Sena Şener - İnsan Gelir İnsan Geçer - Chord

Key D major – B minor Chords Bm, G, A, F#m, D, Bb, E Easy key G (capo 7)

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Capo 0

Bm  A  G  F#m

Bm       A             G     F#m
 Bir muammada buldum kendimi
Bm         A            G       F#m
 Bilmediğim elleri aşar bendimi
    Bm       A         G   F#m
Dokunur bana, yalnızlığıma
Bm        A         G  F#m
 Sıkıca sarar tütününü
Bm         A            G  F#m
 Hiç esirgemez kötü sözünü
    Bm       A          G    F#m
Dokunur bana, sakladıklarıma

G        A 
Özenle dokunmuş bir kilim
G      F#m
Uzandım dizlerine
G        A
Özüyle çakışmış ben kimim
G         F#m           Bm  A  G  F#m
Kimim ki uzandım gizlerine

Bm    D      Bm    D
İnsan gelir, insan geçer
Bm     D       Bm    D
Çık hücrenden, ruhun göster
Bm       Bb
Ya da en tepesinden
Bm          Bb
Bana hep baktığın yerden
Bm  D  F#m  E   Bm          Bb
Düüüüüüüüüüüüş, korkaklığın pınarından
Bm      Bb
Ekinsiz bostanıma
Bm  D  F#m  E        F#m  G  Bm  A  F#m  G  Bm  A
Düüüüüüüüüüüüş, kollarıma

        Bm  A         G   A
Dokun bana,  korkularıma

Bm     A             G  F#m
 İlmik ilmik bilir beni
Bm     A              G    F#m
 Ama anlatmaz bana derdini
    Bm      A          G  F#m
Dokunur bana, sancılarıma
Bm      A          G  F#m
 Melankolik yazı güzü
Bm       A           G  F#m
 Belki yalan sazı sözü
    Bm       A            G  F#m
Dokunur bana, sakladıklarıma

G        A 
Özenle dokunmuş bir kilim
G      F#m
Uzandım dizlerine
G        A
Özüyle çakışmış ben kimim
G         F#m           Bm  A  G  F#m
Kimim ki uzandım gizlerine

Bm    D      Bm    D
İnsan gelir, insan geçer
Bm     D       Bm    D
Çık hücrenden, ruhun göster
Bm       Bb
Ya da en tepesinden
Bm          Bb
Bana hep baktığın yerden
Bm  D  F#m  E   Bm          Bb
Düüüüüüüüüüüüş, korkaklığın pınarından
Bm      Bb
Ekinsiz bostanıma
Bm  D  F#m  E        F#m  G  Bm  A  F#m  G  Bm  A
Düüüüüüüüüüüüş, kollarıma

        Bm  A  G  A
Dokun bana

Bm         A          G         A
Yerim bir, göğüm bir, canım bir seninle

Bm    D      Bm    D
İnsan gelir, insan geçer

End of song Play again?

Sena Şener - İnsan Gelir İnsan Geçer Tabs

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Harmony analysis

Sena Şener – İnsan Gelir İnsan Geçer : key and chord analysis

The song opens on Bm and ends on D. Its chords belong to both D major and Bm, so every chord below is read both ways.

Major view

D major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C# (leading tone, pulls home)
4 = G (the note that leans on the 3rd)

Minor view

B minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = G (the minor's melancholy)
b7 = A (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between D major and B minor because it comes to rest on D, it opens on Bm and Bm is heard 44 times against 14 for D. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from D major
Degree	Chord	Role	Notes	In song
I	D	Tonic — home	D · F# · A	14×
ii	Em	Supertonic — prepares the dominant	E · G · B	—
V/V	E	Secondary dominant V/V — leads to Asecondary dominant	E · G# · B	4×
iii	F#m	Mediant — a tonic-family shade	F# · A · C#	27×
V/vi	F#	Secondary dominant V/vi — leads to Bmsecondary dominant	F# · A# · C#	—
IV	G	Subdominant — moves away from home	G · B · D	30×
V	A	Dominant — strongest pull home	A · C# · E	29×
bVI	Bb	Borrowed from the parallel minorborrowed chord	Bb · D · F	8×
vi	Bm	Relative minor — the melancholy side	B · D · F#	44×
vii°	C#dim	Leading-tone chord — tension	C# · E · G	—

Seen from B minor
Degree	Chord	Role	Notes	In song
i	Bm	Tonic — home	B · D · F#	44×
ii°	C#dim	Supertonic — prepares the dominant	C# · E · G	—
III	D	Relative major — the bright side	D · F# · A	14×
iv	Em	Subdominant — moves away from home	E · G · B	—
IV	E	Major IV — Dorian / melodic-minor colourmodal colour	E · G# · B	4×
v	F#m	Minor dominant — soft pull	F# · A · C#	27×
V	F#	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F# · A# · C#	—
VI	G	Submediant — warm colour	G · B · D	30×
VII	A	Subtonic — steps back to the tonic	A · C# · E	29×
#VII	Bb	Chromatic colour chordoutside the key	Bb · D · F	8×

Analysis

The key pair is D major and its relative B minor (2 sharps). 7 different chords appear 156 times in total; 5 of them sit naturally inside the shared scale. E acts as a secondary dominant, briefly pointing at another chord of the key. Bb is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

F#m Bm Diii → vi Bmv → inatural-minor cadence ×15
G A DIV → VIV → V BmVI → VIIVI → VII ×7
A Bm DV → videceptive cadence BmVII → iAeolian arrival ×5
G Bm DIV → vi BmVI → iVI → i ×4

The move to watch is F#m → Bm, heard 15 times. From the D side it reads iii → vi; from the Bm side it is v → i (natural-minor cadence: gentle, modal arrival). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
Over A, land on A, C#, E — the chord's own tones always sound right on strong beats.
On Bb, follow the chord's notes (Bb · D · F) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With D major shapes

No capo — open D shapes
Capo 2 + C shapes
Capo 5 + A shapes

With B minor shapes

Capo 2 + Am shapes
Capo 7 + Em shapes

Easiest keys on guitar

5 semitones up · capo 7 keeps the original pitch
2 semitones down · capo 2 keeps the original pitch

The song's harmonic story

The opening Bm lays a solid floor for everything that follows. Bm, G, A, F#m carry the song: vi–IV–V–iii relative to D, i–VI–VII–v relative to Bm. E adds a moment of surprise: secondary dominant V/V — leads to A. Keep an ear on F#m → Bm (iii → vi in D, v → i in Bm): natural-minor cadence — gentle, modal arrival. The final chord is D; the ear comes to rest in D.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.