Nahide Babaşlı - Korkma Söyle - Chord

Key Ab major – F minor Chords G#m, C#m, D#m, D#, E Easy key A

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Capo 0

    G#m                            D#
Ne kadar uzak kaldık seninle, ne kadar böyle habersiz
   G#m                            D#
O benim, dediğimiz günlerden bi haber, ne hallere gelmişiz
     C#m                          G#m
Ben hala kopamıyorum senden ya da ters giden bir şeyler var
    C#m
Sen ağla ben silerim yaşını
       D#                                       G#m
Hem de nerdeysen koşar, bulur, yanar yüreğim sana

          G#m                 D#m
Korkma söyle ne zaman unuttuğunu
          G#m                   D#m
Hatta yerimi kimlerle doldurduğunu
        C#m                   D#m
Susma söyle, yeter ki sesini duyayım bana yeter
        E         C#m      D#m
Bilsem de şimdi nerede uyuduğunu

G#m  D#m  G#m  D#m  C#m  D#m  E  C#m  D#m

    G#m                            D#
Ne bahar uzak kaldık seninle ne de kış, şimdi neredesin
     G#m                             D#
Ya gelirse sana bir gün benden bir haber,ne halde bu, der misin
    C#m                         G#m
Ben hala kopamıyorum senden ya da ters giden bir şeyler var
    C#m
Sen ağla ben silerim yaşını
         D#                                      G#m
Hem de neredeysen koşar, bulur, yanar yüreğim sana

End of song Play again?

Nahide Babaşlı - Korkma Söyle Tabs

NotesX

Harmony analysis

Nahide Babaşlı – Korkma Söyle: key and chord analysis

The song opens on G#m and ends on G#m. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Ab major and F minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
I	Ab	Tonic — home	Ab · C · Eb	—
i	G#m	Chromatic colour chordoutside the key	G# · B · D#	12×
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	—
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	—
III	C	Chromatic colour chordoutside the key	C · E · G	—
IV	Db	Subdominant — moves away from home	Db · F · Ab	—
iv	C#m	Minor iv — borrowed from the parallel minorborrowed chord	C# · E · G#	8×
V	D#	Dominant — strongest pull home	D# · G · A#	6×
v	D#m	Chromatic colour chordoutside the key	D# · F# · A#	8×
bVI	E	Borrowed from the parallel minorborrowed chord	E · G# · B	2×
vi	Fm	Relative minor — the melancholy side	F · Ab · C	—
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	—
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
III	Ab	Relative major — the bright side	Ab · C · Eb	—
iii	G#m	Chromatic colour chordoutside the key	G# · B · D#	12×
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	—
v	Cm	Minor dominant — soft pull	C · Eb · G	—
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	—
VI	Db	Submediant — warm colour	Db · F · Ab	—
vi	C#m	Chromatic colour chordoutside the key	C# · E · G#	8×
VII	D#	Subtonic — steps back to the tonic	D# · G · A#	6×
vii	D#m	Chromatic colour chordoutside the key	D# · F# · A#	8×
#VII	E	Chromatic colour chordoutside the key	E · G# · B	2×

Analysis

The key pair is Ab major and its relative F minor (4 flats). 5 different chords appear 36 times in total; 1 of them sit naturally inside the shared scale. C#m, E are borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over G#m, land on G#, B, D# — the chord's own tones always sound right on strong beats.
Over C#m, land on C#, E, G# — the chord's own tones always sound right on strong beats.
Over D#m, land on D#, F#, A# — the chord's own tones always sound right on strong beats.
On C#m, follow the chord's notes (C# · E · G#) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

1 semitone up
6 semitones up · capo 6 keeps the original pitch

The song's harmonic story

The opening G#m lays a solid floor for everything that follows. The backbone is G#m, C#m, D#m, D# — i–iv–v–V from the Ab side, iii–vi–vii–VII from the Fm side. C#m briefly darkens the picture: minor iv — borrowed from the parallel minor. Ending on G#m, the song seals Ab as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Nahide Babaşlı - Korkma Söyle Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Sancak

Music: Sancak

Arrangement: Oğuz Yılmaz

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