Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Dolu Kadehi Ters Tut - Nasıl Kalalım Ayrı - Chord
Key C major – A minor Chords Dm, C, G Difficulty already in its easiest key
No ratings yet
or your user informations
Make it yours
Text size
Key: C | Am
Capo: 0
Dm Dm C G
Dm C G
Giydi entarisini geldi salına salına
Dm C G
Nispet yaptı adeta en hoş peri masalına
Dm C G
Benim keyfim yerindedir, sen dikkat et kendine
Dm C G
Hatta benden selam söyle dertline tasalına
Dm C
Yollarımız aynı, yönlerimiz aynı
Dm C G
Sonlarımız aynı, nasıl kalalım ayrı
Dm C
Aklımız aynı, fikrimiz aynı
Dm C G
Zikrimiz aynı, zor kalırız ayrı
Dm Dm C G
Dm C G
Merak etme inanırım, çizilmiştir kaderim
Dm C G
Ama sanma ki sen ne dersen ben hep he derim
Dm C G
Ne yaparsam yapayım, anladığın kadarım
Dm C G
Gurur yapıp gitsem de, izini taşır derim
Dm C G
İzini taşır tenim
Dm C
Yollarımız aynı, yönlerimiz aynı
Dm C G
Sonlarımız aynı, nasıl kalalım ayrı
Dm C
Aklımız aynı, fikrimiz aynı
Dm C G
Zikrimiz aynı, zor kalırız ayrı
End of song Play again?
Dolu Kadehi Ters Tut - Nasıl Kalalım Ayrı Tabs
NotesX
Harmony analysis
Dolu Kadehi Ters Tut – Nasıl Kalalım Ayrı: key and chord analysis
The song opens on Dm and ends on G. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C major side because C is heard 19 times while Am never appears. That is an interpretation, not a rule — hearing the same chords from A minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | 19× |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 21× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | — |
| III | E | Chromatic colour chordoutside the key | E · G# · B | — |
| IV | F | Subdominant — moves away from home | F · A · C | — |
| V | G | Dominant — strongest pull home | G · B · D | 15× |
| vi | Am | Relative minor — the melancholy side | A · C · E | — |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | — |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | 19× |
| iv | Dm | Subdominant — moves away from home | D · F · A | 21× |
| v | Em | Minor dominant — soft pull | E · G · B | — |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VI | F | Submediant — warm colour | F · A · C | — |
| VII | G | Subtonic — steps back to the tonic | G · B · D | 15× |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 3 different chords appear 55 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The opening Dm lays a solid floor for everything that follows. Dm, C, G carry the song: ii–I–V relative to C, iv–III–VII relative to Am. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. The final chord is G; the ear comes to rest in C.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Dolu Kadehi Ters Tut - Nasıl Kalalım Ayrı Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Repertoires with this song
Similar songs, ready to play: pick a list.
Lyrics: Dolu Kadehi Ters TutMusic: Dolu Kadehi Ters Tut
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.