Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Key D major – B minor Chords Bm, D, G, A/C#, A4/C# Easy key G (capo 7)
D
I know it's a bad idea
A4/C#
But how can I help myself
Bm
Been inside for most this year
G
And I thought a few drinks
D
They might help
It's been a while, my dear
A4/C#
Dealing with the cards life dealt
Bm
I'm still holding back these tears
G
While my friends are somewhere else
D
I pictured this year
A4/C#
A little bit different
When it hit February
Bm
I stepped in the bar
G
It hit me so hard
Oh, how can it be this heavy
D A4/C#
Every song reminds me you're gone
Bm
And I feel the lump form in my throat
'Cause I'm here alone
D A/C#
Just dancing with my eyes closed
Bm G
'Cause everywhere I look I still see you
D A/C#
Time is moving so slow
Bm G
And I don't know what else that I can do
So I'll keep dancing with my
D A/C# Bm
Ey ey ey eyes, ey ey ey eyes closed
Ey ey ey eyes
G
So I'll keep dancing with my
D
Delusion is here again
A/C#
And I think you'll come home soon
Bm
A word brings me right back in
G D
Then it's only me that's in this room
I guess I could just pretend
A/C#
The colours are more than blue
Bm
But I lost more than my friend
G
I can't help but missing you
D
I pictured this month
A/C#
A little bit different
Bm
No one is ever ready
G
And when it unfolds you get in a hole
Oh, how can it be this heavy
D A/C#
Everything changes, nothing's the same
Bm
Except the truth is, now you're gone
G
And life just goes on
D A/C#
So I'm dancing with my eyes closed
Bm G
'Cause everywhere I look I still see you
D A/C#
Time is moving so slow
Bm G
And I don't know what else that I can do
So I'll keep dancing with my
A/C# Bm
Ey ey ey eyes, ey ey ey eyes closed
Ey ey ey eyes
G
So I'll keep dancing with my
D A/C# Bm
Ey ey ey eyes, ey ey ey eyes closed
Ey ey ey eyes
G
Oh, I keep dancing with my
D
They're shutting the bar
A/C#
They're cleaning the floor
Bm
And everyone is already home
G
But I'm on my own
D A/C#
Still dancing with my eyes closed
Bm G
'Cause everywhere I look I still see you
D A/C#
Time is moving so slow
Bm G
And I don't know what else that I can do
So I'll keep dancing with my
D A/C# Bm
Ey ey ey eyes, ey ey ey eyes closed
Ey ey ey eyes
G
So I'll keep dancing with my
D A/C# Bm
Ey ey ey eyes, ey ey ey eyes closed
Ey ey ey eyes
G
Oh, I keep dancing with my
End of song Play again?
Harmony analysis
The song opens on D and ends on G. Its chords belong to both D major and Bm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between D major and B minor because it opens on D and Bm is heard 20 times against 19 for D. Try reading the chords both ways and see which feels more like home to you.
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | D | Tonic — home | D · F# · A | 19× |
| ii | Em | Supertonic — prepares the dominant | E · G · B | — |
| iii | F#m | Mediant — a tonic-family shade | F# · A · C# | — |
| V/vi | F# | Secondary dominant V/vi — leads to Bmsecondary dominant | F# · A# · C# | — |
| IV | G | Subdominant — moves away from home | G · B · D | 19× |
| V | A/C# | Dominant — strongest pull home | A · C# · E | 16× |
| V | A4/C# | Dominant — strongest pull home | A · C# · E | 4× |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | 20× |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | 20× |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| III | D | Relative major — the bright side | D · F# · A | 19× |
| iv | Em | Subdominant — moves away from home | E · G · B | — |
| v | F#m | Minor dominant — soft pull | F# · A · C# | — |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | — |
| VI | G | Submediant — warm colour | G · B · D | 19× |
| VII | A/C# | Subtonic — steps back to the tonic | A · C# · E | 16× |
| VII | A4/C# | Subtonic — steps back to the tonic | A · C# · E | 4× |
The key pair is D major and its relative B minor (2 sharps). 5 different chords appear 78 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is G → D, heard 17 times. From the D side it reads IV → I (plagal cadence: the soft 'amen' ending); from the Bm side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The opening D lays a solid floor for everything that follows. The chords that keep coming back are Bm, D, G, A/C#; read them as vi–I–IV–V in D or i–III–VI–VII in Bm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on G → D (IV → I in D, VI → III in Bm): plagal cadence — the soft 'amen' ending. It closes on G, letting the D side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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