Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Key C major – A minor Chords C, Am, F, G, Em Easy key G (capo 5)
Intro 4x: Am C Em
Am C Em
She's got both hands in her pocket
Am C Em
And she wont look at you, won't look you
Am C Em
She hides true love, en su bolsillo
Am C Em
Shes got a halo around her finger, around you
Ponte:
F C Em
You know that I love you boy, hot like Mexico, rejoice
Am C Em
At this point I gotta choose nothing to loose
Refrão:
F C G Am
Don't call my name, don't call my name, Alejandro
F C G Am
I'm not your babe, I'm not your babe, Fernando
F C G Am
Don't wanna kiss, don't wanna touch, just smoke my cigarette and hush
F C G Am
Don't call my name, don't call my name, Roberto
F C G Am
Alejandro, Alejandro
F C G Am
Ale ale jandro, Ale ale jandro
F C G Am
Alejandro, Alejandro
F C G Am
Ale ale jandro, Ale ale jandro
Am C Em Am C Em
Am C Em
She's not broken, she's just a baby
Am C Em
But her boyfriend's like a dad, just like a dad
Am C Em
Draw those flames that, burn before him
Am C Em
Now he's gonna find fly a kite, gonna fool you bad
Am C Em
Don't bother me, don't bother me, Alejandro
Am C Em
Don't call my name, don't call my name, bye Fernando
F C G Am
I'm not your babe, I'm not your babe, Alejandro
F C G Am
Don't wanna kiss, don't wanna touch, Fernando
F C G Am
Don't call my name, don't call my name, Alejandro
F C G Am
I'm not your babe, I'm not your babe, Fernando
F C G Am
Don't wanna kiss, don't wanna touch, just smoke my cigarette and hush
F C G Am
Don't call my name, don't call my name, Roberto
F C G Am
Alejandro, Alejandro
F C G Am
Ale ale jandro, Ale ale jandro
F C G Am
Alejandro, Alejandro
F C G Am
Ale ale jandro, Ale ale jandro
F C G Am
Alejandro, Alejandro
F C G Am
Ale ale jandro, Ale ale jandro
F C G Am
Alejandro, Alejandro
F C G Am
Ale ale jandro, Ale ale jandro
End of song Play again?
Harmony analysis
The song opens on Am and ends on Am. Its chords belong to both C major and Am, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it both starts and finishes on Am and C is heard 36 times against 35 for Am. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | 36× |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | — |
| iii | Em | Mediant — a tonic-family shade | E · G · B | 14× |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | — |
| IV | F | Subdominant — moves away from home | F · A · C | 23× |
| V | G | Dominant — strongest pull home | G · B · D | 22× |
| vi | Am | Relative minor — the melancholy side | A · C · E | 35× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 35× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | 36× |
| iv | Dm | Subdominant — moves away from home | D · F · A | — |
| v | Em | Minor dominant — soft pull | E · G · B | 14× |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VI | F | Submediant — warm colour | F · A · C | 23× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | 22× |
The key pair is C major and its relative A minor (no sharps or flats). 5 different chords appear 130 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is F → C, heard 23 times. From the Am side it is VI → III; from the C side it reads IV → I (plagal cadence: the soft 'amen' ending). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The opening Am lays a solid floor for everything that follows. C, Am, F, G carry the song: I–vi–IV–V relative to C, III–i–VI–VII relative to Am. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F → C (IV → I in C, VI → III in Am): plagal cadence — the soft 'amen' ending. It closes on Am, letting the Am side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.
We use cookies to provide you with the best experience on our website. For more information, please review our privacy policy.