Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Sedef Sebüktekin - Y.S.Y.S. - Chord
Key D major – B minor Chords Bm, G, Em, A, D, F# Easy key G (capo 7)
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Key: D | Bm
Capo: 0
Bm
Bakışlarında hep aklım, sana takılı kaldım
Bir şeyin bana zararlı, yanımda bile uzaksın
Bebeğim nerede aklın, sevemiyorsan uzak dur
Em G Bm
Kalbim vahşi düşüncesiz bir adamda
Em G Bm
Aklım her gün aptal olduğumu anlattı
Em G Bm
İsyan bastır içimde fırtınalarda
Em G Bm
Savruldum durdum
Em G Bm
Bana bir soru, ya da bir cevap
Em G Bm
Ya tutunacak bir iki öpücük ya da bir tokat at
Em G Bm
Kendine gelen, ben olabilirim
Em G Bm
Bebeğim ama sen, ya sev ya da sal beni
Em G Bm
(Bu şekilde devam ediyor)
Ya sev ya da sal beni
Ya sev ya da sal beni
G A
Derdin ne, gördüm o boşluğu gözünde
Bm D
Derdin ne? bir kez daha tutamazsın elinde
G F#
Bırak, hafiflet beni de kendinle
Bm
İnan çok keyfim yerindeydi kendi halimde
Em G Bm
Bana bir soru, ya da bir cevap
Em G Bm
Ya tutunacak bir iki öpücük ya da bir tokat at
Em G Bm
Kendine gelen, ben olabilirim
Em G Bm
Bebeğim ama sen, ya sev ya da sal beni
Em G Bm
(Bu şekilde devam ediyor)
Ya sev ya da sal beni
Ya sev ya da sal beni
End of song Play again?
Sedef Sebüktekin - Y.S.Y.S. Tabs
NotesX
Harmony analysis
Sedef Sebüktekin – Y.S.Y.S.: key and chord analysis
The song opens on Bm and ends on Bm. Its chords belong to both D major and Bm, so every chord below is read both ways.
Minor view
B minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = G (the minor's melancholy)
- b7 = A (natural-minor colour)
- #7 = A# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the B minor side because it both starts and finishes on Bm, Bm is heard 17 times against 1 for D and the major V chord points straight at Bm. That is an interpretation, not a rule — the same chords are just as valid seen from D major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | D | Tonic — home | D · F# · A | 1× |
| ii | Em | Supertonic — prepares the dominant | E · G · B | 14× |
| iii | F#m | Mediant — a tonic-family shade | F# · A · C# | — |
| V/vi | F# | Secondary dominant V/vi — leads to Bmsecondary dominant | F# · A# · C# | 1× |
| IV | G | Subdominant — moves away from home | G · B · D | 16× |
| V | A | Dominant — strongest pull home | A · C# · E | 1× |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | 17× |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | 17× |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| III | D | Relative major — the bright side | D · F# · A | 1× |
| iv | Em | Subdominant — moves away from home | E · G · B | 14× |
| v | F#m | Minor dominant — soft pull | F# · A · C# | — |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | 1× |
| VI | G | Submediant — warm colour | G · B · D | 16× |
| VII | A | Subtonic — steps back to the tonic | A · C# · E | 1× |
Analysis
The key pair is D major and its relative B minor (2 sharps). 6 different chords appear 50 times in total; 5 of them sit naturally inside the shared scale. The major V of Bm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from D, the same F# is V/vi, a secondary dominant heading for Bm.
Chord movement
- G Bm DIV → vi BmVI → iVI → i ×14
- F# Bm DV/vi → vi BmV → iharmonic-minor cadence ×1
- A Bm DV → videceptive cadence BmVII → iAeolian arrival ×1
- G A DIV → VIV → V BmVI → VIIVI → VII ×1
The move to watch is G → Bm, heard 14 times. From the Bm side it is VI → i (VI → i: falls a half step into home); from the D side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- When F# comes, swap the scale's A for A#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With D major shapes
- No capo — open D shapes
- Capo 2 + C shapes
- Capo 5 + A shapes
With B minor shapes
- Capo 2 + Am shapes
- Capo 7 + Em shapes
Easiest keys on guitar
- 5 semitones up · capo 7 keeps the original pitch
- 2 semitones down · capo 2 keeps the original pitch
The song's harmonic story
The opening Bm lays a solid floor for everything that follows. Bm, G, Em, A carry the song: vi–IV–ii–V relative to D, i–VI–iv–VII relative to Bm. F# is the interesting twist: in D it is a chromatic chord (V/vi), while in Bm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on G → Bm (IV → vi in D, VI → i in Bm): VI → i — falls a half step into home. It closes on Bm, letting the Bm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sedef Sebüktekin - Y.S.Y.S. Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Sedef SebüktekinMusic: Sedef Sebüktekin
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