Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Akif Alkan - Aşk Bitti - Chord
Key Bb major – G minor Chords Dm7, Ebmaj7, Cm7, Bbmaj7, F Easy key C
No ratings yet
or your user informations
Make it yours
Text size
Key: Bb | Gm
Capo: 0
Ebmaj7 Dm7 Cm7 Dm7 Ebmaj7 Dm7 Cm7 Dm7
Ebmaj7 Dm7 Cm7 Dm7 Ebmaj7 Dm7 Cm7
Ebmaj7 Bbmaj7
Toparladım bütün kırgınlıklarımı
Ebmaj7 Bbmaj7
Yeniden saydım beni üzdüğün zamanları
Ebmaj7 Bbmaj7
Yokluğunda çok düşündüm gelirsen naparım diye
Ebmaj7 Bbmaj7
O bile beni bu kadar üzmeye yetmedi
Cm7 Dm7 Ebmaj7 Dm7
Ne olur tekrar yorma kendiniii
Cm7 Dm7 Ebmaj7 Dm7
Uğradığım ihanete gücüm yetmedi
Cm7 Dm7 Ebmaj7 Dm7
Yaranamadııııım, sevdiremedim kendimi
Cm7 Dm7 Ebmaj7 F
Aklım ermedi, ne istedin de vermedim
Ebmaj7 Dm7 Cm7 Dm7
Artık olamam senle bir kez daha, olamam yetti
Ebmaj7 Dm7 Cm7 Dm7
Yanında da kalamam, aşığın olamaz tenim
Ebmaj7 Dm7 Cm7 Dm7
Başka bedenleri koklarsın yerime şimdi
Ebmaj7 Dm7 Cm7 Dm7
Çok arar bulursun ya sana verdiğim bu değeri
Ebmaj7 Dm7 Cm7 Dm7
Artık olamam senle bir kez daha, olamam yetti
Ebmaj7 Dm7 Cm7 Dm7
Yanında da kalamam, aşığın olamaz tenim
Ebmaj7 Dm7 Cm7 Dm7
Başka bedenlerde koklarsın yerime şimdi
Ebmaj7 Dm7 Cm7 Dm7
Çok zarar verdin bu kez yok aşk bitti
Ebmaj7 Dm7 Cm7 Dm7 Ebmaj7 Dm7 Cm7 Dm7
Ebmaj7 Dm7 Cm7 Dm7 Ebmaj7 Dm7 Cm7 Dm7
Ebmaj7 Bbmaj7
Yokluğunda çok üşüdüm ama ısınırım yine
Ebmaj7 Bbmaj7
Ateşin bile beni eritmeye yetmedi
Ebmaj7 Dm7 Cm7 Dm7
Yarınlara varamaaaam
Ebmaj7 Dm7 Cm7 Dm7
Yarınların olmamaaaam
Ebmaj7 Dm7 Cm7 Dm7
Yaralarını saramaaaam
Ebmaj7 Dm7 Cm7
Aşk bitti
End of song Play again?
Akif Alkan - Aşk Bitti Tabs
Intro
E-----------------------|-----------------------|
B-----------------------|-----------------------|
G-0-2-3-2-0---3-2-0-3\5-|-0-2-3-2-0---2\3-2-0---|
D-----------3-----------|-----------3---------1-|
A-----------------------|-----------------------|
E-----------------------|-----------------------|
{---------X3-----------} {---------X1----------}
NotesX
Harmony analysis
Akif Alkan – Aşk Bitti: key and chord analysis
The song opens on Ebmaj7 and ends on Cm7. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb major side because Bb is heard 6 times while Gm never appears. That is an interpretation, not a rule — hearing the same chords from G minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| Imaj7 | Bbmaj7 | Tonic — home | Bb · D · F · A | 6× |
| ii7 | Cm7 | Supertonic — prepares the dominant | C · Eb · G · Bb | 24× |
| iii7 | Dm7 | Mediant — a tonic-family shade | D · F · A · C | 45× |
| III | D | Chromatic colour chordoutside the key | D · F# · A | — |
| IVmaj7 | Ebmaj7 | Subdominant — moves away from home | Eb · G · Bb · D | 30× |
| V | F | Dominant — strongest pull home | F · A · C | 1× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | — |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | — |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| IIImaj7 | Bbmaj7 | Relative major — the bright side | Bb · D · F · A | 6× |
| iv7 | Cm7 | Subdominant — moves away from home | C · Eb · G · Bb | 24× |
| v7 | Dm7 | Minor dominant — soft pull | D · F · A · C | 45× |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VImaj7 | Ebmaj7 | Submediant — warm colour | Eb · G · Bb · D | 30× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | 1× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 5 different chords appear 106 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Ebmaj7 Bbmaj7 BbIVmaj7 → Imaj7plagal cadence GmVImaj7 → IIImaj7 ×6
- Ebmaj7 F BbIVmaj7 → VIV → V GmVImaj7 → VIIVI → VII ×1
The move to watch is Ebmaj7 → Bbmaj7, heard 6 times. From the Bb side it reads IVmaj7 → Imaj7 (plagal cadence: the soft 'amen' ending); from the Gm side it is VImaj7 → IIImaj7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Dm7, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Ebmaj7, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- Over Cm7, land on C, Eb, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
The first chord is Ebmaj7; the ear learns where home is within a second. The chords that keep coming back are Dm7, Ebmaj7, Cm7, Bbmaj7; read them as iii7–IVmaj7–ii7–Imaj7 in Bb or v7–VImaj7–iv7–IIImaj7 in Gm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ebmaj7 → Bbmaj7 (IVmaj7 → Imaj7 in Bb, VImaj7 → IIImaj7 in Gm): plagal cadence — the soft 'amen' ending. The final chord is Cm7; the ear comes to rest in Bb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Akif Alkan - Aşk Bitti Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Akif AlkanMusic: Akif AlkanArrangement: Mavi Gri
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.