Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Arda Gezer - Bi De Bana Sor (Kaya Giray - Zen-G) - Chord
Key C major – A minor Chords Em, F Difficulty already in its easiest key
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Key: C | Am
Capo: 0
Em F Em
Yine mi düşüyor içime bu kor
F Em
Nası gidiyor onu bi de bana sor
F Em
Kimine kolay kimine de zor
F Em
Bi de bana sor bi de bana sor
Em F
Çok abarttım biliyorum
Em F
Ama ölmenizi diliyorum
Em F
Eski sayfaları siliyorum
Em F
Hangi araflara gidiyorum
Em F Em F
Yarınlar umutlu önüne bak
Geçmişi unut ve dünü bırak
Olur her şey istediğin o an
Kalpten olsun her duan
Kaderin benimle ne zoru var
Gelmedim diye mi oyununa
Yeter ki dik dur dayanamaz
Yıkılır en kral duvar
Beni durdurma bu gece
Durdurmak için ne yapsan nafile gidiyorum
Ben hep olduğum gibiydim ve noldu gün geçtikçe herkesi siliyorum
Geri dönmem gerekse de görmez gözüm gölgem peşimde ben yürüyorum
Acıma merhem bütün dertler
Sardıkça kendime geliyorum
Em F
Beni bana döndür
Em F
Gözlerindeki o güzel ışıltıyı gördüm
Em
İçimdekini söndür
F Em
Kalbimdeki seni öldür
Em F Em F
Sana göre gitmek gitmek kolay hep
Kalana hüzünlü bir şarkımı bırakıp
Sağa sola çarpıp yere düşmek yine
Yeni düş beklemek en kötü bunalım
Sarıyorum yokluğunu bu gece
Her gece ayrı bir işkence
Düşüyorum düştükçe bu gece
Düzelir miyim gün geçtikçe
Varıyorum en dibine
Ama bırakamıyorum kalbimi ellerine.
Sellerine kapılıp sürükleniyorum
Koy seni ben yerine.
Her yerime bırakıyor izlerini gözlerime.
Sözlerine güvendim döndüm bir serseriye.
Em F Em
Yine mi düşüyor içime bu kor
F Em
Nası gidiyor onu bi de bana sor
F Em
Kimine kolay kimine de zor
F Em
Bi de bana sor bi de bana sor
End of song Play again?
Arda Gezer - Bi De Bana Sor (Kaya Giray - Zen-G) Tabs
NotesX
Harmony analysis
Arda Gezer – Bi De Bana Sor (Kaya Giray - Zen-G): key and chord analysis
The song opens on Em and ends on Em. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between C major and A minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | — |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | — |
| iii | Em | Mediant — a tonic-family shade | E · G · B | 22× |
| III | E | Chromatic colour chordoutside the key | E · G# · B | — |
| IV | F | Subdominant — moves away from home | F · A · C | 19× |
| V | G | Dominant — strongest pull home | G · B · D | — |
| vi | Am | Relative minor — the melancholy side | A · C · E | — |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | — |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | — |
| iv | Dm | Subdominant — moves away from home | D · F · A | — |
| v | Em | Minor dominant — soft pull | E · G · B | 22× |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VI | F | Submediant — warm colour | F · A · C | 19× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | — |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 2 different chords appear 41 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
Starting on Em, the song gives away its key from the very first bar. The backbone is Em, F — iii–IV from the C side, v–VI from the Am side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Ending on Em, the song seals C as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Arda Gezer - Bi De Bana Sor (Kaya Giray - Zen-G) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Kaya Giray
Zen-GMusic: Kaya GirayArrangement: Arda Gezer
Zen-GMusic: Kaya GirayArrangement: Arda Gezer
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