Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Aynur Aydın - Siyah Fırtına - Chord
Key Ab major – F minor Chords Fm, Eb, Bbm, Db, Dm Easy key G (capo 1)
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Key: Ab | Fm
Capo: 0
Bbm Fm Eb Db
Bana
Çabuk elini ver
Fm
Kalbim huzurunda
Eb
Beni sürükle gel
Db
Siyah fırtına
Bbm
Bana yakından bak
Fm
Bütün her yerim aşk
Eb
Sana teslim oldum
Db
Götür aşkla yak
Bbm Fm
Yaklaş korkma
Eb Db
Kaderin var benim ruhumda
Bbm Fm
Aşktan başka
Eb Db
Herşey sahte bu dünyada
Bbm Fm
Benim kalbim aşktan toz duman
Eb Db
Hadi gel sev çok geç olmadan
Bbm Fm
Gözlerin de hapset bir akşam
Eb Dm
Beni al götür siyah fırtınam
Bbm Fm Eb Db
La la la la la la la
Bbm Fm
Yaklaş korkma
Eb Db
Kaderin aşk unutma
Bbm Fm
Aşktan başka
Eb Db
Herşey sahte bu dünyada
Bbm Fm
Benim kalbim aşktan toz duman
Eb Db
Hadi gel sev çok geç olmadan
Bbm Fm
Gözlerin de hapset bir akşam
Eb Db
Beni al götür siyah fırtınam
Bbm Fm Eb Db
La la la la la la la
Bbm Fm
Gönlüme aktın ya
Eb Fm
Zehirlendim aşkla
Db
Bir hırsız gözlerin
Eb
Al götür kalbim senin
Bbm Fm
Benim kalbim aşktan toz duman
Eb Db
Hadi gel sev çok geç olmadan
Bbm Fm
Gözlerin de hapset bir akşam
Eb Dm
Beni al götür siyah fırtınam
Bbm Fm Eb Db
La la la la la la la
End of song Play again?
Aynur Aydın - Siyah Fırtına Tabs
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Harmony analysis
Aynur Aydın – Siyah Fırtına: key and chord analysis
The song opens on Bbm and ends on Db. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because Fm is heard 18 times while Ab never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 16× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | — |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 15× |
| #iv | Dm | Chromatic colour chordoutside the key | D · F · A | 2× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 18× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 18× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 18× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 16× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | — |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | 15× |
| #vi | Dm | Chromatic colour chordoutside the key | D · F · A | 2× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 18× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 5 different chords appear 69 times in total; 4 of them sit naturally inside the shared scale. Dm step outside the scale as colour chords.
Chord movement
- Bbm Fm Abii → vi Fmiv → iminor plagal ×16
- Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×1
- Db Fm AbIV → vi FmVI → iVI → i ×1
- Db Eb AbIV → VIV → V FmVI → VIIVI → VII ×1
The move to watch is Bbm → Fm, heard 16 times. From the Fm side it is iv → i (minor plagal: deep and melancholic); from the Ab side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 4 semitones up
The song's harmonic story
The first chord is Bbm; the ear learns where home is within a second. The chords that keep coming back are Fm, Eb, Bbm, Db; read them as vi–V–ii–IV in Ab or i–VII–iv–VI in Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bbm → Fm (ii → vi in Ab, iv → i in Fm): minor plagal — deep and melancholic. It closes on Db, letting the Ab side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Aynur Aydın - Siyah Fırtına Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Günay ÇobanMusic: Moh Denebi
Gavin Jones
Peter Sjöström
Gavin Jones
Peter Sjöström
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