Deniz Arcak - Vurur - Chord

Key Ab major – F minor Chords Fm, Bbm, C7, Db, Gm, Cm, C Easy key C

Add to Repertoire

No ratings yet

or your user informations

Capo 0

     Fm       Bbm        Fm
Daha dün gibiydim bugün oldum
      Fm      Gm         Fm
Şimdi gün gibiyim yarın oldum
    Fm       Bbm       Fm
Koşarak üstünden yıldızların
     Db      Cm       Fm
Karıştım aylara sene oldum

      Bbm        C7     Fm
Bir dokunuş ki yarım kaldı
    Bbm       C7       Fm
Ateşlerin yerini kül aldı
    Bbm        C7    Fm
Asırların nice yalnızlığı
      Bbm      C       Fm
Sanki boynumda asılı kaldı

Fm           C7      Db       Bbm       C7
Vurur gözlerime acımasız zamanlar nefretle
Fm           C7      Db        Bbm     C7
Vurur gölgeleri sınırsız her yere beni bekler

End of song Play again?

Deniz Arcak - Vurur Tabs

NotesX

Harmony analysis

Deniz Arcak – Vurur: key and chord analysis

The song opens on Fm and ends on C7. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)
#7 = E (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the F minor side because it opens on Fm, Fm is heard 13 times while Ab never appears and the major V chord points straight at Fm. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
I	Ab	Tonic — home	Ab · C · Eb	—
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	8×
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	1×
V7/vi	C7	Secondary dominant V/vi — leads to Fmsecondary dominant	C · E · G · Bb	7×
V/vi	C	Secondary dominant V/vi — leads to Fmsecondary dominant	C · E · G	1×
IV	Db	Subdominant — moves away from home	Db · F · Ab	3×
V	Eb	Dominant — strongest pull home	Eb · G · Bb	—
vi	Fm	Relative minor — the melancholy side	F · Ab · C	13×
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—
vii	Gm	Chromatic colour chordoutside the key	G · Bb · D	1×

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	13×
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
ii	Gm	Chromatic colour chordoutside the key	G · Bb · D	1×
III	Ab	Relative major — the bright side	Ab · C · Eb	—
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	8×
v	Cm	Minor dominant — soft pull	C · Eb · G	1×
V7	C7	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G · Bb	7×
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	1×
VI	Db	Submediant — warm colour	Db · F · Ab	3×
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	—

Analysis

The key pair is Ab major and its relative F minor (4 flats). 7 different chords appear 34 times in total; 4 of them sit naturally inside the shared scale. The major V of Fm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Ab, the same C7 / C is V7/vi, a secondary dominant heading for Fm. Gm step outside the scale as colour chords.

Chord movement

Bbm C7 Abii → V7/vi Fmiv → V7iv → V ×5
C7 Fm AbV7/vi → visecondary resolution FmV7 → iharmonic-minor cadence ×4
Bbm Fm Abii → vi Fmiv → iminor plagal ×2
C Fm AbV/vi → vi FmV → iharmonic-minor cadence ×1
Cm Fm Abiii → vi Fmv → inatural-minor cadence ×1
Bbm C Abii → V/vi Fmiv → Viv → V ×1

The move to watch is Bbm → C7, heard 5 times. From the Fm side it is iv → V7 (iv → V: the minor side's tension builder); from the Ab side it reads ii → V7/vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
Over C7, land on C, E, G — the chord's own tones always sound right on strong beats.
When C7 comes, swap the scale's Eb for E: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

4 semitones up
1 semitone down · capo 1 keeps the original pitch

The song's harmonic story

Starting on Fm, the song gives away its key from the very first bar. The chords that keep coming back are Fm, Bbm, C7, Db; read them as vi–ii–V7/vi–IV in Ab or i–iv–V7–VI in Fm. C7 is the interesting twist: in Ab it is a chromatic chord (V7/vi), while in Fm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on Bbm → C7 (ii → V7/vi in Ab, iv → V7 in Fm): iv → V — the minor side's tension builder. The final chord is C7; the ear comes to rest in Ab.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Deniz Arcak - Vurur Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

Find something to play next

Ready-made lists by difficulty and mood.

Lyrics: Ümit Sayın

Music: Ozan Çolakoğlu

Arrangement: Ozan Çolakoğlu

Report error for this content report.

All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.

🎤 Deniz Arcak Chords

🎲 Random Chords in the Key of Ab

View All →