° Gdim Leading-tone chord — tension G · Bb · Db —
Seen from F minor
Degree Chord Role Notes In song
i Fm Tonic — home F · Ab · C 15×
ii° Gdim Supertonic — prepares the dominant G · Bb · Db —
III Ab Relative major — the bright side Ab · C · Eb —
iv Bbm Subdominant — moves away from home Bb · Db · F 2×
v Cm Minor dominant — soft pull C · Eb · G 2×
V C Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor C · E · G —
VI Db Submediant — warm colour Db · F · Ab 15×
VII Eb Subtonic — steps back to the tonic Eb · G · Bb 20×

Analysis

The key pair is Ab major and its relative F minor (4 flats). 5 different chords appear 54 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

  1. Db Eb AbIV → VIV → V FmVI → VIIVI → VII ×11
  2. Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×10
  3. Db Fm AbIV → vi FmVI → iVI → i ×4

The move to watch is Db → Eb, heard 11 times. From the Fm side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the Ab side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
  • Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
  • Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
  • Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With Ab major shapes

    • Capo 1 + G shapes
    • Capo 4 + E shapes
    • Capo 6 + D shapes

    With F minor shapes

    • Capo 1 + Em shapes
    • Capo 3 + Dm shapes

    Easiest keys on guitar

    • 1 semitone down · capo 1 keeps the original pitch
    • 4 semitones up

    The song's harmonic story

    Starting on Fm, the song gives away its key from the very first bar. Eb, Fm, Db, Bbm carry the song: V–vi–IV–ii relative to Ab, VII–i–VI–iv relative to Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Db → Eb (IV → V in Ab, VI → VII in Fm): VI → VII — the rising step that heads for the tonic. It closes on Eb, letting the Ab side have the last word.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    MEG - Yorgunum Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

    Find something to play next

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    Lyrics: Mehmet Emin Güleken
    Music: Volkan Akmehmet
    İnanc Şanver

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