Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Arda Gezer - Temizle (Zen-G) - Chord
Key Ab major – F minor Chords Fm, Eb, Cm Easy key F (capo 3)
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Key: Ab | Fm
Capo: 0
Fm
Temizle, hayalindeki tüm korkuları
Temizle, sana yaşattığım o duyguları
Eb Cm
Temizle, geçmişte çektiğin tüm acılarını
Fm
Temizle, ruhumda açtığın o yaralarını
Fm
Benden önce senden sonra
Kimler gelip geçecek lütfen sorma
Gördüklerin zihnini, yaşadıkların ruhunu
Kirletse de sen değişme, asla kanma
Kötü kararlarla başı belalarda
Zorunda kalmak var sonuçlarına da
Herkes kendi yolunu kendi seçer
Kadere inan ama inanma pembe masallara
Hayat bize vurur hep sert
Düzen böyle gurur yapma gülüm gülümse
Gidenlere yol ver ama bugün sen
Unutmadan yakandaki ruj izini gizle
Ama önce dur ve dışardan izle
Sen de bi damlasın bu koca denizde
Rüzgara tükürme sonra üzülürsün
Düşünürsün önce niyetini temizle (ve)
Fm
Temizle, hayalindeki tüm korkuları
Temizle, sana yaşattığım o duyguları
Eb Cm
Temizle, geçmişte çektiğin tüm acılarını
Fm
Temizle, ruhumda açtığın o yaralarını
Bu savaş yasak aşk
Aynı son aynı baş
Boş limana yanaş
Ayvalık ya da Kaş
Ol yavaş hiç telaş yok içine biraz karış
Boğulmadan yüz bakalım şimdi derinlere dalış
Çok güzel ambalaj fakat içleri tıraş
Bas gaza patinaj çek tehlikeli viraj
Ol birine yoldaş
Ama yanına yakış
Yoldurma saç baş
Önce kendinle barış
Dünden kalma yalanlar söyleyenin ağzında
Kötü tat bırakır yalanı bırakın
Kaçamak yaşama savaşa dahil ol
Savaşçıysan kurbanını hatırlama adamım
Bütün "keşke"lerin aslında bi zamanlar "iyi ki"lerindi bunu anlasaydın
Tüm acıların ilacı tuzlu su, söyle ne istersin
Deniz mi göz yaşı mı ?
Fm
Biz bu aşkı, sarsak mı? Saklasak mı?
Hep yalanmış! Ağlasak mı? Sızlasak mı?
Eb Cm
Bitti artık. Yıpranmış, hırpalanmış
Fm
Klplerden kalsak mı? Kaçsak mı ?
Fm
Temizle, hayalindeki tüm korkuları
Temizle, sana yaşattığım o duyguları
Eb Cm
Temizle, geçmişte çektiğin tüm acılarını
Fm
Temizle, ruhumda açtığın o yaralarını
End of song Play again?
Arda Gezer - Temizle (Zen-G) Tabs
NotesX
Harmony analysis
Arda Gezer – Temizle (Zen-G): key and chord analysis
The song opens on Fm and ends on Fm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it both starts and finishes on Fm and Fm is heard 9 times while Ab never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | — |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 4× |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | — |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 4× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 9× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 9× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | — |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 4× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | — |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 4× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 3 different chords appear 17 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Cm Fm Abiii → vi Fmv → inatural-minor cadence ×4
The move to watch is Cm → Fm, heard 4 times. From the Fm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Ab side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 4 semitones up
The song's harmonic story
The first chord is Fm; the ear learns where home is within a second. The backbone is Fm, Eb, Cm — vi–V–iii from the Ab side, i–VII–v from the Fm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Cm → Fm (iii → vi in Ab, v → i in Fm): natural-minor cadence — gentle, modal arrival. It closes on Fm, letting the Fm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Arda Gezer - Temizle (Zen-G) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Zen-GMusic: Arda Gezer
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