Melike Şahin - Aşk Bitti - Chord

Key Eb major – C minor Chords Bb, Ab, Cm, Gm, Fm Easy key G

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Capo 0

       Cm      Ab                    Fm           Gm
Aşk bitti, elimden sanki minik bir balık kayıp gitti
       Cm      Ab                Fm          Gm
Aşk bitti, içimden sanki bir şeyler kopup gitti

Gm        Cm
Aşk hiç biter mi
Ab
Hiçbir şey olmamış gibi
     Fm                 Gm
Boşlukta kaybolup gider mi
        Ab                      Gm
Aşk hiç biter mi, aşk hiç biter mi

  Cm    Bb         Ab        Bb
Kalır adımızla bir sokak duvarında
    Cm       Bb         Ab         Bb
Bir ağaç kabuğunda, bir takvim kenarında
  Cm      Bb          Ab        Bb
Kalır bir çiçekte bir defter arasında
    Cm         Bb        Ab         Bb
Bir tırnak yarasında bir dolmuş sırasında
  Cm       Bb       Ab        Bb
Kalır bir odada bir yastık oyasında
    Cm     Bb        Ab      Bb
Bir mum ışığında bir yer yatağında
Cm        Ab                    Gm
Aşk hiç biter mi, aşk hiç biter mi

  Cm    Bb        Ab          Bb
Kalır dilimizde yinelenen bir şarkıda
    Cm     Bb          Ab        Bb
Bir okul çıkışında bir çocuk bakışında
  Cm      Bb          Ab        Bb
Kalır bir kitapta bir masal perisinde
    Cm       Bb        Ab       Bb
Bir hasta odasında bir gece yarısında
  Cm      Bb      Ab          Bb
Kalır bir durakta yırtık bir afişte
  Cm      Bb        Ab         Bb
Buruk bir gülüşte dağılmış yürüyüşte
Cm        Ab                    Gm
Aşk hiç biter mi, aşk hiç biter mi

  Cm      Bb          Ab        Bb
Kalır bir sokakta bir genel telefonda
    Cm     Bb          Ab        Bb
Bir soru yanıtında bir komşu suratında
  Cm      Bb          Ab        Bb
Kalır bir pazarda bir kahve kokusunda
    Cm     Bb            Ab        Bb
Bir tavşan niyetinde bir çorap fiyatında
  Cm        Bb        Ab        Bb
Kalır bir yosunda bir deniz kıyısında
    Cm        Bb        Ab        Bb
Bir martı kanadında bir vapur bacasında
Cm        Ab                    Gm
Aşk hiç biter mi, aşk hiç biter mi

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Melike Şahin - Aşk Bitti Tabs

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Harmony analysis

Melike Şahin – Aşk Bitti: key and chord analysis

The song opens on Cm and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 24 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	3×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	8×
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	—
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	25×
V	Bb	Dominant — strongest pull home	Bb · D · F	36×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	24×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	24×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv	Fm	Subdominant — moves away from home	F · Ab · C	3×
v	Gm	Minor dominant — soft pull	G · Bb · D	8×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	Ab	Submediant — warm colour	Ab · C · Eb	25×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	36×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 5 different chords appear 96 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Bb Cm EbV → videceptive cadence CmVII → iAeolian arrival ×18
Ab Bb EbIV → VIV → V CmVI → VIIVI → VII ×18
Gm Cm Ebiii → vi Cmv → inatural-minor cadence ×5

The move to watch is Bb → Cm, heard 18 times. From the Cm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the Eb side it reads V → vi (deceptive cadence: expected Eb, lands on Cm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

4 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

Starting on Cm, the song gives away its key from the very first bar. The backbone is Bb, Ab, Cm, Gm — V–IV–vi–iii from the Eb side, VII–VI–i–v from the Cm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bb → Cm (V → vi in Eb, VII → i in Cm): Aeolian arrival — rises a whole tone into home. The final chord is Gm; the ear comes to rest in Eb.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.