Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Sena Şener - Dönmek - Chord
Key Eb major – C minor Chords Cm, Ab, F, Gm, Bbm, Fm Easy key G
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Key: Eb | Cm
Capo: 0
Gm F Gm F Cm F F Gm F Gm Dönmek, mümkün mü artık dönmek F Cm Onca yollardan sonra Ab Fm Yeniden yollara düşmek Cm Bbm Ab Neresi sıla bize, neresi gurbet Fm Cm Al bizi koynuna ipek yolları Bbm Ab Üstümüzden geçiyor gökkuşağı Fm Cm Sevdalı bulutlar uçan halılar Bbm Ab Uzak değil dünyanın kapıları Cm Bbm Ab Neresi sıla bize, neresi gurbet Gm F Yollar bize memleket Gm F Gm Dönmek, mümkün mü artık dönmek F Cm Onca yollardan sonra Ab Fm Yeniden yollara düşmek Cm Bbm Ab Neresi sıla bize, neresi gurbet Fm Cm Rakılı akşamlar, gün batımları Bbm Ab Çocuk gibi ağlar yaz sarhoşları Fm Cm Olmamış yaşamlar, eksik yarınlar Bbm Ab Hatırlatır her şey eski aşkları Cm Bbm Ab Neresi sıla bize, neresi gurbet Gm Cm Yollar bize memleket
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Sena Şener - Dönmek Tabs
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Harmony analysis
Sena Şener – Dönmek: key and chord analysis
The song opens on Gm and ends on Cm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it comes to rest on Cm and Cm is heard 12 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | 6× |
| V/V | F | Secondary dominant V/V — leads to Bbsecondary dominant | F · A · C | 9× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 8× |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 10× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | — |
| v | Bbm | Chromatic colour chordoutside the key | Bb · Db · F | 8× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 12× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 12× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | 6× |
| IV | F | Major IV — Dorian / melodic-minor colourmodal colour | F · A · C | 9× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 8× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 10× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | — |
| vii | Bbm | Chromatic colour chordoutside the key | Bb · Db · F | 8× |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 6 different chords appear 53 times in total; 4 of them sit naturally inside the shared scale. F acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- Fm Cm Ebii → vi Cmiv → iminor plagal ×6
- Ab Cm EbIV → vi CmVI → iVI → i ×2
- Gm Cm Ebiii → vi Cmv → inatural-minor cadence ×1
The move to watch is Fm → Cm, heard 6 times. From the Cm side it is iv → i (minor plagal: deep and melancholic); from the Eb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
Starting on Gm, the song gives away its key from the very first bar. The chords that keep coming back are Cm, Ab, F, Gm; read them as vi–IV–V/V–iii in Eb or i–VI–IV–v in Cm. F adds a moment of surprise: secondary dominant V/V — leads to Bb. Keep an ear on Fm → Cm (ii → vi in Eb, iv → i in Cm): minor plagal — deep and melancholic. It closes on Cm, letting the Cm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sena Şener - Dönmek Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Murathan MunganMusic: Derya KöroğluArrangement: Sena Şener
Efe Demiral
Efe Demiral
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